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Dawnbringer: Lightborn

Lightborn is the centerpiece of the Dawnbringer series of novels in the world of Irándiel, upon the small continent of Telmérion, cold and rugged and yet inhabited since the beginning of human history by the first family of humankind. Though the setting is high fantasy—a work of co-creative imagination fashioning a mythical world with its own history and geography—the plot and the ins-and-outs of the world are deeply realistic, portraying as it were an ancient and long-forgotten past of our own world. Or more precisely, what is offered here is a mythical exposition of the true past that we all share—with very little magic or other fantasy tropes, but with a great deal of “magic,” in other words, a world filled with wonders and terrors of all kinds, from the ancient guardians of the world, the Anaíon, to vicious and deadly beasts such as dragons, eötenga, and vru’ádach. The characters thus find themselves caught in the cosmic battle between light and darkness, between the weakness of love and the power of hate, which casts its rays and its shadows also into the heart of every man and woman. The journey marked out before their feet calls for integrity, fidelity, and heroism, and also something more, something that lies at the heart of every good adventure and every life, and which is the very measure of man. When Eldárien returns to his homeland after many years away—burdened by the awareness that he has perpetrated great evil at the hands of an Empire whose knight he has become—he encounters a continent riven by strife and war and threatened by creatures even more horrifying, born of the very darkness itself. He wishes to lay aside the sword, to leave behind a past marked with violence and bloodshed, but he also longs to aid his people against the forces that endanger their very existence. And such a path he cannot walk alone, facing obstacles both within and without, and he finds given to him both the light that he wishes to serve and friends to share the journey. All the while the land that he loves slides inexorably into conflict, into what shall be known henceforth as the War of Darkness, and he and those to whom he is joined are called upon to share the fate of their people, looking forward in hope to the promised coming of dawn after darkest night.
JoshuaElzner · 86.2k Views

Fabled Class: To Iona

PLOT SCOPE The barrier holding back Abaddon — powered by the Twelve Heavenly Crystals — has started to weaken, and Gates to that realm are tearing open all across Zeon, threatening to unleash floods of fiends onto every civilization in their path. In response, the Fabled Class sends Kei and Vincent on a critical scouting mission into the Sunhonghin Imperial Kingdom (Iona). Their goal: infiltrate the Shengyowon vault during the once-every-three-years Fang Heian festival, track down the crystals, and figure out what's draining their power. Once they arrive in Iona, the pair builds a cover story and ends up crossing paths with Princess Choi Yejin, leader of the Blood Rose division. After demonstrating their combat skill through a series of trials and duels at Zheng Fort, they're formally brought into the imperial ranks as her retainers. Their journey deeper into Iona, headed toward Lingwen Fortress, takes a sharp turn when the Southern Alliance Treaty (SAT) launches a full-scale invasion. Forced to fight alongside the Hwa-Samurai along the coastline and take down enemy commanders in the process, Kei and Vincent find themselves stretched thin — juggling their cover as loyal retainers with their real mission, all while something darker moves quietly behind the scenes, working to tear down the barriers protecting their world. SYSTEM Practition is the dominant power system across the world of Zeon, rooted in teachings passed down by Amaterasu when she first came to the realm. Those who wield it go by practitioners, though terms like mage or sorcerer are used just as often. At its core, practition draws on two fundamental forces: Prana and Mantra. Prana is the raw energy of life itself — every living creature carries it, tracing back to the moment the God Tree, Drassil, first gave rise to life. Within practition, prana's main use is healing. When compressed tightly enough within body and soul, it transforms into something else called Anima, which practitioners use to enhance their physical abilities beyond normal human limits. Mantra, meanwhile, is the energy woven into nature itself — present everywhere except the empty dark beyond the realms. Practitioners typically use mantra to bend natural elements like fire, water, earth, ice, and wind, and at the highest levels, even light, space, and time itself. When prana and mantra combine, they produce something called mana — the energy most practitioners rely on day to day. Mana goes a step further than simply bending existing elements; it lets a practitioner generate the element from nothing at all. It can also be channeled into weapons, making them sharper and more durable. The possible uses for mana are so broad that no single practitioner could ever master them all. There's a third fundamental energy, though, that humans were never meant to touch: Nethra. It clashes violently with prana, corrupting both body and soul wherever it takes hold. Yet in rare cases, that corruption doesn't destroy the host — it reshapes them instead, into something far more powerful than they were before.
Dnarxus · 15.4k Views

