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Harry Potter: A Life Beyond Earth

When Harry Potter’s name rises from the Goblet of Fire, it marks him as a champion, but it is the night that follows that truly changes him. As Harry sleeps, exhausted and alone, his consciousness is drawn far from Hogwarts… to Pandora. There, beneath alien stars and towering forests, Harry awakens in the body of a Na’vi. What begins as confusion becomes survival, and survival becomes belonging. He hunts, learns, bleeds, and grows among the People. He fights alongside Jake Sully, hears the voice of Eywa, and lives a life measured not in spells or prophecy, but in connection, loss, and purpose. Decades pass on Pandora. Wars are fought. Bonds are forged. A soul is tempered. Then Harry wakes up. Only a single night has passed in the wizarding world, but Harry returns with the memories, instincts, and scars of an entire lifetime. Magic no longer feels like words and wands; it moves like breath and will. And when the First Task of the Triwizard Tournament pushes him beyond his limits, Harry does the impossible, He transforms. His Na’vi body reveals itself as an Animagus form, born not of study, but of lived experience. The arena falls silent. The world takes notice. From that moment on, Hogwarts is no longer prepared for what Harry Potter has become. As the Triwizard Tournament unfolds and Voldemort stirs in the shadows, ancient magic, alien spirituality, and wizarding destiny collide. The Boy-Who-Lived is no longer just a champion of men… He is the child of two worlds and both will burn if he chooses the wrong one.
HarryPotterAviator · 27.4k Views

Celestial Ascending: Conquest of the Dimensional Worlds

Ajay had always believed his life would end in the same forgotten village where it began — quiet days, broken roads, and dreams too small to ever threaten the world. Until the night reality shattered. In a single breath, the sky folded in on itself and Ajay was torn from his home into a shifting dimension where time fractures, demons rule in shadows, and ancient beings manipulate existence like a game board. There, a voice seeps into his mind — cruel, seductive, and powerful — a demon that calls him vessel. But Ajay is not alone. An old man who should not exist watches his every step, appearing across broken timelines with warnings that never fully make sense. Each encounter leaves Ajay with more questions and fewer choices, because the truth is unbearable: his life was never an accident. He is a living anomaly — a distortion in the flow of reality itself. As worlds begin to overlap and dimensions bleed into each other, entire civilizations collapse without warning. Empires hunt him. Cultists worship him. Monsters whisper his name in forgotten languages. Everyone wants the same thing. His end. Now hunted across collapsing realms, bound to a demon he cannot silence and burdened by a destiny he never chose, Ajay must either master the power threatening to destroy him… or be erased along with the worlds that depend on his survival. Because in a universe built on balance, Ajay is the flaw that could bring everything crashing down.
Knightmare077 · 844 Views

I'm Not A Master, I'm A Director (Creating Fate Movie In Nasuverse)

“Director Matou, the magical effects in your fantasy film looked incredibly realistic! How did you pull them off?” “They were real magic,” Shinji replied without missing a beat. “Director Matou, your historical drama was praised for its uncanny accuracy. How did you manage that?” “I had direct consultation from the people who lived in that era.” “Director, in your tokusatsu films, why does the Ultraman-like hero always use Bajiquan in combat?” “Well, that’s because the actor playing him is none other than the founder of Bajiquan himself.” “Director Matou, why do the female leads in all your films look so… similar? Especially all those Arturia actresses with the same name and face?” “That, my friend, is a long story. And it all begins with a certain mushroom-headed man—” “......” . . . . . Shinji Matou. A prodigious talent in the world of film, a renegade magi who defied the orthodoxy of the Clock Tower, and an eccentric summoner who had long since stopped pretending to get along with his own Servant. A director who blended modern cinema with ancient magecraft. A magus who saw the silver screen as a new kind of reality marble. He stood boldly before a press conference filled with journalists, film critics, and confused magi alike. “I am the greatest Master among Directors—and the greatest Director among Masters!” He declared it like a line straight out of his own movie, with all the pomp and confidence of a man who had rewritten the rules of both cinema and sorcery. The hall fell into an awkward silence. And then, in perfect unison, a thunderous cry echoed from behind the curtains— “SHUT UP AND GET LOST!” ×N A chorus of exasperated Servants, all fed up with his antics. Shinji didn’t flinch. He simply smirked, adjusted his director’s beret, and turned back to the flashing cameras. "Good! Now let’s roll the cameras! Scene one—reality itself."
Delizard · 1.1m Views