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I'm Not A Master, I'm A Director (Creating Fate Movie In Nasuverse)

“Director Matou, the magical effects in your fantasy film looked incredibly realistic! How did you pull them off?” “They were real magic,” Shinji replied without missing a beat. “Director Matou, your historical drama was praised for its uncanny accuracy. How did you manage that?” “I had direct consultation from the people who lived in that era.” “Director, in your tokusatsu films, why does the Ultraman-like hero always use Bajiquan in combat?” “Well, that’s because the actor playing him is none other than the founder of Bajiquan himself.” “Director Matou, why do the female leads in all your films look so… similar? Especially all those Arturia actresses with the same name and face?” “That, my friend, is a long story. And it all begins with a certain mushroom-headed man—” “......” . . . . . Shinji Matou. A prodigious talent in the world of film, a renegade magi who defied the orthodoxy of the Clock Tower, and an eccentric summoner who had long since stopped pretending to get along with his own Servant. A director who blended modern cinema with ancient magecraft. A magus who saw the silver screen as a new kind of reality marble. He stood boldly before a press conference filled with journalists, film critics, and confused magi alike. “I am the greatest Master among Directors—and the greatest Director among Masters!” He declared it like a line straight out of his own movie, with all the pomp and confidence of a man who had rewritten the rules of both cinema and sorcery. The hall fell into an awkward silence. And then, in perfect unison, a thunderous cry echoed from behind the curtains— “SHUT UP AND GET LOST!” ×N A chorus of exasperated Servants, all fed up with his antics. Shinji didn’t flinch. He simply smirked, adjusted his director’s beret, and turned back to the flashing cameras. "Good! Now let’s roll the cameras! Scene one—reality itself."
Delizard · 1.1m Views

THE ENDLESS WORLD OF UNDEAD

Misaki Haruto, an off-world engineer and accidental wanderer, awakens in a world where no one sleeps, the sun and moon trade 25-hour reigns, and every night brings the same horror: the Wave—relentless undead rising through a mysterious portal at the border of the forest. Villages do not rest; they pray. They do not bury their dead; they resurrect those untainted. And Misaki, dropped into this world with only his wits and a malfunctioning HUD, becomes the unlikeliest hope anyone has ever seen. Adopted by the struggling village of Mlod, Misaki’s engineering instincts begin reshaping the land. A moat that collapses entire waves. Reinforced walls. Siege engines carved from bone. A new guild system. Skills no villager has ever seen. And an ability the Weave itself recognizes—something between magic, science, and destiny. Night after night, Misaki fights beside Lyria, Riyeak, and the rising heroes of Mlod. Day after day, he designs, builds, and questions the truth behind this endlessly respawning world. Yet everything changes the moment the Crown’s army arrives—accusing Mlod of treason and threatening to dismantle the defenses that keep its people alive. Misaki defies them. Then cages their soldiers with a snap of his fingers. A forbidden purple aura awakens in his HUD, whispering of power beyond law, beyond reason, beyond what this world has allowed for centuries. Declared rebels, the villagers rally around him. Migrants join. The moats deepen. The guild is born. And Misaki—the outsider, the builder, the strategist—becomes something more than a leader. He becomes the Vorn’kai, the shield of a town that refuses to die. But the undead waves evolve. Dungeons surface. The Crown marches with a full legion. And ancient forest spirits choose sides. War looms over the land of Riyeak, and Misaki’s choices begin shaping not just survival, but the future of the entire region. Because if he falls, the undead take the town. And if the town falls… the portal will not stop with them. To save Ul’varh’mir, Misaki must battle kings, nightfall, monsters, and the forbidden power growing inside him—before the world learns that resurrection has limits, and corruption has a purpose. The age of villages is ending. The age of guilds and rebels is beginning. And Misaki Haruto stands at the center— engineer, strategist, and the first crownless king of a world where the dead never sleep.
nOvachrono · 7.7k Views