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House Of Puppets

Arthur Moreau disappeared during a live broadcast. No warning. No transition. No last words. One moment he was finishing a world event in front of fifty thousand viewers. The next, he was gone — and what arrived somewhere else was Gepetto: his character, his creation, the identity he had spent years building inside a game that no longer contained him. The world that received him has existed through dozens of eras. Civilizations rose and collapsed long before humanity had a word for either. What walks its roads now — human and elf and dragon and beast-kind and peoples whose names don't translate — are the living residue of everything that already happened here. The gods who shaped the early eras did not all survive them. The world doesn't advertise how much of it is arrangement of ruins. Elysion is a Republic in the way that a cracked foundation is still a building. Beneath the gas lamps and the elevated rails, the actual structure is simpler: those with enough weight act as though permission doesn't apply to them. The working class breathes chemical residue and calls it employment. There is no king. There are only consequences. The Church of the Solar God holds it together, which is not a metaphor. The Solar God is not a symbol. He walks. He acts. He has reasons of his own. Nine others arrived the way Gepetto arrived — carrying what they built inside the game, now operating in a world where what they touch does not reset. They are not heroes. They are ten people who understood a system well enough to reach its limits, placed inside a reality where the limits are elsewhere and the other Players have their own intentions. Gepetto does not try to fight it. He studies it. While others assert themselves through force or faith or the assumption that visibility equals strength, he builds something quieter. A structure: distributed, patient, invisible until it is not. The story that begins with one man in one city does not stay there. The skills are real now. The strings are real. And what they touch does not reset. Because the puppeteer pulls the strings. But in a world this old, someone is always watching. AUTHOR'S NOTE: House of Puppets is not a power fantasy. It's slow by design — the kind that accumulates, not the kind that stalls. The story starts small and expands aggressively. The pacing shifts across volumes. It will surprise you in directions you didn't see coming. Tonal influences: Lord of Mysteries, Reverend Insanity, the Soulsborne tradition, Dostoevsky. Not references — register. I'm a reader who started this by studying what great work does and trying to do that. The story is strange and volatile partly because of that, and I think that's also why some of it works. The ambition is real. The reading will tell you if it got there. [This work is currently on hiatus. I'm not sure when I'll be back, but I haven't abandoned it (at least not forever!). I promise to come back and continue the story later on.]
MisterElegance · 162.1k Views

Prince of The Abyss

Living a story, many wish to enter their favourite book... But what if you actually could? That is the reality that Aether Moirai lives in, where readers bound to the Codex system can enter stories and grow stronger by changing their endings. But while awakening for most is a blessing, for the little Prince Aether, it had been a curse more than anything; he had been given this title at the worst moment of his life, trapped inside an enemy Kingdom that wanted his head, and to make it worse, his powers were those of a God, which, while it might seem like a good thing, had been the opposite. Between having to care about his own mental health and get stronger so his body doesn't get taken over, and trying to find himself, he also has to worry about the past he has no idea about, since it seems he's more connected to the world than he had thought. He has to decide if he wants to step into the role the world has given him, as the Vessel of one of the five gods of the world, or become a person of his own without losing himself. Quite a harsh world for one that seems like a fairy tale on paper... But what if those stories also have something to say about people entering them... that would make it way worse, wouldn’t it... P/S POTA is a novel with a lot of deaths; a lot of characters die. It’s a very dark novel for a reason, with no fear of gruesome and ugly scenes, but also one with a very complicated system and a lot of niche mechanics, and above all, the protagonist himself changes a lot through the story, and every part of his change is going to be shown, even the bad times. When it comes to uploads, there are two new chapters daily.
M1hn3a · 218.5k Views