Ficool

wizards

I'm Not A Master, I'm A Director (Creating Fate Movie In Nasuverse)

“Director Matou, the magical effects in your fantasy film looked incredibly realistic! How did you pull them off?” “They were real magic,” Shinji replied without missing a beat. “Director Matou, your historical drama was praised for its uncanny accuracy. How did you manage that?” “I had direct consultation from the people who lived in that era.” “Director, in your tokusatsu films, why does the Ultraman-like hero always use Bajiquan in combat?” “Well, that’s because the actor playing him is none other than the founder of Bajiquan himself.” “Director Matou, why do the female leads in all your films look so… similar? Especially all those Arturia actresses with the same name and face?” “That, my friend, is a long story. And it all begins with a certain mushroom-headed man—” “......” . . . . . Shinji Matou. A prodigious talent in the world of film, a renegade magi who defied the orthodoxy of the Clock Tower, and an eccentric summoner who had long since stopped pretending to get along with his own Servant. A director who blended modern cinema with ancient magecraft. A magus who saw the silver screen as a new kind of reality marble. He stood boldly before a press conference filled with journalists, film critics, and confused magi alike. “I am the greatest Master among Directors—and the greatest Director among Masters!” He declared it like a line straight out of his own movie, with all the pomp and confidence of a man who had rewritten the rules of both cinema and sorcery. The hall fell into an awkward silence. And then, in perfect unison, a thunderous cry echoed from behind the curtains— “SHUT UP AND GET LOST!” ×N A chorus of exasperated Servants, all fed up with his antics. Shinji didn’t flinch. He simply smirked, adjusted his director’s beret, and turned back to the flashing cameras. "Good! Now let’s roll the cameras! Scene one—reality itself."
Delizard · 1.5m Views

This Extra Hates Bad Endings

Matt is an ordinary young college student with an addiction to the pages of The Golden Weaver’s First Apprentice. This novel wasn’t just a hobby for him, it was his lifeline, the one thing that kept him feel alive when the rest of the world felt unbearably dim. Page after page, chapter after chapter, he followed the journey of the Finster, a character he cared for more fiercely than anyone else, even his family or himself. When the long-awaited final chapter was released, Matt devoured it with trembling anticipation. The writing was flawless, every thread tied together, every arc resolved with masterful precision. It made sense. And yet, when he reached the final chapter, his world collapsed. It was a tragedy. A selfless sacrifice. One life given to save countless others. A "Bitter-Sweet" ending, the community called it. Matt was devastated. He raged at a world—both fictional and real—that could demand such a price from a character he loved so deeply. “I hate bad endings,” he whispered through clenched teeth. As though responding to his grief, his phone flickered. A soft light bloomed across the screen, forming words he had never seen before, yet somehow he understood it. How do you think it should have ended? Stunned, confused, barely conscious of his own voice, Matt answered from the depths of his heart: “I would be there for him. I’d support him, be his anchor—his start and his release. His companion. His ally. I owe him at least that much.” The light paused for a long, breathless moment. Then it replied: Don’t fail this time. And Matt’s world began to change.
White_Baby_Daisy · 218k Views