Ficool

Pixel Guard

AstorPendragon
14
chs / week
The average realized release rate over the past 30 days is 14 chs / week.
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Synopsis
He spent three years killing people for money. Now his job is making sure nobody kills the girl dressed as a cat goddess. In the near future, mega-corporations have discovered that cosplayers are worth more than celebrities. The top performers live like idols — private jets, penthouse suites, merchandise deals worth more than small nations' GDPs. They also attract obsessive fans, corporate espionage, and occasionally, people with guns. Kai Reuben, 21, is the most capable person in any room he walks into and the most uncomfortable. Three years as a mercenary left him fluent in threat assessment, efficient in a fight, and completely unequipped for civilian life. Peacetime is loud. People's emotions are data he doesn't know how to file. He has constructed a pleasant face for public use and it has been stuck there ever since. He retired eight months ago because the world got too peaceful and his reputation got too large — other mercenaries couldn't beat him, so they started targeting the people near him instead. He walked away before anyone else got hurt. He has been trying to figure out what to do with himself ever since. He does not figure this out at a cosplay convention on a Saturday afternoon. What he does instead is deflect a bullet with a combat knife in front of thirty thousand live viewers, neutralise three armed assailants, critique the venue's west walkway security to the responding officers, and retrieve his cold brew. The clip hits one million views before midnight. The cosplay internet decides he's the most committed method actor they've ever seen. NovaCorp's Director Chantal decides something more accurate and makes a call. By Sunday morning, Kai Reuben has a new job he didn't ask for, a contract he probably should have read more carefully, and a problem he has absolutely no protocol for. PIXEL GUARD is a light novel in the action romantic comedy tradition — overpowered protagonist, genuine emotional stakes, and a harem that operates less like a competition and more like a slowly assembling disaster that Kai is professionally equipped to survive and personally entirely unprepared for. The action is real. The comedy is real. The feelings, which Kai has filed under pending further classification and fully intends to address at a later date, are very real. He is going to have to stop moving toward the threat eventually. He is not there yet. [ Action · Romantic Comedy · Harem · Overpowered MC · Idol Industry · Found Family · Slow Burn · Comedy of Errors ]
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Chapter 1 - The Footage

The stream had been live for forty-two minutes when it happened.

Mika's camera was pointed at a cosplayer in an elaborate gold-and-crimson armour set, the kind that looked structurally impossible until you realized the builder had spent four months reverse-engineering the weight distribution from scratch. Mika was explaining this to her thirty-one thousand live viewers in the warm, specific way she explained things she found genuinely impressive, which was the same way she explained everything, which was why thirty-one thousand people were watching a cosplay convention walkthrough on a Saturday afternoon.

"—and the pauldrons are fully articulated, she tested fifteen different hinge systems before she found one that didn't catch on the breastplate—"

Chat was appreciating this. Chat appreciated most things Mika did.

Behind the camera, mostly out of frame, Mika's brother was not appreciating anything in particular. He was standing at a slight angle to the crowd with his PRESS lanyard around his neck and his professionally pleasant expression installed and running, and he was doing what he always did in unfamiliar environments.

Assessment. Objective: identify threats. Status: ongoing.

Four exits. East wall: two sets of double doors, both propped open, crowd flow moderate. North wall: single fire exit, alarmed, no current personnel. South: main entrance, security checkpoint, two guards, adequate visibility. West: merchandise wall, no exit, partial blind spot behind the second display unit from the left.

Ceiling: fourteen metres. Exposed HVAC. Two elevated walkways on the second floor, east and west sides. No security presence on either walkway. The east walkway had a direct sightline to the main stage area at the north end of the hall. Someone with basic training and fifteen minutes of preparation could set up a position there and have coverage of sixty percent of the floor.

Kai noted this.

He noted it the way he noted everything: without drama, without urgency, filed under the category of things that are currently not a problem and will probably remain not a problem because this was a cosplay convention in a city that had been functionally peaceful for two years and the worst thing likely to happen today was someone's prop breaking. He had been filing things under that category for two years. It had not made the filing feel less necessary.

