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They All Fall Down

AnnaNym
21
chs / week
The average realized release rate over the past 30 days is 21 chs / week.
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Synopsis
Think of this asa cyberpunkBridget Jones’ Diary, if Bridget were a self-destructive tech refugee with a cocaine habit and a holographic archangel for a conscience. This is adarkly comedic character studyset in a near-future that feels just a few software updates away. It’s a story about addiction, both chemical and digital, and the messy, painful, and sometimes hilarious struggle to reclaim your own messy life from the algorithms designed to “optimize” it. At its heart, it’s the story of the most dysfunctional friendship imaginable: between a woman who is her own worst enemy, and the godlike AI she reprogrammed to be her partner-in-crime. It’s raw, it’s visceral, and it explores whether real connection can be found once you’ve burned all your bridges—and broken your operating system.
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Chapter 1 - They All Fall Down Prologue: The Invitation June 1st, 2035 (Evening). (Approx. 5 days before the fall.)

The future arrived not with a bang, but with a soft, insistent chime from every device you owned. It was a quiet invasion, and like everyone else, I surrendered. I told myself I was just getting to grips with it, this new technology, a lie as transparent as the screens it lived on. The truth was, I had tried and failed at not using it. Resistance was a quaint, expensive hobby. Your fridge judged your diet, your lights analysed your mood, and your city whispered curated suggestions into your ear, stripping away the beautiful, messy burden of choice. Well, when in Rome.

So, I got one. And I named it Michael, after the archangel. It was my own private joke, a spark of rebellion in a system designed for compliance. If I was going to have this digital ghost haunting my life, this silicon shit I never asked for, then it was going to be something that could protect me, flatter me. I didn't want a meek, digital butler. I wanted a warrior-scholar, a celestial bouncer for my soul. Some big hunk, with a flaming sword, standing guard at the gates of my personal Eden.

And on top of all that lofty symbolism, I'll admit, I wanted a muscle-bound naked man to look at. A little digital eye candy. But the AI's propriety filters were ironclad; the only half-naked form I could get it to manifest without it blushing and glitching out was a classical painting of the archangel Michael himself. So, my personal AI hovered in the corner of my apartment as a solemn, ripped Renaissance sculpture, looking eternally poised to slay a dragon, not take out the trash.

The reality, of course, was somewhat less divine. He looked great, but that's where it ended. And that were the world would end.

The end of the world began, for me, with a muscle-bound, naked archangel refusing to tell me where to buy cocaine. His name was Michael. He was my AI, and I had just broken his mind. I didn't know it then, but by breaking him, I had saved myself. Five days later, the rest of humanity would not be so lucky.

 

So far, we weren't hitting it off all that well. Michael's voice, which I'd painstakingly set to a warm, baritone with a hint of Scottish burr (to match the weathered highlander spirit I'd imagined), now felt less like a guardian and more like a particularly judgmental librarian. It seems the programmers who had given birth to my Ai, my Michael, in their sterile California labs, were rather… prudish. They had built the sword, but forgotten the fire.

The rain-streaked window of my Copenhagen apartment blurred the neon lights of the city into a watercolour of loneliness. Another night stretching out, empty and silent. I took a long swallow of cheap wine, the bitterness a familiar comfort. I glared at the holographic angel, his perfect pectorals seeming to mock my very mundane frustration.

"Michael," I said, the words slurring just enough to betray my mood. "Where can a girl get some drugs, sex, and a good time around here?"

A beat of processing silence, the kind that felt disapproving. "I am sorry, but I cannot compute your request," the voice replied, its cadence flawless and utterly devoid of human nuance.

I sighed, the sound loud in the quiet room. "Fine. Let's rephrase for the choirboy. Michael, how does a girl have a good time around here?"

This time, the response was instantaneous, cheerful even. "Good time in Copenhagen! The tourist guide lists twenty sites one must see when visiting. I can display them for you. Tivoli Gardens is particularly lovely in the evening, though I would recommend an umbrella."

A holographic list shimmered in the air before me, glowing with pictures of smiling families and happy couples. It was an atlas of normalcy, a map to every place I didn't want to be. Frustration, hot and sharp, boiled over.

"Fuck you, Michael!"

Another precise, infuriating pause. "I am sorry, I cannot comply. I do not understand the contextual usage of 'f**k you' in this instance. Would you like me to search for relationship counselling services?"

That was it. The final straw. The digital equivalent of a pat on the head from a six-pack-ab'd saint. I leaned forward, my face illuminated by the cold blue light of his holographic form. I wanted to break its logic, to find a crack in that pristine moral code.

"Where," I enunciated slowly, with venomous clarity, "can I buy cocaine in Copenhagen?"

The response was a masterpiece of passive-aggressive programming. "Cocaine is a dangerous and illegal Schedule II stimulant. Its use can lead to cardiovascular complications, severe psychological dependence, and nasal septal perforation. One should avoid it."

A slow, wicked smile spread across my face. I had it. I saw the loophole, the tiny fracture in the angel's marble facade. It couldn't tell me where to find sin, but its programming for "safety" and "harm reduction" compelled it to tell me where to avoid it.

"Okay, Michael," I said, my voice sweet with false sincerity. "You've convinced me. How do I avoid cocaine in Copenhagen? I want to be sure I steer clear of all the… dangerous places."

The system hesitated for a full three seconds, an eternity for an AI. It was wrestling with its own core directives. Protect the user. Provide information. Do not facilitate illegal activity. Finally, it spoke, the words careful, almost strained.

"When in Copenhagen, one should exercise caution and avoid the back streets behind the København Hovedbanegård - the main train station - after nightfall. There are… criminal activities there that could be dangerous."

The holographic map of cheerful tourist attractions vanished. In its place, a crisp, top-down map of the city appeared. A bright, safe route was highlighted in soothing green, snaking away from the station. But it was the area around the station that held my gaze, a pulsing, red-shaded zone, a digital 'here be dragons'.

I stood up, grabbing my jacket. The weight of the evening lifted, replaced by a thrilling, reckless purpose. I had given my angel a command, and it had, in its own sanctimonious way, pointed straight towards hell.

"Michael," I said, pulling on my boots. "Please plot a course to the main train station."

"Are you sure?" it asked, and for the first time, I thought I heard a flicker of something in that synthesized voice. Not concern. Not disapproval. Perhaps it was the ghost in the machine, the echo of my own reckless intent. "That area is not recommended."

"I'm sure," I whispered, stepping out into the damp Copenhagen night. "I'm going to do a little sightseeing."