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Gods of Pangaeos

In the mist before GENESIS, Fate and Chance and Others cast tolls upon their names, while the chalice did burn and churn whose crown should be. And he that won strode through the mist unto YOD-VAV-HEH and cried: “Lo, wake upon the mist and create the heavens and the earth and make gods for me, for I have won over the crown and thy mist is mine to rule.” And so as the cry was heard Fate and Chance and Others bowed, But whether it was Fate or Chance or Another that won the cast of the tolls before GENESIS—none-knoweth. .............................................................. Welcome to Gods of Pangaeos. ​This work is a reimagining of the creation myth, written as a stylistic marriage between the liturgical structure of Genesis and the high-fantasy, rhythmic prose of Lord Dunsany’s The Gods of Pegāna. ​In this world, the Creator is a sleeper, and the world we know is merely a "Game" played by smaller, whimsical deities during His slumber. You will find echoes of our own earth’s deep past—Pangaea, Panthalassa, and Gondwana—woven into a tapestry of myth and "The Word." ​A Note on Style: The text uses archaic phrasing and repetitive structures to mimic ancient holy books. If the gods seem cruel or indifferent, remember: to them, we are but the pieces on a board. ​I hope you enjoy the "Game." ​Art Disclaimer ​Cover Illustration: "MANA-YOOD-SUSHAI" by Sidney Sime (1906). ​ ​Note on the Artwork: The illustration used for this cover is a masterpiece by Sidney Sime, originally created for Lord Dunsany’s The Gods of Pegāna. As this artwork was published over 100 years ago, it resides in the Public Domain. ​While the image originally depicted the deity Mana-Yood-Sushai, it has been chosen for this work to represent the Great Stillness of YOD-VAV-HEH. I use this art as a tribute to the golden age of mythic illustration that inspired the tone of Gods of Pangaeos.
Kai_The_Author · 3.3k Views

The Arthimetic of Bone

Survival is not a victory. It is simply a postponement of the math. ​Nineteen-year-old Theron exists at the absolute bottom of the Imperial war machine. He is a scavenger, a starved rat picking the boots off dead soldiers in the freezing, blood-soaked mud of the Ashen Pits. In a world defined by brutal overseers and cosmic horrors, Theron’s life is worth precisely three days of hard rations. He has accepted this equation. He keeps his head down, he calculates the risks, and he survives. ​Then he loots the wrong corpse. ​A stolen obsidian ring grafts itself to his bone, offering him the one thing the world has always denied him: strength. But the artifact is not a blessing. It is a cursed, parasitic framework that operates on a single, uncompromising metric. It demands kinetic energy. It demands life. ​To survive the trenches, Theron must feed the parasite. He must consume the essence of the dying and the monstrous to reinforce his own failing biology. But every time the ring consumes, it rewrites his instincts, pushing him closer to the mindless beasts that slaughter the Imperial legions. ​Caught between a world that wants him starved and a parasite that wants him feral, Theron refuses to be a victim to either. He will not be a pawn. He will not be a beast. He will become the architect of his own ascent, calculating the exact cost of every broken bone and stolen breath until he balances the scales of the empire entirely. ​The math is simple. If you cannot afford to buy a life, you must steal one.
lightwhy · 1.3k Views