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myth

After definition — Unbeing

There is a world where nothing is fixed. Not the laws. Not the names. Not the boundaries between one thing and another. In this world, gravity is a suggestion. Death is a mood. The colour blue can be redefined by anyone who has the will and a sharp enough imagination. A man can die on a Thursday, and by Friday his widow can decide that "death" now means "a long walk in a garden that has no gate," and he will return to finish the soup she left on the stove. A child can decide that "school" means "a cloud that only rains on weekends," and the building will float away until Monday, carrying the teachers with it, and no one will ask questions because questions themselves can be redefined as answers that have not yet decided what they know. Everyone redefines reality as easily as breathing. The rich change themselves daily—new face, new past, new gravity. The poor cling to a handful of stable definitions just to remember who they were when they woke up. Cities rename themselves every hour by public vote. Wars are fought not with weapons but with dictionaries. The Anti-Semantic War, they say, ended when one side redefined "victory" to mean "surrender," and by the time anyone noticed, it was already history. This is not paradise. When everything can be rewritten, nothing is ever fully real. A promise made today dissolves tomorrow when "tomorrow" is redefined as "a shape that cannot fit promises." Love is exhausting because the word changes taste every afternoon. Truth is a fashion. Memory is guesswork. And somewhere beneath all this, a question sleeps that no one dares wake: If everything can be redefined, what is the definition of definition itself? Cindral had never trusted a world that could change its memories. When the past was rewritten as casually as the weather, what was a man but a rumour his own history could no longer confirm? He did not seek power. He did not want to reshape the rules. He wanted to know if there was any rule that did not answer to a vote. So when word reached him of an old vendor in the secondhand markets selling definitions too ancient to be altered, Cindral went. Not from ambition. From hunger—for something that would still be true tomorrow. The answer waits in a dusty corner of that market, where a vendor whose age shifts with the minute hand sells used definitions discarded by those who have moved on to newer models. Cindral will touch the one definition that was never meant to be touched: the definition of definition itself. That touch will reveal the thread. The thread runs through everything. It ties every word to every thing, every thing to every mind, every mind to every story, and every story to something above. Cindral will follow it upward through layers of narration that make his universe look like a footnote in a book no one remembers writing. He will climb until climbing breaks. He will define until definition breaks. He will be until being breaks. What waits at the end cannot be called a god, because gods require names, and names require someone to speak them. What waits predates the need to be named. And it is not the top. There is no top. The thread does not end; it only changes direction—cutting sideways through hierarchies, through echoes without a source, through hollows where silence is not empty but full of the absence of sound waiting to be born. This is the story of that climb. It begins in a world where anyone can rewrite the rules, and it ends where the word "rule" has never been spoken, never been needed, never been possible. Somewhere in between, a man discovers that he is a sentence inside a story inside a dream inside a definition that defines itself. The thread is already in your hand. Cindral's ascent begins now.
NOVXELITE · 36.3k Views

House Of Puppets

Arthur Moreau disappeared during a live broadcast. No warning. No transition. No last words. One moment he was finishing a world event in front of fifty thousand viewers. The next, he was gone, and what arrived somewhere else was Gepetto: his character, his creation, the most feared Marionettist ever built in a game where power was the only language that mattered. The world that caught him is not new to collapse. Gods have existed here, and some of them have died. What stands now is only the latest arrangement of a cycle that never needed him. Elysion is a Republic in the way that a cracked foundation is still a building. The institutions function. The titles exist. But beneath the gas lamps and the steam columns and the elevated rails connecting district to district, the actual structure is simpler: those with enough power do what they want, and everyone else absorbs the cost. The working class breathes chemical residue and calls it employment. The middle class negotiates in a market that has stopped rewarding negotiation, trains for credentials that no longer open doors, and moves forward because stopping is worse. There is no king here. There are only people with enough accumulated weight to act as though the question of permission does not apply to them. The Church of the Solar God holds the whole thing together, which is not a metaphor. A population that does not share language, origin, or history requires something to organize around, and the Church understood this long before anyone thought to ask. The Solar God is not a symbol. He walks. He acts. He has reasons of his own. And now, Players have begun to appear. Not as heroes. Not as chosen figures. As variables carrying power without understanding the system they have entered. The world does not pause for them. It absorbs them, bends around them, and continues. Gepetto does not try to fight it. He studies it. While others assert themselves through force, faith, or the assumption that visibility equals strength, he builds something quieter. Not an army. Not a faction. A structure: distributed, patient, invisible until it is not. A web that does not need to be seen to function. The skills are real now. The strings are real. And what they touch does not reset. House of Puppets is a story about control, belief, and the cost of acting in a world indifferent to your intentions. It follows a man who does not seek to win, but to understand the rules well enough that losing becomes unlikely. Because the puppeteer pulls the strings. But in a world this old, someone is always watching. A word from the author: House of Puppets is built closer to a novel than a webnovel: each chapter accumulates, each arc tightens, and the end of every Volume is the destination of everything that came before it. The structure rewards patience. Tension builds and does not release until it is meant to. The ambition is simple to say and hard to earn: one day, a place among the works that defined what this genre can be. Lord of Mysteries, Reverend Insanity, ORV, Shadow Slave. I cannot promise we get there. I can promise I will give everything trying.
MisterElegance · 55.7k Views

