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Shvet Vidhvaa

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Synopsis
After the sudden death of her young husband, Asha becomes a vidhva—a widow dressed in white, marked by silence, and judged by society more than by fate itself. Once cherished as a vibrant newlywed, she is now seen as a bearer of bad luck, restricted by rituals, condemned for her very presence at celebrations, and pushed into a life she never chose. Sent to live in her in-laws’ house by the river city of Benaras, Asha meets other widows whose stories echo pain, resilience, and quiet rebellion. While some have surrendered to tradition, others whisper of change. Inspired by a compassionate priest and a fearless young girl who reminds her of who she used to be, Asha begins to question the rules that cage her—why color is forbidden, why laughter is sinful, and why love is denied to widows while the world moves on.
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Chapter 1 - The Day the Colour Left

On the morning that Arjun died, the world did not darken.

That was the first cruelty Asha remembered noticing.

The sun rose exactly as it had the day before—slow, unconcerned, spilling gold across the rooftops of the small town like warm milk. The sky didn't crack open. The river did not change direction. Birds sang with the same sharp, unapologetic brightness, hopping along the temple steps and pecking at dropped grains of rice. Somewhere a woman laughed, loudly, as if nothing had torn in half.

The only thing that changed, suddenly and without mercy, was Asha's life.

She had still been sleeping when the knock came. Not gentle. Not hesitant. It was the kind of knock that knew it carried tragedy and didn't care about doors shaking beneath it. She woke with the feeling that she had fallen from a great height. The world was tilted. The air tasted of something metallic.

"Open the door!" a voice called, hoarse and urgent. "Open quickly!"

She sat up, heart racing, hair spilling in loose waves across her cheeks. Arjun wasn't beside her; he had left before dawn, humming softly as he tied his scarf, saying he had to cross the river early for work. He had kissed the top of her head as if the day were ordinary. As if fate were not waiting carefully, cruelly, one bend down the road.

"Asha!" another voice cried, sharper this time. "Come out!"

She stumbled forward, bare feet on cool stone, and unlatched the wooden door. Sunlight poured in with a brilliance that made her blink. In the doorway stood two men from the village, faces pale and stunned, mouths opening and closing as if words themselves resisted being spoken.

She knew before they spoke.

Something inside her dropped, a weight sinking to the bottom of her chest.

"What happened?" Her voice came out too soft. "Tell me."

They looked at each other. One swallowed.

"There was an accident at the river," he said. "The boat— it overturned."

"And Arjun?" she asked.

They did not answer, and the silence grew enormous, filled with river sound and bird song and distant bells, and the world somehow continued spinning as though not listening.

It was the older man who finally whispered the words that shattered her life neatly in half.

"He is gone, child."

Gone. Not dead. Not lifeless. Not drowned. Just gone, as if he had stepped behind a curtain large enough to swallow entire futures.

Asha didn't scream. She didn't faint. She didn't collapse the way wives were supposed to collapse when the earth opened beneath them. The world became sharp, suddenly too bright, everything edged in unbearable clarity—the crack in the wall, the mango leaves swaying outside, her own hands trembling as if disconnected from her body.

She felt, absurdly, as though someone had stolen color from the morning.

They brought his body by midday.

The river had returned him reluctantly, wrapped in water lilies and mud, as if it, too, could not quite believe what it had done. Women wailed. Neighbors crowded like moths to grief. Someone grabbed her shoulders and forced her kneeling on the veranda beside him.

He looked like he was sleeping.

She hated that.

It was easier to be angry at death when it twisted faces and broke bodies. But his features were calm, almost peaceful, eyelashes resting like feathers against pale skin. His lips were slightly parted, as though he might breathe again at any moment and scold everyone for making so much noise.

"Arjun," she whispered, touching his hair with trembling fingers. It was still damp and soft. "You forgot to come home."

Someone tried to pull her back, saying words like ritual and prepare and purity. Someone else pressed ash to her forehead. Hands—too many hands—turned her, lifted her, wiped her tears as if they owned them.

Through all of it she felt strangely separate, like a ghost standing beside herself, watching the scene with cold wonder. A widow, she thought distantly, the word forming like frost in her mind. I am a widow.

She was twenty-four.

At the pyre, smoke rose in gray spirals and turned the sky hazy. The fire crackled, fed on sandalwood and heartbreak. The priest chanted, voice steady, as if reading a recipe rather than burning the spine of her life into ash. Heat slapped her face. Sparks burst, brief and bright, then vanished.

"Do not cry loudly," her aunt whispered sharply in her ear. "It is inauspicious."