Peacetime was, in his assessment, very loud.

"Kai." Mika's voice, off-camera. "Can you hold this?"

She was passing him her secondary camera bag without looking. He took it. He had been holding various items for her for forty-two minutes — the secondary bag, a lens cap, a signed print she'd received from a cosplayer they'd stopped to interview, a paper cup of something that had been cold brew when she handed it to him and was now whatever temperature ambient convention hall air produced in forty minutes.

He held the bag. He continued his assessment.

The crowd density was highest near the north stage, where a performance was scheduled for the three o'clock slot. Current time: 14:47. Thirteen minutes to the performance. The crowd was already thickening. He could see the NovaCorp section from here — a branded booth along the east wall, blue and white corporate colours, a small cluster of cosplayers in coordinated costumes doing a meet-and-greet with a queue that had been growing for the past twenty minutes.

NovaCorp was one of three mega-corporations that had, in the last five years, discovered that cosplayers were a more efficient marketing vehicle than traditional celebrity endorsement. Mika had explained this to him on the drive over. He had listened. He had filed it under context, not operational.

He was looking at the NovaCorp booth for no particular reason when he saw her.

Assessment halted.

Duration: approximately two seconds.

She was standing near the booth's right edge, not in the branded section — adjacent to it, slightly outside the corporate perimeter, which he noted because it was the kind of positioning choice that meant something even if the person making it hadn't made it consciously. She had a line of fans in front of her, maybe fifteen people, and she was working through them with the specific warm patience of someone who had done this many times and had not let the repetition hollow it out.

The staff was custom. He could identify a commercial prop from forty metres, and this wasn't one — the weight distribution was wrong for plastic, and the crescent shape caught the hall light differently from the other props he'd observed today, which meant different material composition, which meant someone had sourced and fabricated it specifically. The robes moved correctly for the fabric weight the character wore. The wig colour was the specific not-quite-white, not-quite-silver that he had watched an animator explain in a behind-the-scenes clip that Mika had sent him two years ago with the message: this is the reference they used, they really cared about it.

He had watched the clip. He had filed it. He had not thought about why he'd watched it twice.

Lirien.

Not someone dressed as Lirien. Lirien, standing sixty metres away at a cosplay convention, talking to fans, holding the crescent staff at the angle she held it in episode seven when she was explaining something she found important and didn't want the other person to miss.

He became aware that he had stopped moving.

He restarted. Filed the two-second halt under: anomalous response, cause unidentified, not operationally relevant. Picked up the assessment where he'd left it. West wall, merchandise blind spot, no visible personnel—

"—okay chat, we're going to head toward the north stage for the three o'clock show," Mika was saying, camera panning, "and then I want to find the NovaCorp cosplayers because I heard Seraphine Holt is doing a full Lirien set today and her craftsmanship is genuinely—"

She stopped.

The camera kept recording.

Mika had good instincts, which was something she'd inherited from the same place Kai had and expressed completely differently. What she'd inherited manifested in him as a constant low-level threat assessment. What it manifested in her as was the specific awareness of when a room had changed.

The room had changed.

She turned the camera toward the north end of the hall.

* * *

What the footage showed, depending on which of the forty-seven different angles that were circulating within six hours of the incident, was this:

The north stage area. The crowd, thickened now for the three o'clock performance. The NovaCorp cosplayers finishing their meet-and-greet. Seraphine Holt — recognizable in the Lirien costume, crescent staff, the right wig, the right robes — beginning to move toward the stage along the designated talent pathway, flanked by two of the event's security contractors.

Three men entering from the west side through the merchandise blind spot that Kai had noted fourteen minutes earlier.

The security contractors going down — not shots, something else, fast, the kind of takedown that required training and preparation and had clearly had both.

The crowd not yet understanding what was happening, which was the window, which was what the three men were using.

One of them had a gun.

