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myth

After definition — Unbeing

There is a world where nothing is fixed. Not the laws. Not the names. Not the boundaries between one thing and another. In this world, gravity is a suggestion. Death is a mood. The colour blue can be redefined by anyone who has the will and a sharp enough imagination. A man can die on a Thursday, and by Friday his widow can decide that "death" now means "a long walk in a garden that has no gate," and he will return to finish the soup she left on the stove. A child can decide that "school" means "a cloud that only rains on weekends," and the building will float away until Monday, carrying the teachers with it, and no one will ask questions because questions themselves can be redefined as answers that have not yet decided what they know. Everyone redefines reality as easily as breathing. The rich change themselves daily—new face, new past, new gravity. The poor cling to a handful of stable definitions just to remember who they were when they woke up. Cities rename themselves every hour by public vote. Wars are fought not with weapons but with dictionaries. The Anti-Semantic War, they say, ended when one side redefined "victory" to mean "surrender," and by the time anyone noticed, it was already history. This is not paradise. When everything can be rewritten, nothing is ever fully real. A promise made today dissolves tomorrow when "tomorrow" is redefined as "a shape that cannot fit promises." Love is exhausting because the word changes taste every afternoon. Truth is a fashion. Memory is guesswork. And somewhere beneath all this, a question sleeps that no one dares wake: If everything can be redefined, what is the definition of definition itself? Cindral had never trusted a world that could change its memories. When the past was rewritten as casually as the weather, what was a man but a rumour his own history could no longer confirm? He did not seek power. He did not want to reshape the rules. He wanted to know if there was any rule that did not answer to a vote. So when word reached him of an old vendor in the secondhand markets selling definitions too ancient to be altered, Cindral went. Not from ambition. From hunger—for something that would still be true tomorrow. The answer waits in a dusty corner of that market, where a vendor whose age shifts with the minute hand sells used definitions discarded by those who have moved on to newer models. Cindral will touch the one definition that was never meant to be touched: the definition of definition itself. That touch will reveal the thread. The thread runs through everything. It ties every word to every thing, every thing to every mind, every mind to every story, and every story to something above. Cindral will follow it upward through layers of narration that make his universe look like a footnote in a book no one remembers writing. He will climb until climbing breaks. He will define until definition breaks. He will be until being breaks. What waits at the end cannot be called a god, because gods require names, and names require someone to speak them. What waits predates the need to be named. And it is not the top. There is no top. The thread does not end; it only changes direction—cutting sideways through hierarchies, through echoes without a source, through hollows where silence is not empty but full of the absence of sound waiting to be born. This is the story of that climb. It begins in a world where anyone can rewrite the rules, and it ends where the word "rule" has never been spoken, never been needed, never been possible. Somewhere in between, a man discovers that he is a sentence inside a story inside a dream inside a definition that defines itself. The thread is already in your hand. Cindral's ascent begins now.
NOVXELITE · 37.5k Views

Son of Julius Caesar: Rebuilding Rome [Business/Republic building]

I wanted nothing more than an ordinary life—free from crushing debt and the endless corporate grind. Instead, I died. And when I opened my eyes, I was in ancient Rome. My father? Gaius Julius Caesar—the man destined to rule, or ruin, the Republic. But history is written in blood. If I do nothing, my new family will be swept away by the coming political firestorm. Power is survival in Rome, and I intend to survive. Armed with modern knowledge, I will reshape the Roman Republic—through banking, insurance, industry, and new political strategies. Rome will never be the same. ============================================== What to Expect: - A grounded story set in the Roman Republic (BCE) - Technological innovation, business, military campaigns, Senate politics, and diplomacy - Based on real history—its religions, places, and historical figures - Smart MC using future knowledge to solve problems - 5 chapters a week, M-F - 15+ chapters ahead on patreon (https://www.patreon.com/cw/MinchoNyangi) ============================================== MinchoNyangi here!  This is the official English edition of [카이사르의 아들이 되었다]. This story was a hit in Korea with over 2 million views(Naver Series), and I have personally revised and expanded this definitive edition specifically for English readers. You won't find this version anywhere else—not even in Korea. Note: This is the only official translation provided by the author. Any versions found on other sites except Royal Road, Webnovel are pirated copies. If you enjoy the story, please support the author by reading the official release here. Thank you
MinchoNyangi · 554.3k Views

Twisted Ways of Heaven

Fate knows that timid people won't amuse her, so she serves them plain death as a conclusion. Being a philosophy student, the sixteen year old Anglo-Japanese Craig Ichinose had a humble yet principled personality. But his main goal was rather jejune : living a decent and respectful life. If there was something he hated the most, it would be standing out from the crowd. He hated to become the centre of attention. However one day, his biggest fear came true as a life-changing event uprooted him from his sweet life of normalcy. Returning home one night from his high school's farewell party, Craig finds himself stuck in an array of supernatural events. He is stabbed in the chest by a mysterious man and as he is about to die, he sees ferrocious, otherworldly creatures appear out of countless red portals. "Please bury me respectfully," is what he ponders on the brink of death, but then, a saviour descends down from the skies who whisks him away to a different world. In this new world, Craig finds out that a mysterious race called the "demons" have waged a war against possibly every life form in existence. He learns that the destruction of his world was not merely an apocalyptic event but a planned invasion by this race. This single event landed the first blow to the strong foundations of his morality. The night he bid farewell to his school became the night he bid farewell to his own world. He accquired the status of a refugee – a stain he will carry forever. In this new world, he tries to survive desperately as he tries to keep up with the moral codes, societal norms of the war-wrecked times. What is this growing cruelty inside? Is violence, hatred and horror justified in a cruel world? Between cruelty and kindness, between optimism and pessimism, between the sweet illusions and the harsh truths, What will Craig choose? Will he stick to his beliefs or will he give them all an egregious re-definition? Those will answered with the continuous march of time, revealing the refugee's and eventually the world's true purpose.
Flavian_09 · 63.5k Views