As if grief could anger gods more than injustice.

Asha pressed her lips together so hard they bled. Inside, she wanted to howl like an animal. She wanted to beat the ground with her fists and curse every deity whose stone smile watched this calmly.

Instead, she lowered her head and learned the first rule of widowhood:

Suffering must be silent.

After the funeral, the house filled and emptied like a chest breathing too fast. Distant relatives appeared from corners of the world she had never known existed. They touched her face, clucked their tongues, and spoke of fate in whispers heavy with satisfaction that tragedy had happened to someone else.

Someone brought her a white sari.

It lay across her lap like snow. Too pale. Too cold. Too final.

"I do not want this," she said quietly.

Her mother-in-law inhaled sharply, eyes flashing. "Widows do not want," she snapped. "Widows obey."

Asha looked at the cloth again. Just fabric. Just thread. And yet, wrapped inside it was a verdict: from this moment onward, you are no longer a woman, but an absence. A shadow. An unlucky omen walking on two feet.

They stripped her of bangles first.

One by one, they slid them off—glass and gold and red—bright reminders of marriage. Each breaking sound cut deeper than any blade could have. The pile on the floor looked like fallen flowers crushed underfoot.

Then they took her vermilion.

A finger dug across the parting of her hair, erasing color that had once marked her as loved. She felt it like a wound, raw and exposed. She didn't fight. The room smelled of incense and iron and helplessness.

The last thing they took was her reflection.

They turned the mirror away.

She caught only a glimpse of herself—white sari wrapped clumsily, hair loose and unadorned, eyes enormous and emptied of light. She looked like a ghost of some woman she had met once and forgotten.

Women murmured around her.

"A young widow. How tragic."

"Such a burden on the family now."

"She must not step outside alone."

"She must not laugh too loudly."

"She must not attend weddings."

"She must not wear color ever again."

Every sentence began with must not.

No one spoke of what she must endure.

That night, when the last condolence ended and silence spread through the house like an illness, Asha sat alone on the floor of her room. The oil lamp flickered, casting long shadows on blank walls. Arjun's shawl still hung from a nail. His slippers sat by the door, waiting for footsteps that would never return.

She pressed her face into the shawl and inhaled deeply.

It still smelled of him—soap, sweat, river, sunlight.

"No one prepared me for loving someone who would die," she whispered. "No one told me my body could hold this much pain and keep breathing."

Her chest hurt. Not metaphorically. Physically. A sharp, constant ache beneath her ribs, as if her heart were pushing against bone trying to escape.

At some point exhaustion took her like a tide and pulled her under.

She dreamt she was walking through a field of marigolds. Color everywhere—saffron, gold, bronze dancing in the wind. In the distance, Arjun stood smiling, hand raised, calling her name. When she ran toward him, the flowers turned white, then ash, then dust slipping through her fingers.

She woke with tears drying on her cheeks and an older woman standing over her.

It was Meera.

She had seen Meera before in the widow's quarters near the temple—small, thin, wrapped always in white that seemed to swallow her whole. Her eyes were ancient and tired, yet still searching for something she never said aloud.

"It is time," Meera said simply.

"For what?" Asha asked.

"For the rest of your life."

Those words were heavier than any pyre wood.

They walked at dawn to the widow's house.

Asha had imagined widowhood as a feeling. She learned that society had thoughtfully built it four walls and a threshold. The building sat near the river, humble and worn, washed daily in the same water that had taken Arjun. White saris fluttered from lines like surrendered flags.

Inside, time moved slowly.

Women sat spinning thread, rolling wicks for lamps, reciting prayers that sounded more like apologies. Their bangles were gone. Their foreheads bare. Their eyes quiet, trained downward as if the world existed only at their feet.

No one greeted her with excitement.

They greeted her with recognition.

Another one of us, their looks said. Another life folded small enough to fit into a space never meant for living.

A small girl ran between the women, dark hair flying—too young yet for rules to stick. She stopped when she saw Asha, studying her with unabashed curiosity. A faint smile tugged at the child's mouth, as if she expected to be smiled back at.

Asha almost did.

Then she remembered: Widows do not smile too openly. Joy attracts reprimand.

The girl's face fell, and she scampered away.

Another rule added itself silently inside Asha's mind.

Meera led her to a corner and placed a small mat.

"This is yours now," she said.

Asha looked at the narrow square of woven grass. "For how long?"

Meera's voice softened in a way that hurt more than bluntness would have.

"For the rest of your life, if you let them decide."

If you let them.

The words slipped into Asha's heart and stayed there, small and glowing like a coal beneath ash.

