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This Extra Hates Bad Endings

Matt is an ordinary young college student with an addiction to the pages of The Golden Weaver’s First Apprentice. This novel wasn’t just a hobby for him, it was his lifeline, the one thing that kept him feel alive when the rest of the world felt unbearably dim. Page after page, chapter after chapter, he followed the journey of the Finster, a character he cared for more fiercely than anyone else, even his family or himself. When the long-awaited final chapter was released, Matt devoured it with trembling anticipation. The writing was flawless, every thread tied together, every arc resolved with masterful precision. It made sense. And yet, when he reached the final chapter, his world collapsed. It was a tragedy. A selfless sacrifice. One life given to save countless others. A "Bitter-Sweet" ending, the community called it. Matt was devastated. He raged at a world—both fictional and real—that could demand such a price from a character he loved so deeply. “I hate bad endings,” he whispered through clenched teeth. As though responding to his grief, his phone flickered. A soft light bloomed across the screen, forming words he had never seen before, yet somehow he understood it. How do you think it should have ended? Stunned, confused, barely conscious of his own voice, Matt answered from the depths of his heart: “I would be there for him. I’d support him, be his anchor—his start and his release. His companion. His ally. I owe him at least that much.” The light paused for a long, breathless moment. Then it replied: Don’t fail this time. And Matt’s world began to change.
White_Baby_Daisy · 48.1k Views

Harry Potter: A Life Beyond Earth

When Harry Potter’s name rises from the Goblet of Fire, it marks him as a champion, but it is the night that follows that truly changes him. As Harry sleeps, exhausted and alone, his consciousness is drawn far from Hogwarts… to Pandora. There, beneath alien stars and towering forests, Harry awakens in the body of a Na’vi. What begins as confusion becomes survival, and survival becomes belonging. He hunts, learns, bleeds, and grows among the People. He fights alongside Jake Sully, hears the voice of Eywa, and lives a life measured not in spells or prophecy, but in connection, loss, and purpose. Decades pass on Pandora. Wars are fought. Bonds are forged. A soul is tempered. Then Harry wakes up. Only a single night has passed in the wizarding world, but Harry returns with the memories, instincts, and scars of an entire lifetime. Magic no longer feels like words and wands; it moves like breath and will. And when the First Task of the Triwizard Tournament pushes him beyond his limits, Harry does the impossible, He transforms. His Na’vi body reveals itself as an Animagus form, born not of study, but of lived experience. The arena falls silent. The world takes notice. From that moment on, Hogwarts is no longer prepared for what Harry Potter has become. As the Triwizard Tournament unfolds and Voldemort stirs in the shadows, ancient magic, alien spirituality, and wizarding destiny collide. The Boy-Who-Lived is no longer just a champion of men… He is the child of two worlds and both will burn if he chooses the wrong one.
HarryPotterAviator · 30.5k Views

I'm Not A Master, I'm A Director (Creating Fate Movie In Nasuverse)

“Director Matou, the magical effects in your fantasy film looked incredibly realistic! How did you pull them off?” “They were real magic,” Shinji replied without missing a beat. “Director Matou, your historical drama was praised for its uncanny accuracy. How did you manage that?” “I had direct consultation from the people who lived in that era.” “Director, in your tokusatsu films, why does the Ultraman-like hero always use Bajiquan in combat?” “Well, that’s because the actor playing him is none other than the founder of Bajiquan himself.” “Director Matou, why do the female leads in all your films look so… similar? Especially all those Arturia actresses with the same name and face?” “That, my friend, is a long story. And it all begins with a certain mushroom-headed man—” “......” . . . . . Shinji Matou. A prodigious talent in the world of film, a renegade magi who defied the orthodoxy of the Clock Tower, and an eccentric summoner who had long since stopped pretending to get along with his own Servant. A director who blended modern cinema with ancient magecraft. A magus who saw the silver screen as a new kind of reality marble. He stood boldly before a press conference filled with journalists, film critics, and confused magi alike. “I am the greatest Master among Directors—and the greatest Director among Masters!” He declared it like a line straight out of his own movie, with all the pomp and confidence of a man who had rewritten the rules of both cinema and sorcery. The hall fell into an awkward silence. And then, in perfect unison, a thunderous cry echoed from behind the curtains— “SHUT UP AND GET LOST!” ×N A chorus of exasperated Servants, all fed up with his antics. Shinji didn’t flinch. He simply smirked, adjusted his director’s beret, and turned back to the flashing cameras. "Good! Now let’s roll the cameras! Scene one—reality itself."
Delizard · 1.1m Views