Shirley Thorne's voice carried a natural, confident air. Her enunciation was clear, her words concise, and in just a few short sentences, she perfectly described the unique, refined elegance of "March."
Finally, she added, "I believe Great Master Walsh designed this piece during the spring or summer. You can tell he was in a very good mood. It was a spontaneous creation."
After her critique, Shirley Thorne subconsciously curled her lips into a smile. It was a habitual gesture she made whenever she encountered a work she found satisfying.
'This Vincent Walsh really knows his stuff. Two million for a single gown? A bargain!'
In the eyes of the crowd, Shirley Thorne's expression wasn't one of approval for the designer, but one of mockery and ridicule directed at them.
The louder they had laughed before, the more awkward they felt now.
Who said Shirley Thorne didn't know design?
If she didn't know design, could she give such a fluid critique?