He had it out and aimed before the nearest bystanders had processed that the security contractors were on the ground, and in the moment before the crowd understood and the chaos started, there was a strange suspended quality to it — the cosplayer in the Lirien costume, the crescent staff lowered now, looking at the man with the gun with an expression that the cameras caught from multiple angles and that the internet would spend a significant amount of time discussing afterward, an expression that was not quite fear and not quite calm and was the expression of someone whose body had understood the situation before her mind had caught up.

Then there was a person between her and the gun.

The footage disagreed on exactly where he came from. The north-stage camera had him entering the frame from the right at a pace that the various people who analysed the clip afterward described as: fast, very fast, unreasonably fast, that's not a human running that's a man-shaped event occurring, and several variations on did they speed this up. Mika's stream had the best angle because she'd been turning toward the commotion and had caught him in profile — the PRESS lanyard still around his neck, the paper cup of cold brew still in his left hand, which he set down on the nearest surface (a merchandise display table, knocking over a row of keychains) with the specific economy of someone prioritising their hands for something else.

He put himself between Seraphine Holt and the man with the gun.

He was not performing this. There was no drama in it, no announcement, no the-hero-has-arrived quality to his positioning. He simply occupied the space and assessed.

Three men. One firearm, visible. Two without visible weapons, which didn't mean unarmed, noted. Distance to the nearest: six metres, closing. The crowd was starting to react — the noise was building, the edges of the crowd beginning to push back, which would create secondary problems within approximately twenty seconds. The man with the gun had adjusted his aim, which meant he was committed, which meant the window for any approach that didn't involve the gun was closing.

Kai's brain, which had been quietly uncomfortable for the past forty-two minutes of civilian peacetime, went very still.

Assessment complete. Action: indicated.

The man with the gun fired.

What the footage showed — and this was the part that circulated separately from the rest, that got clipped and edited and reposted approximately fourteen thousand times in the first forty-eight hours and generated comment sections full of people insisting it was a stunt, a setup, a camera trick, a misidentification of a sound effect for a gunshot — was Kai Reuben's right hand coming up, the combat knife that had been at his hip suddenly present in it, and the bullet not reaching Seraphine Holt.

The clip was 0.8 seconds long.

It contained a movement that required, according to the three separate military consultants various entertainment channels brought in to weigh in on it, a reaction time that was not considered achievable, a degree of spatial calculation that would require continuous real-time processing at a level inconsistent with human cognition under stress, and a level of commitment to the outcome that one consultant described as: he wasn't trying to maybe deflect it, he had already decided it would work and his body was just executing the decision.

The third consultant said: either that's not real or that man is not normal.

Both were slightly wrong. It was real, and Kai was not not-normal in any way he would have recognised — he had simply, between the ages of fifteen and twenty-one, spent more time in situations where things were flying at him than in situations where they weren't, and the body learned what the body was given sufficient opportunity to learn.

The knife rang.

He registered the impact up through his wrist and into his shoulder — not injury, vibration, the specific feedback of a deflection rather than an absorption — and was already moving before the bullet had finished its altered trajectory into the floor six feet to the left.

The next forty seconds were not in most of the circulating clips because the cameras had been jostled by the crowd reaction. Mika's stream had the audio — the sound of it was three impacts, a brief exchange of what her viewers would later confirm was extremely calm and clipped conversation, and then a fourth impact that was heavier than the others and suggested someone had gone down and stayed there.

When the cameras settled, three men were on the ground. Two event security personnel were arriving at a run from the east entrance, which was two exits away, which meant they had been approximately thirty seconds away when the situation started and were arriving approximately thirty seconds after it had ended.

Kai was standing in front of Seraphine Holt.

The combat knife was back at his hip.

He still had the PRESS lanyard on.

He looked at her with the professionally pleasant expression — the one that said I am not a threat, the one that had been installed and running all day — and said, at a volume that Mika's camera microphone caught and that would be subtitled by approximately four hundred different people over the following week:

"Are you injured?"

