This eyeball—in fact, if viewed from the perspective of the person in the painting, it would be impossible to distinguish it as an eyeball at all.
Because it was so immense, overwhelmingly large beyond the field of view that the sunk one could cover.
From the perspective of the submerged person in the painting, this eyeball was infinitely magnified. Lin Yi moved closer to the painting, and immediately, it was as if he could see the texture within that eyeball.
The patterns on the iris seemed replaced by some kind of gear bite marks, filled with an indescribable sense of order. Yet, beyond those marks, the original order began to collapse, spreading into the pupil, finally merging into the dark tide...
