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tragedy

The Revenge Of Duchess Sinclair

Her Ladyship Anastasia Roseline Sinclair of Florence believed she had everything: a noble title, a promising future, and the love of Aaron Dinkley—the charming son of Duke Andrew Dinkley of Fortshire, one of Flambodia’s most powerful fiefs. Childhood sweethearts, Anastasia and Aaron were raised to believe they were destined for each other. But destiny is a cruel mistress. On the eve of her succession to Duchess of Florence, Anastasia is betrayed—by Aaron, the man she loved, her stepsister, and her own family. Stripped of her title, murdered in cold blood, and discarded like refuse in the wastelands, she is left to die. Yet death does not claim her. At the brink of death, Anastasia is reborn—not as a phoenix, but as a vulture. A vulture ready to devour the flesh and bones of her enemies. Cold and ravenous for retribution. She will reclaim her crown, her dignity, and her name. And she will make them all bleed. Because revenge is a meal best served cold. ......... Crown Prince Daniel Maxwell Devonte of Flambodia is feared across kingdoms. Ruthless in battle, merciless in court, he is known as the Dragon—a warrior whose enemies tremble at the mere mention of his name. His fame attracted him more enemies than friends including his own family. His own father King Reginald the Fifth, hated him but mostly feared him because of his power. Rumours swirled in the wind that his mother the former Queen cheated on the King and that he was not his son. However, rumours based on assumptions could not be regarded as evidence. Although it did not stop the current Queen and her minion children to peck around them and use them to their advantage in order to taint his already spoiled reputation. Daniel wears revenge like armor, his fury buried beneath layers of strategy and silence. He trusts no one. Loves no one. Until he meets her. The fiery red-haired stranger with eyes like embers and a soul forged in betrayal. Anastasia. Together, they are chaos incarnate. Two broken souls bound by vengeance, drawn together by bloodshed and ambition. Their enemies will fall. Their kingdoms will burn. And the world will learn what happens when you cross a Duchess and a Dragon.
LEAH_VURAYAYI · 17.2k Views

Reincarnated As A Avatar

Tony dies in a catastrophic hover-car accident on Earth and awakens reborn on Pandora, not as a warrior or a chosen hero, but as a newborn Na’vi of the Omatikaya clan. Taken in as one of their own, he grows up as the younger brother of Eytukan, placing him at the very heart of Na’vi history decades before the events of Avatar. The story is set forty to fifty years before the first film, in an era when humans are little more than distant rumors, the forest is untouched, and tradition rules clan life with little compromise. For the sake of the narrative, human and Na’vi aging are treated as equal, and several canon ages—Eytukan’s included—are adjusted to better fit the story’s timeline. (Its said in lore he's around 90 or something, but for this, imma change that. )These changes are framed as natural generational differences rather than contradictions. Tony is not born physically superior or divinely chosen; his true advantage lies in his retained human consciousness and his ability to adapt that mindset to Na’vi life. The first ten years of Tony’s life are largely skipped, as they are defined more by survival and learning than by major events. During this time, his memories of Earth slowly fade, replaced by instinct, language, and the subtle presence of Eywa. By the age of thirteen, when Na’vi children begin true training and rites of passage, Tony’s human perspective begins to influence his actions meaningfully—and the future of the clan. Tony possesses a “golden finger” or system, not as overt magic. Still, it functions much like an MMO or survival game interface, tracking stats such as strength, agility, etc, while also cataloging skills, equipment quality, and crafting recipes. The system offers no shortcuts to industrial progress—there is no metalworking, wheeled transport, or stone-on-stone advancement. Instead, it mirrors a progression style similar to ARK, grounded entirely in organic materials, bone tools, fibers, resins, and Na’vi techniques. The system grants awareness and efficiency, not power, and Tony must still train, fail, and earn respect through effort. As he grows, Tony’s presence subtly alters Omatikaya's life. He forms a deep, complex bond with Eytukan—part brotherhood, part rivalry, part moral anchor. After the age of thirteen, the story begins to diverge more sharply from canon. Tony develops unorthodox hunting strategies, experiments with new tactical approaches, and helps shape emerging clan roles such as scouts, pathfinders, and beast-binders. He does not invent technology, but he reframes tradition, pushing the boundaries of what Na’vi society believes is possible without breaking its spiritual core. Over time, deeper conflicts emerge. Early signs of human encroachment appear sooner than expected, forgotten megafauna resurface, and ancient Na’vi taboos are challenged. Forcing him to confront a central question: can Pandora truly be protected by someone who still thinks like a human? The story becomes less about power and more about consequence, identity, and the cost of changing fate. Ultimately, this is a slow-burning reincarnation survival epic rather than a power fantasy. It explores rebirth, leadership without prophecy, progress versus harmony, and the danger of knowledge in a world built on balance. While canon bends for the sake of storytelling, the spirit of Pandora—and the weight of every choice made within it—remains intact. Hope you Enjoy :)
micheal_goodmans · 133.4k Views