Seraphine Holt — whose eyes were doing something that the cameras caught from multiple angles and that the internet would also spend time discussing — said nothing for a moment.

Then: "You deflected a bullet."

"Partially deflected," Kai said. "It still went somewhere. You should move back from that area."

She looked at him.

He looked at her.

He was aware, in the specific way he was aware of things he filed under unresolved, cause unknown, that she was wearing the Lirien costume. He was aware of the crescent staff in her hand and the specific way she was holding it, which was still the episode seven angle, which she probably didn't know was the episode seven angle, which was information he did not have a category for.

He was also aware that the two event security personnel had arrived and that the situation required a handover and that Mika was going to have a significant amount of content to edit tonight and that the three men on the ground needed to be processed and that he should probably retrieve his cold brew because he'd paid for it.

He turned toward the arriving security personnel.

Behind him, without turning back: "The one in the middle is conscious. He won't cause further problems. The other two will be out for approximately twenty minutes."

He said this in the same tone he'd used to tell her she should move back from the area.

The security personnel looked at him. They looked at the three men on the ground. They looked at the PRESS lanyard.

"Volunteer," Kai said. "I was in the area."

* * *

Mika's stream stayed live through the security response, the arrival of actual law enforcement, the statement process, and the forty minutes of standing around that followed all of those things, during which she periodically checked in with her chat and periodically checked on her brother, who was standing slightly apart from the main cluster of people with the pleasant expression and the empty paper cup and the overall affect of someone who found the current situation unremarkable.

Her chat, which had peaked at sixty-eight thousand during the incident and had not dropped below fifty-five thousand since, had opinions.

is that her brother / THAT'S HER BROTHER?? / mika your brother is a fictional character / the lanyard. the LANYARD. he's wearing a press lanyard / he put the coffee down first. he put the coffee down first and THEN / wait is he eating something now

He was. Someone had handed him a wrapped rice ball from a nearby food vendor who had apparently felt that providing food was the correct response to witnessing something extraordinary, and Kai had accepted it with the pleasantly neutral expression and was eating it while law enforcement processed the scene around him.

Mika put the camera on him for a moment.

He looked at the camera.

"Don't," he said.

"Chat wants to know how you're doing," Mika said.

"Fine." He took another bite of the rice ball. "Tell them the security on the west walkway was insufficient."

"He says he's fine," Mika told her chat, "and that the west walkway security was insufficient."

tell him we love him / the west walkway. he's critiquing venue security while eating a rice ball / i need him to know the clip is already at 400k views / FOUR HUNDRED THOUSAND

"Chat says the clip is at four hundred thousand views," Mika said.

Kai looked at her. The pleasant expression did a thing she recognised — a very slight shift, the one that meant he was processing something he hadn't filed yet.

"What clip," he said.

Mika smiled.

It was her on-camera smile and her off-camera smile simultaneously, which only happened when something was genuinely, completely, absolutely worth smiling about.

"Kai," she said, "I think we need to talk."

* * *

The clip hit one million views before midnight.

By the following morning, it had been reposted across seventeen platforms, dissected by six different content creators, analysed by two (self-described) physicists and three (actual) martial arts practitioners, and had generated a comment section consensus that could be summarised as: either this is the most committed cosplay bit in history or someone needs to hire that man immediately.

The cosplay community had, with the speed and thoroughness that only a highly online fandom operating on full enthusiasm could manage, determined that Kai was clearly a method actor who had come to ArcLight Con in character as an unnamed protagonist and had committed to the bit with a level of dedication that was either deeply impressive or deeply concerning depending on who you asked. His PRESS lanyard was a prop. The combat knife was obviously decorative. The deflection was a stunt that someone had clearly spent significant time training for.

The cold brew cup was cited, repeatedly, as the most iconic detail.

he put it down so carefully. he wasn't going to waste it. he was always coming back for it. / the dedication. you can see him looking for where he set it while the police are still writing things down. / he found it. it's in the rice ball footage. bottom left corner. he retrieved it.