Heroic Songs In Chaos World

Heroic Songs In Chaos World Author: sampatin Genre: Fantasy, Military, Bureaucracy, Warfare, Dark Themes, Otherworldly This story draws inspiration from history, as narrated through the author's unique perspective. It blends creativity with historical elements, intertwining fact and fiction. While some aspects closely resemble real historical events, others diverge significantly. The characters, locations, relationships, and events are a fusion of reality and imagination. Some may have historical counterparts, while others are entirely fictional. Readers should not consider this novel an official historical chronicle. The world holds countless bitter sorrows But none more bitter than losing freedom. Prologue He devotes himself to love, and sacrifices for righteousness. The downfall of the nation and the people's loss of identity are obsessions for one who forgets grudges, and dedicates himself fully to the people. He dedicates his life to the nation, aspiring for his people, lives for love, and dies for righteousness. A peaceful nation and joyful people are the aspirations of one who regards the nation as everything. He charged into the flames of war like a moth drawn to fire, hazarding his life for freedom. To fight to the death for deliverance was the obligation of one who lived for his loved ones and was willing to die for his family. He repays kindness and avenges grievances. He survives because of hatred, bleeds for love, and fights to the death for vengeance. His lifelong creed is the fixation that blood debts must be repaid in blood. He exists for familial ties and endures humiliation to avenge his family. Blood dyes deep-seated hatred, and his life is devoted to a dream. It is the life of one imprisoned in a cycle of hatred, marching side by side with fixation and yearning to transform a phantasmal vision into reality. He weeps for his family and sheds blood for his loved ones. He vows to live for love and die for righteousness. Blood washes away hatred, and a life dedicated to kinship is the purpose of one who sees family as their sole existence. He is the maker of thrones, the changer of dynasties. A powerful nation, its lands whole and unbroken, its people living in peace, soldiers and subjects united, and a lineage—close-knit and united—lasting for countless generations, imperishable for eternity. Such is the perfect world for those who believe that personal power cannot compare to the prosperity of lineage. He is a pillar of the realm, erasing discord for the land’s sake, quelling internal strife, repelling foreign aggressors, and safeguarding the emperor. With a lifetime of unwavering devotion, he upholds the bond between ruler and subjects. He unites the imperial lineage with commanders and warriors, and fosters harmony between commoners and the martial force to forge an army bonded like fathers and sons. Commanding formidable legions, he vanquishes invading foes, restores the capital, and brings peace and prosperity to the people. He is the one who connects two worlds, governs the throne, and cherishes talent as if it were life itself. With diplomacy that is both firm and flexible, and rigorous yet just internal governance, he dedicates himself to strengthening familial bonds. He alleviates burdens on the populace, and unites all ranks to safeguard the nation's fate. The eternal mountains and rivers, the people living in peace and prosperity, and the succession of enlightened and virtuous rulers—these are the hopes of one who bears the weight of the kingdom upon his shoulders. The people. The crossroads. Who will endure in pursuit of their dreams until the final moment of this grand saga of farewell and demise in an age of Heroic Songs in the World of Chaos?
sampatin · 53k Views

Scholar's Mate

“In an age where knowledge cuts deeper than knives, Victoria is about to learn far more than is safe for any soul to bear.” Victoria and Robert were torn from the gentle dullness of their ordinary century and cast into a realm governed by proto-concepts—those ancient, unblinking truths from which life, death, and divinity themselves are carved. Proclaimed “Heroes” by a world too desperate to question its own choices, they were commanded to rise in strength, confront a Demon Lord, and deliver salvation to a land that had never been theirs. Robert donned the mantle with the fervour of a man stepping into destiny. Victoria… hesitated. And in that hesitation, something old—older than scripture, older than light—turned its gaze toward her. She felt its attention like a draft through a locked room. In a moment poised between terror and terrible understanding, she accepted its offer: a contract sealed in silence, a year of her life exchanged for a thing that should never have been permitted to exist. Not in this world. Not in any. She did not yet grasp that, in straying from the Hero’s ordained path, she had not merely shifted her fate— she had begun to unwrite the very scaffolding of her humanity. Now Victoria walks like a phantom through a world that has marched on without her— one year behind the celebrated Hero, yet burdened with an insight so sharp it threatens to cut her free from mortality itself. She can now trespass upon knowledge forbidden to scholars, sorcerers, or even those who stand at the pinnacle of human mastery. She commits the kind of acts whispered only of beings who have stepped beyond the human threshold… and never returned. And in a world built on primordial, immovable truths, one truth endures: Knowledge is power. But power, when mishandled, becomes a curse that devours its bearer— quietly, inevitably, like rot beneath embroidered silk.
NovaLumin · 206k Views