Heavenly Sword Saint

The sword that ended Jian Chen’s life belonged to the woman he loved. He never saw it coming. Once hailed as the greatest genius of the Jian Clan, Jian Chen had everything a young cultivator could desire extraordinary talent, an unparalleled affinity for the sword, and a future that seemed destined to reach the highest heavens. Then he entered the Heavenfall Secret Realm. He walked in as a genius. He walked out of it only as a corpse. Or so fate intended. Jian Chen opened his eyes once more and discovered that death had given him something no treasure in the Divine Realm could provide Another beginning. His memories remained. His regrets remained. And so did the final image burned into his mind: the sword of the woman he loved piercing his heart. This time, Jian Chen refuses to follow the path that once led him to ruin. He will cultivate from the beginning. He will sharpen his sword from the beginning. And when the same people cross his path again, he will be ready. But changing his future proves far more complicated than Jian Chen expected. The more he remembers, the more inconsistencies he discovers. Why was he betrayed? Why did those closest to him want him dead? And why does the truth surrounding the Heavenfall Secret Realm seem connected to events he never understood in his first life? Jian Chen once believed his greatest mistake was trusting the wrong people. Now he suspects something far more terrifying Perhaps his entire destiny had been wrong from the beginning. With a second life before him and a sword at his side, Jian Chen will tear apart every falsehood standing between him and the truth. He will start from nothing. Climb beyond every limit. And forge a path that no one not even fate itself can dictate. Because this time, Jian Chen isn't living to become the genius everyone expected him to be. He's living to discover who he was truly meant to become. And anyone who tries to stand in his way will learn one thing: A man who has already died once has very little left to fear. Jian Chen has returned. And this time, he writes his own destiny.
Bertrand_Achunji · 75.7k Views

I'm Not A Master, I'm A Director (Creating Fate Movie In Nasuverse)

“Director Matou, the magical effects in your fantasy film looked incredibly realistic! How did you pull them off?” “They were real magic,” Shinji replied without missing a beat. “Director Matou, your historical drama was praised for its uncanny accuracy. How did you manage that?” “I had direct consultation from the people who lived in that era.” “Director, in your tokusatsu films, why does the Ultraman-like hero always use Bajiquan in combat?” “Well, that’s because the actor playing him is none other than the founder of Bajiquan himself.” “Director Matou, why do the female leads in all your films look so… similar? Especially all those Arturia actresses with the same name and face?” “That, my friend, is a long story. And it all begins with a certain mushroom-headed man—” “......” . . . . . Shinji Matou. A prodigious talent in the world of film, a renegade magi who defied the orthodoxy of the Clock Tower, and an eccentric summoner who had long since stopped pretending to get along with his own Servant. A director who blended modern cinema with ancient magecraft. A magus who saw the silver screen as a new kind of reality marble. He stood boldly before a press conference filled with journalists, film critics, and confused magi alike. “I am the greatest Master among Directors—and the greatest Director among Masters!” He declared it like a line straight out of his own movie, with all the pomp and confidence of a man who had rewritten the rules of both cinema and sorcery. The hall fell into an awkward silence. And then, in perfect unison, a thunderous cry echoed from behind the curtains— “SHUT UP AND GET LOST!” ×N A chorus of exasperated Servants, all fed up with his antics. Shinji didn’t flinch. He simply smirked, adjusted his director’s beret, and turned back to the flashing cameras. "Good! Now let’s roll the cameras! Scene one—reality itself."
Delizard · 1.6m Views