He had, in fact, retrieved it. It was room temperature by that point, which he noted and accepted as an operational cost.

Seraphine Holt's publicist issued a brief statement thanking the unnamed individual for his intervention and confirmed that she was uninjured. Seraphine Holt herself posted nothing for approximately fourteen hours, and then posted a single image — a photograph of the convention hall, taken from the stage area, with a short caption that her two point three million followers immediately screenshot and reposted.

The caption said: I met someone today who reminded me why I love this.

She did not elaborate.

Her comments section had a range of interpretations. The top comment, with four hundred and twelve thousand likes, said: seraphine holt has a villain arc incoming and i am HERE for it.

She was not having a villain arc.

She was sitting in her dressing room in the venue's talent area, still in the Lirien costume because she hadn't been able to make herself change yet, holding the crescent staff in both hands, thinking about the moment when there had been a person between her and the gun and the person had looked at her with an expression she couldn't name and asked, in the same tone one might use to ask if she'd like something from the vending machine, if she was injured.

She had done the Lirien costume for four years. She knew the character. She had read every interview the show's creators had given, watched every behind-the-scenes clip, understood the design choices and the narrative function and the specific way Lirien stood in episode seven when she was explaining something she found important.

She had not, until today, understood the scene in episode nineteen where Ren stepped in front of her and she couldn't speak for a moment.

She understood it now.

She put that information in a folder she was not going to open right now and thought about practical things instead, which was something she was good at. The attack had been targeted — the police had confirmed it was a planned incident, not opportunistic, which meant it would happen again if the conditions were right, which meant her current security arrangements were insufficient, which meant she needed to talk to Director Chantal.

She was going to need different security.

She looked at the crescent staff.

She thought about the PRESS lanyard.

She thought about: partially deflected. It still went somewhere.

She picked up her phone and called Director Chantal.

* * *

Director Chantal had already seen the clip four times before Seraphine called.

She was very good at her job, which meant she was very good at identifying things that other people had not yet identified as things that needed identifying. She ran the NovaCorp Talent Division with the precision of someone managing a small army of extremely high-value, extremely visible, extremely chaotic human beings, which was what she was doing, and she had been doing it for long enough that almost nothing surprised her.

The clip had surprised her.

Not the incident — incidents happened, security was a constant calibration problem, the west walkway thing was going in a memo — but the specific quality of the response. She had run threat assessments on every piece of contracted security she'd ever used. She knew what trained looked like. What she'd watched in that clip was not trained in any conventional sense. Trained was prepared. What the clip showed was something that had processed the situation and acted on it before preparation had been relevant.

She had made three calls before Seraphine's came in, and she had a name before she answered it.

Kai Reuben. Twenty-one years old. Former PMC, three-year operational record, retired — voluntarily, which was unusual — approximately eight months ago. No current employment. No fixed address on file, which meant he was staying somewhere temporary. Sister: Mika Reuben, streamer, ArcLight Con press credential.

That was how he'd been in the building.

He'd come as his sister's plus-one.

She thought about this while Seraphine talked. She made the appropriate listening sounds. She agreed that the security arrangements were insufficient. She said she would handle it.

When Seraphine hung up, she looked at the clip one more time.

The cold brew cup. The rice ball. The PRESS lanyard.

The expression on his face when he looked at Seraphine Holt — professionally neutral, except for a small window of approximately half a second before he reinstalled the professional neutrality, during which something else was briefly present.

She made a note.

She was going to need to have a conversation.

* * *

Kai had not told Mika about Sovereign of the Boundless Sky.

He had not told anyone about Sovereign of the Boundless Sky. It was the kind of information that had no operational relevance and significant personal exposure, and the intersection of those two categories was where he kept things. It was a three-year-old show about a man who got dropped into a fantasy world and discovered his power only worked if he kept moving toward the threat. He had watched it at seventeen on a cracked tablet in the dark, one episode per night, on a deployment that he did not think about in any more detail than was necessary.

