Ficool

I Woke Up In Chris Brown Body

Thetribes
7
chs / week
The average realized release rate over the past 30 days is 7 chs / week.
--
NOT RATINGS
580
Views
Synopsis
A massive, glass-walled mansion in the Hollywood Hills. Silence, except for the hum of the AC. Lil Dicky (as Chris Brown): "I didn't just wake up in his body; I woke up in his consequences. I checked the mirror, did a backflip just because I could, and spent a solid five minutes admiring the fact that I didn't have to worry about my hairline anymore. But then the phone started vibrating. Not a normal vibrate. A 'world-is-waiting-for-you' vibrate. Eleven missed calls from a manager, six texts about a music video shoot I don't know the choreography for, and a text from an ex that I definitely wasn't prepared to reply to. Yesterday, I was worried about my Uber Eats rating. Today, I’m responsible for a multi-platinum legacy. And the worst part? The 24-hour mark passed . I'm still here. I’m Chris Brown... and I have no idea how to be him."
VIEW MORE

Chapter 1 - The Impact

The air in Los Angeles usually feels like expensive perfume and exhaust fumes, but tonight, for David Burd—known to the world as Lil Dicky—it just felt heavy. He was sitting in the back of a black SUV, staring at his reflection in his phone screen. He wasn't happy with his hair; he wasn't happy with his latest verse; he wasn't happy with the fact that his left eyelid had been twitching for three hours.

"It's just a party, Dave," he muttered to himself. "You go in, you make three self-deprecating jokes, you drink one sparkling water, and you leave."

On the other side of the city, the air was moving much faster. Chris Brown was behind the wheel of a custom Lamborghini, the engine screaming a mechanical war cry as he tore down Sunset Boulevard. The bass from his own unreleased track was vibrating the carbon-fiber frame so hard it felt like the car was breathing. For Chris, speed wasn't a risk; it was a baseline. He had people waiting for him, a club to turn up, and a reputation to maintain as the guy who lived life at 150 miles per hour.

The Intersection of Fate

Dave's driver, a quiet man named Marcus, slowed down as they approached a yellow light near a construction zone. Dave was mid-text, complaining to his manager about a catering oversight on his next shoot.

"I'm just saying, if I ask for almond butter and they bring peanut butter, it's a biological threat, Marcus. It's not just a preference, it's—"

He never finished the sentence.

At that exact microsecond, three miles away, Chris's front tire hit a patch of oily slick near a sharp curve. The Lamborghini didn't just slide; it pirouetted. It was a beautiful, terrifying dance of Italian engineering losing its grip on reality. Chris gripped the wheel, his knuckles white, his instinct for control kicking in—but gravity and momentum are gods that don't take bribes. The car clipped a concrete barrier, sent a spray of sparks into the night sky, and began a violent, end-over-end tumble down the embankment.

Simultaneously, at the construction zone, a crane operator made a catastrophic error. A steel beam, suspended forty feet in the air, snapped its primary cable.

Dave looked up just in time to see the shadow engulf the SUV. "Oh, you've got to be kid—"

CRASH.

The sound was universal. The screech of tearing metal, the crystalline shatter of safety glass, and then—the silence.

The In-Between

There is a space between life and death that isn't a cloud or a tunnel. It's a frequency. In that moment, the consciousness of David Burd, vibrating with anxiety and unfinished business, collided with the consciousness of Christopher Brown, vibrating with adrenaline and ego.

In the wreckage of the SUV, Dave's heart stopped for forty-two seconds.

In the wreckage of the Lamborghini, Chris's heart stopped for forty-two seconds.

The universe, in a moment of cosmic filing error, saw two "Out of Office" signs at the same time and simply swapped the mail.

Friday Morning: The Awakening

The first thing David felt was the smell. It wasn't the sterile, bleach-heavy scent of a standard hospital. It was the smell of Le Labo Santal 33, expensive leather, and something metallic.

His eyes didn't open easily. They felt heavy, like they had been glued shut with the finest silk. His body felt... different. Usually, Dave woke up with a dull ache in his lower back and a general sense of physical fragility. Today, he felt like he was made of solid mahogany.