Heroic Songs In Chaos World

Heroic Songs In Chaos World Author: sampatin Genre: Fantasy, Military, Bureaucracy, Warfare, Dark Themes, Otherworldly This story draws inspiration from history, as narrated through the author's unique perspective. It blends creativity with historical elements, intertwining fact and fiction. While some aspects closely resemble real historical events, others diverge significantly. The characters, locations, relationships, and events are a fusion of reality and imagination. Some may have historical counterparts, while others are entirely fictional. Readers should not consider this novel an official historical chronicle. The world holds countless bitter sorrows But none more bitter than losing freedom. Prologue He devotes himself to love, and sacrifices for righteousness. The downfall of the nation and the people's loss of identity are obsessions for one who forgets grudges, and dedicates himself fully to the people. He dedicates his life to the nation, aspiring for his people, lives for love, and dies for righteousness. A peaceful nation and joyful people are the aspirations of one who regards the nation as everything. He charged into the flames of war like a moth drawn to fire, hazarding his life for freedom. To fight to the death for deliverance was the obligation of one who lived for his loved ones and was willing to die for his family. He repays kindness and avenges grievances. He survives because of hatred, bleeds for love, and fights to the death for vengeance. His lifelong creed is the fixation that blood debts must be repaid in blood. He exists for familial ties and endures humiliation to avenge his family. Blood dyes deep-seated hatred, and his life is devoted to a dream. It is the life of one imprisoned in a cycle of hatred, marching side by side with fixation and yearning to transform a phantasmal vision into reality. He weeps for his family and sheds blood for his loved ones. He vows to live for love and die for righteousness. Blood washes away hatred, and a life dedicated to kinship is the purpose of one who sees family as their sole existence. He is the maker of thrones, the changer of dynasties. A powerful nation, its lands whole and unbroken, its people living in peace, soldiers and subjects united, and a lineage—close-knit and united—lasting for countless generations, imperishable for eternity. Such is the perfect world for those who believe that personal power cannot compare to the prosperity of lineage. He is a pillar of the realm, erasing discord for the land’s sake, quelling internal strife, repelling foreign aggressors, and safeguarding the emperor. With a lifetime of unwavering devotion, he upholds the bond between ruler and subjects. He unites the imperial lineage with commanders and warriors, and fosters harmony between commoners and the martial force to forge an army bonded like fathers and sons. Commanding formidable legions, he vanquishes invading foes, restores the capital, and brings peace and prosperity to the people. He is the one who connects two worlds, governs the throne, and cherishes talent as if it were life itself. With diplomacy that is both firm and flexible, and rigorous yet just internal governance, he dedicates himself to strengthening familial bonds. He alleviates burdens on the populace, and unites all ranks to safeguard the nation's fate. The eternal mountains and rivers, the people living in peace and prosperity, and the succession of enlightened and virtuous rulers—these are the hopes of one who bears the weight of the kingdom upon his shoulders. The people. The crossroads. Who will endure in pursuit of their dreams until the final moment of this grand saga of farewell and demise in an age of Heroic Songs in the World of Chaos?
sampatin · 54.4k Views

I'm Not A Master, I'm A Director (Creating Fate Movie In Nasuverse)

“Director Matou, the magical effects in your fantasy film looked incredibly realistic! How did you pull them off?” “They were real magic,” Shinji replied without missing a beat. “Director Matou, your historical drama was praised for its uncanny accuracy. How did you manage that?” “I had direct consultation from the people who lived in that era.” “Director, in your tokusatsu films, why does the Ultraman-like hero always use Bajiquan in combat?” “Well, that’s because the actor playing him is none other than the founder of Bajiquan himself.” “Director Matou, why do the female leads in all your films look so… similar? Especially all those Arturia actresses with the same name and face?” “That, my friend, is a long story. And it all begins with a certain mushroom-headed man—” “......” . . . . . Shinji Matou. A prodigious talent in the world of film, a renegade magi who defied the orthodoxy of the Clock Tower, and an eccentric summoner who had long since stopped pretending to get along with his own Servant. A director who blended modern cinema with ancient magecraft. A magus who saw the silver screen as a new kind of reality marble. He stood boldly before a press conference filled with journalists, film critics, and confused magi alike. “I am the greatest Master among Directors—and the greatest Director among Masters!” He declared it like a line straight out of his own movie, with all the pomp and confidence of a man who had rewritten the rules of both cinema and sorcery. The hall fell into an awkward silence. And then, in perfect unison, a thunderous cry echoed from behind the curtains— “SHUT UP AND GET LOST!” ×N A chorus of exasperated Servants, all fed up with his antics. Shinji didn’t flinch. He simply smirked, adjusted his director’s beret, and turned back to the flashing cameras. "Good! Now let’s roll the cameras! Scene one—reality itself."
Delizard · 1.4m Views