Days blurred into each other.

Mornings began before light with prayer and ended with the same. They were allowed to eat once before sunset—plain food without salt to keep desire at bay, as if flavor itself were sinful. Laughter was policed by glances. Dreams were trimmed short by disapproval.

Asha learned how silence could be louder than shouting.

She learned the art of disappearing politely.

She did everything right at first.

She folded herself neatly into their expectations, as one tucks a sheet into a bed so tight it cannot move. She bowed when addressed. She walked with eyes lowered. She swallowed her longing and let it sit heavy in her stomach like a stone.

But grief has strange edges.

It cuts and it also awakens.

In the afternoons, when chores were done and heat pinned the air down, she sat by the window of the widow's house and watched the river. She watched color move in the world beyond—women in bright saris carrying pots on their hips, children chasing each other, boys splashing in the shallows.

The world had not turned gray just because hers had.

That made her angry.

One day, unable to bear the weight inside, she walked alone to the ghats.

She sat on the edge of the stone steps, white sari pooled around her like foam, and touched the water. It was cool and lively against her fingers. It did not apologize. It did not seem sorrowful.

"You took him," she said to the river.

The river moved on.

"I want him back."

The river moved on.

"I do not know how to live."

The river moved on.

She closed her eyes, tears slipping silently down her face, and for the first time since the fire, she allowed her grief to be loud inside her even if her body remained still. She prayed, not the memorized prayers Meera taught but words she stitched herself clumsily, desperately.

"Do not let me disappear."

When she opened her eyes, she was not alone.

The small girl from the widow's house stood there again, watching her. A scrap of marigold petal clung to the child's hair like stubborn sunshine. She came closer, hesitated, then finally spoke in a whisper full of scandalous courage.

"What is your name?"

It struck Asha like thunder that no one had asked that since she became widow. They called her things like poor child or unfortunate one or simply widow, as if her name had burned with Arjun's pyre.

"Asha," she said.

The girl smiled. "I am Anaya."

The name meant "carefree." The irony did not miss either of them.

Anaya sat down beside her as if the rules did not exist. She dangled her feet in the water, gasping at the cold and giggling before covering her mouth in alarm at her own joy.

"They say widows must not laugh," she whispered.

"They say many things," Asha replied.

"Do you obey everything they say?"

Asha looked at the girl, at her bright questioning eyes, at the way the world's weight hadn't yet settled on her shoulders.

"I don't know yet," she said honestly.

A boat passed slowly on the water, its reflection breaking into ripples that shimmered and vanished. Asha watched light scatter and felt a strange stirring in her chest—not exactly happiness, not exactly sorrow. Something new. Something that frightened her with its possibility.

That evening, Meera noticed the change.

"You went to the river," she said without accusation.

"Yes."

"You will go again."

It wasn't a question. Asha nodded.

Meera sat down beside her on the floor, their shoulders almost touching. For a long while they said nothing. Silence in the widow's house was different at night—less like a cage, more like shared breathing.

"I once had a husband," Meera said quietly. "He was not kind. When he died, they said I must be grateful that God freed me."

Asha turned to look at her. She had never heard Meera speak personally before.

"I obeyed every rule," Meera continued. "Gave up color, food, festivals, laughter. I believed that if I lived perfectly, my suffering would mean something."

"Did it?" Asha asked.

Meera's eyes glistened. "I do not know. But I am old now. And I am afraid of dying without ever having lived."

The coal inside Asha's heart glowed brighter.

That night, when everyone slept, she stood before the turned-away mirror. Moonlight silvered the room. Her hands trembled as she reached up and parted her hair, tracing the line where vermilion had once burned bright.

"I am still here," she whispered to the dark.

The wind outside rustled the leaves as if answering.

Somewhere deep inside her, beneath layers of grief and training and expectation, something small and stubborn refused to be extinguished. It did not yet have the shape of rebellion. It was simply life insisting on itself.

The next morning, as dawn stained the sky pale pink, she wrapped the white sari around her body and felt the difference.

Yesterday it had felt like a shroud.

Today it felt like a canvas.

She did not know then that people in the village would one day call her The White Widow. She did not know that her name would be whispered in courtrooms and prayed over by girls she would never meet. She did not know that color would return—in laughter, in defiance, in the stubborn way she would refuse to disappear.

She only knew this:

She would not let her world end on the day Arjun's did.

The river flowed.

Birds sang shamelessly.

The sun rose again without asking permission.

And Asha, widow, childless, newly orphaned of love, stood very still in the widow's house and made the smallest, most dangerous decision of her life.

She decided to keep living.