He groaned, and the sound that came out of his throat wasn't his usual nasal, high-pitched rasp. It was a rich, melodic baritone—a sound that could sell a million records just by clearing its throat.

"Mr. Brown? Christopher? Can you hear me?"

Dave's eyes snapped open. The ceiling was white, but the light hitting it was golden. He turned his head—smoothly, without the usual neck crack—and saw a nurse who looked like she had been hand-picked by a modeling agency.

"Who... who are you talking to?" Dave asked. His voice sounded like velvet. It terrified him.

"You're in the VIP wing at Cedars-Sinai," the nurse said, her voice trembling with relief. "You've been in a coma since the accident Tuesday night. It's Friday morning, Chris. You're a miracle."

Dave's heart began to hammer against his ribs. But it wasn't the frantic pitter-patter of a neurotic Jewish rapper from Philly. It was a powerful, athletic thud.

"I'm who?"

"You're confused, it's the sedation," she soothed, leaning over to check his vitals.

Dave pushed himself up. His arms were covered in tattoos he didn't recognize—intricate ink, lions, aliens, symbols. His skin was several shades darker than the pale, sun-deprived complexion he'd had his entire life. He looked down at his hands. They were large, calloused, and powerful.

He lunged for the vanity mirror on the rolling tray table.

"Sir, you need to rest!"

Dave grabbed the mirror. The face staring back wasn't the face of the man who wrote "Pillow Talking." It was the face of the most famous R&B singer on the planet. Sharp jawline, perfectly groomed stubble, and eyes that looked like they had seen everything.

"I'm... I'm Breezy?" Dave whispered, watching the lips in the mirror move in perfect synchronization. "I'm Chris Brown?"

He looked down at his crotch, remembering the song they had done together. A slow, hysterical laugh began to bubble up in his chest.

"Oh my god. I'm really him. I'm really, really him."

But then, the weight of it hit him. If he was here, in this body, where was Dave?

Elsewhere: The Silent Room

In a much quieter, much more clinical room on the other side of the hospital, a body lay shrouded in tubes and wires. The chart at the end of the bed read: BURD, DAVID.

The machines chirped a steady, rhythmic beat. The man in the bed looked frail, his curly hair matted against the pillow. His eyes remained shut. Deep inside that mind, the real Chris Brown was screaming, trapped in a body that didn't know how to dance, couldn't hit a high C, and—worst of all—was currently in a Grade 4 medically induced coma with no signs of waking up.

Lil Dicky was living the dream. Chris Brown was trapped in a nightmare.

And it was only 9:00 AM on a Friday.

The door to the VIP suite didn't just open; it was surrendered. A wave of heavy-set men in designer tracksuits and diamond-encrusted chains flooded the room, bringing with them the scent of expensive cologne and the energy of a sold-out stadium.

"Breezy! My man!"

The loudest of the bunch, a guy Dave recognized from music videos as 'Hood,' lunged forward and grabbed Dave in a bear hug that felt like being crushed by a velvet-covered refrigerator.

"Man, we thought you were cooked! The docs were talking crazy, talkin' about brain swelling and 'long-term outlook.' I told 'em, you can't kill a king!"

Dave's lungs felt like they were being squeezed into his stomach. He tried to channel every ounce of "cool" he had ever observed from a distance.

"Yeah... yeah," Dave rasped, his voice still vibrating with that unfamiliar, soulful grit. "Can't... can't kill a king. Hard to kill. Very sturdy."

Hood pulled back, a flicker of confusion crossing his face. "Sturdy? You sound different, man. You good? You hit your head real hard."

"I'm just... processing," Dave said, his mind racing at a million miles an hour. He had to pivot. He had to distract them. "Where's my phone? I need to see the news. I need to see... everything."

"Forget the news, Chris," another guy said, tossing a gold-plated iPhone onto the bed. "The internet is losing its mind. But yo, you gotta hear the crazy part. You weren't the only one who went down that night."

Dave's heart skipped. This was it.