He had finished the finale the morning after the worst night of that deployment.

He did not think about that either.

What he thought about, on the way home in the passenger seat while Mika drove and talked about her stream metrics and the comment section and the fact that the clip was now at one point two million and climbing, was the practical situation. He had intervened in a targeted security incident at a public event. The perpetrators were in custody. The target was uninjured. He had given a statement. He had retrieved his cold brew.

These were the facts. They were all filed.

What he had not filed, because he did not have a category for it, was the moment when he'd turned back after the handover and she had been looking at him with the expression that the cameras had caught and that the internet was discussing, the expression he didn't have a name for.

He had the episode nineteen Lirien expression in his memory at sufficient resolution to compare.

He was not doing that comparison.

"You're not listening," Mika said.

"You said the clip is at one point two million."

"I said it was at one point two million four sentences ago. I've been talking about other things since."

"What things."

"I was asking if you're okay."

He looked at the window. City passing. Adequate lighting on this route, low pedestrian density, no current concerns.

"Fine," he said.

Mika was quiet for a moment, which was unusual. When she was quiet there was usually a reason.

"She's going to look for you, you know," Mika said.

"The police have my contact details."

"Not the police." A beat. "Kai."

He looked at her.

She had the on-camera smile and the off-camera smile at the same time again.

"She was still holding the staff at the episode seven angle," Mika said, "when they took the official statement photos. I noticed."

He said nothing.

"I have four thousand comments asking who you are," Mika said. "I haven't told them yet. I'm considering my options."

"Don't."

"I'm just saying. Options."

He turned back to the window.

One point two million views. A targeted attack on a high-value cosplay talent at a major public event. Insufficient venue security, specifically the west walkway. A crescent staff that had taken someone four years to get right.

The episode seven angle.

He filed all of it under: noted. Pending further classification.

Outside, the city continued being very loud and entirely peaceful, which was the part he had never quite figured out how to be comfortable with.

His phone buzzed.

Unknown number. He answered.

"Mr. Reuben," said a woman's voice — precise, unhurried, the voice of someone who had decided how a conversation was going to go before it started. "My name is Chantal Voss. I'm the Director of the NovaCorp Talent Division. I'd like to offer you a job."

Kai looked at the city going past the window.

"I'm not currently seeking employment," he said.

"I know," said Director Chantal. "I'd like to change that. Are you free tomorrow morning?"

A beat.

"There's something you should know first," Kai said.

"What's that?"

"I'm not an actor. I'm not a cosplayer. I'm not a method performer or a stuntman or whatever the comment sections have decided I am." He paused. "The deflection was real. The knife is real. None of it is a bit."

Director Chantal was quiet for a moment.

"Mr. Reuben," she said, "I know exactly what you are. That's why I'm calling." Another pause, shorter. "Are you free tomorrow morning?"

Kai looked at his phone. Looked at the window. Looked at Mika, who was clearly not watching the road as carefully as she should have been given that she was also clearly listening to every word of this conversation.

He thought about the west walkway. The insufficient security. The targeted nature of the incident and what that meant for probability of recurrence.

He thought about the crescent staff.

He did not think about the episode seven angle.

"Yes," he said. "I'm free."

He hung up. He put his phone in his pocket.

Mika said nothing for four seconds, which was a record.

Then: "So."

"Don't."

"I'm not saying anything."

"You're about to say something."

"I'm just noting," Mika said, with the smile, "that the comment sections are going to absolutely lose their minds when they find out you took the job."

Kai looked at the window.

Somewhere behind them, at the venue, a woman in a Lirien costume was sitting in a dressing room holding a crescent staff and thinking about something she'd put in a folder she wasn't going to open yet.

He did not know this.

He noted, without examining why, that the city seemed slightly less loud than it usually did.

He did not file that.

Some things, he had learned, were better left pending.

— End of Chapter 1 —