Ficool

The Louvre's Cipher

trexoustrikky
7
chs / week
The average realized release rate over the past 30 days is 7 chs / week.
--
NOT RATINGS
255
Views
Synopsis
Paris, 1928. Curator Elara Dubois prefers the quiet safety of the archives to the chaos of the real world. But when she discovers a coded journal hidden inside a centuries-old text, she unwittingly unlocks a deadly race for a lost alchemist's treasure. She isn't the only one looking. The ruthless Argentum Society is hunting for the journal, believing it holds the key to immortality. Now, chased through the shadow-filled streets of Paris, Elara must use her wits to decode the puzzle before history’s most dangerous secret falls into the wrong hands.
VIEW MORE

Chapter 1 - Chapter 1: The Weight of History

The air in the restoration laboratory was thick and still, smelling faintly of dried leather, archival dust, and the sharp chemical tang of preservation spray. Elara Dubois inhaled the familiar scent, a balm to her highly organized spirit. Outside, Paris rushed headlong into the promise of 1928—motors, jazz, and the audacious fashion of the garçonne—but down here, three levels beneath the bustling street, time moved only at the speed of a careful, acid-free brush stroke.

Elara adjusted her wire-framed spectacles and leaned closer to the object of her current attention: a sealed wooden crate marked with the faded, ornate crest of the late Baron de Saint-Clair. The Baron, a recluse whose family wealth dated back to the Sun King, had died without heirs, leaving his extensive, undocumented private library to the nation. Today, the crate was finally open.

"A beautiful mess, isn't it, Mademoiselle Dubois?"

Elara barely registered the voice of the young technician beside her. "A predictable one, André. The Baron had a peculiar habit of interleaving priceless incunabula with entirely worthless 19th-century romances. It's chaos, but a solvable one."

She didn't appreciate the word 'mess.' Elara saw structure where others saw disorder. The way the Baron's books were packed—the heavier texts shifted to the bottom, cushioning a layer of smaller, more fragile volumes—told a story of their own.

She began her meticulous inventory. One by one, she lifted the volumes, checking them against the preliminary inventory sheet, tracing the spines with an unconscious, thoughtful gesture. A folio of Rabelais, second edition. Good. A prayer book bound in deteriorating calfskin. Common.

Then she reached the centerpiece of the box: a massive, heavy volume bound in scarred, dark wood and old brass fittings. The title, embossed in worn gold leaf, was Latin: De Arte Chymica. A 17th-century treatise on applied chemistry and rudimentary alchemy.

"Ah," Elara murmured, pulling the book into the cool circle of her desk lamp. The weight was unusual, even for a volume of this size. It felt denser than it should.

She opened the cover. The pages were yellowed and brittle, but the text was standard, if somewhat obscure, chemical doctrine. She ran her hand along the spine, feeling for the faint internal give that sometimes indicated tampering.

Nothing. It was sealed tight.

Suddenly, a slight, almost imperceptible displacement in the leather spine near the tail of the book caught her eye. It was not wear; it was a deliberate line, too straight to be a tear. Elara pulled her antique silver letter opener—a slender tool inherited from her father—and ran the pointed end along the faint line. There was a small, quiet click.

A section of the spine, hinged at the top, swung inward like a hidden door. Elara held her breath.

Nestled within the shallow cavity, resting in velvet as dark as a priest's robe, was a small, plain journal. It was bound in soft, supple brown leather, small enough to fit in a coat pocket, and secured with two simple leather straps.

She put the heavy book down and lifted the journal. It was smooth beneath her fingertips, unmarked by any title or name. It was not a book for display, but a book for secrets.

Elara opened it to the first page. She expected a title page, or perhaps the Baron's sprawling signature.

Instead, the page was filled with meticulous, tiny script. But the script was unlike anything she had cataloged before. It wasn't French, or Latin, or even a recognizable dialect of German or Italian. It was a fluid, complex set of symbols—geometric shapes, small, repeated icons, and swirling calligraphic marks.

A cipher. And an entirely unfamiliar one.

A slow, scholarly thrill spread through Elara. This wasn't merely a valuable find; this was a linguistic challenge of the highest order. This was history speaking in a language she had yet to master.

She carefully closed the cover, its secret now lodged safely between her own two hands. Outside, in the museum halls, her supervisor, Monsieur Dubois, was conducting the official reception for the Baron's library. But the true, unexpected prize was right here.