"What do you mean?" Dave asked, his hands shaking as he picked up the phone. His thumb instinctively looked for a home button—there wasn't one. Face ID triggered. The phone unlocked instantly, recognizing the high cheekbones and sharp jaw of the man in the bed.

"Some rapper," Hood said, dismissively waving a hand. "That comedy dude you did the song with. Lil Dicky. He got crushed by a crane at the exact same time you flipped the Lambo. Just a freak coincidence."

Dave felt the blood drain from his face. "Is he... is he okay?"

"Nah," Hood said, his voice dropping an octave. "It's bad, bro. They got him in the East Wing. They say he's a 'vegetable.' Flatline brain activity. They're just keeping the machines on because his parents haven't signed the papers yet. It's a wrap for that kid."

The room started to spin. Dave looked down at the iPhone. He opened the news app, and there it was. A side-by-side photo of Chris Brown and David Burd.

HEADLINE: A TRAGIC FRIDAY: MEGA-STAR CHRIS BROWN WAKES FROM COMA; RAPPER LIL DICKY DECLARED BRAIN DEAD.

I'm dead, Dave thought. I'm literally right down the hall, and I'm dead. My mom is probably in that room right now, crying over a body that doesn't have a soul in it.

"Yo, Breezy? You went ghost on us again," Hood said, stepping closer, his eyes narrowing. "You look like you seen a ghost. You want us to clear the room? Get the doctor back in here?"

"No!" Dave shouted, a bit too high-pitched. He cleared his throat and lowered his voice, trying to find that Chris Brown resonance. "No. I just... I need a minute. I need to go for a walk."

"Walk? Man," Hood laughed. "The nurse said you gotta stay in the bed."

"I don't care what the nurse said," Dave snapped, the adrenaline finally giving him a spark of Chris's legendary temper. "I need some air. Get me a hoodie. Get me out of this bed."

The entourage scrambled. Within minutes, they had him draped in a black Balenciaga hoodie and a pair of shades that cost more than Dave's first car. He felt like he was wearing a disguise, even though it was his own face.

As they led him down the hall, flanked by four security guards, Dave saw the sign: EAST WING - INTENSIVE CARE.

"Wait here," Dave commanded his crew.

"Chris, we can't let you go in there alone, the press is—"

"I said wait here!" Dave barked.

He pushed through the double doors. The atmosphere changed instantly. The VIP wing was all mahogany and soft lighting; the East Wing was fluorescent, cold, and smelled of death. He walked past Room 402, 404... and then he saw them.

His parents.

They were sitting in plastic chairs outside Room 408. His mother was sobbing into a crumpled tissue, and his father looked like he had aged ten years in three days. Dave stopped, his heart breaking in a chest that didn't belong to him. He wanted to run to them, to yell, "Mom, it's me! I'm in here! I'm just taller and better at dancing!"

But he looked at his hands. He looked at the reflection in the door glass—the tattoos, the bleached hair, the piercing. If he walked up to them and said he was Dave, they'd call security. They'd think Chris Brown had lost his mind from the crash.

He crept to the window of Room 408.

There he was. David Burd. The "real" him. He looked small. He looked broken. Wires ran into his skull, and a ventilator was pumping air into his lungs with a rhythmic, mechanical hiss.

Dave leaned his forehead against the glass. "Wake up," he whispered. "Chris, if you're in there... you gotta wake up. I can't be you. I don't know how to do any of this."

Suddenly, the monitor inside the room began to beep frantically. The flat line on the EEG gave a tiny, jagged spike. Then another.

In the bed, the body of Lil Dicky jerked. His hand twitched.

Dave gasped, backing away from the window. The "brain dead" body was moving. The soul of Chris Brown was fighting back, trying to claw its way out of the frail, neurotic cage it had been dropped into.

"He's waking up!" a nurse yelled, sprinting past Dave. "Get the crash cart! Patient in 408 is showing neurological activity!"

Dave stood in the hallway, frozen. He was Chris Brown, watching Lil Dicky come back to life.

The swap wasn't over. It was just getting complicated.