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Chapter 3 - Chapter Three: Dogs of the Slum

The slums did not welcome him.

They measured him.

Every alley Briggs entered, every corner he slept in, every crust of food he stole—it was all measured. The old beggars watched through half-shut eyes. The street children noticed where he hid his scraps. The whores, the cripples, the drunks, the knife boys crouched under sagging awnings—they all weighed him in silence.

Not as a person.

As meat.

Briggs understood that immediately.

So he stopped sleeping deeply.

He picked ruins with two exits.

He wedged broken glass near entry points.

He tied thread to rusted tin so even the smallest movement woke him.

He ate only half of whatever he stole and buried the rest in different places, because if anyone found one stash, they would not find the others.

It still was not enough.

On the sixth night in the town, they came for him.

Not gang enforcers.

Not cultivators.

Just three starving slum boys with brick shards and a sharpened spoon, desperate enough to murder over a blanket and a heel of bread.

Briggs woke at the first scrape.

The White Eye throbbed beneath the cloth wrapped over it. His hearing caught breath first—shallow, excited, nervous. His black eye opened to darkness and outlines. One boy near the left wall. One by the doorway. One already creeping toward his feet.

Too close.

He moved at once, but hunger had slowed him and the floor was slick from leaking rain. He rolled instead of rising cleanly, and the spoon stabbed into his shoulder rather than his throat.

White pain burst down his arm.

One of the boys shouted.

Briggs slammed a brick into the nearest set of toes and heard something crack. The boy shrieked. Another swung downward wildly; the brick shard split Briggs' brow and half-blinded his black eye with blood. The third lunged onto his back like a feral dog.

This was not a heroic fight.

It was filth.

Knees, elbows, nails, breath, panic.

Briggs rammed himself backward into a rotted support post hard enough to crush the boy pinned behind him, then twisted and bit the screaming child's ear nearly off. The taste of blood filled his mouth. A second attacker brought the brick down into Briggs' ribs. Something popped. Briggs nearly blacked out.

The White Eye caught a movement through the pain—the right shoulder drawing back before the next strike.

Intent.

He dropped flat.

The brick smashed the post instead of his skull. The room groaned.

Briggs snatched the sharpened spoon from his own shoulder and drove it upward into the attacker's throat.

The boy staggered back, making wet animal sounds.

The third turned to flee.

Briggs almost let him.

Then he imagined the child telling others where he slept, how hurt he was, how little he had.

So Briggs forced himself upright and tackled him in the doorway. They went down into the alley mud. The boy clawed at Briggs' eyes, nearly tearing the cloth from the white one. Briggs punched him until the boy stopped moving.

Not dead.

Not yet.

Briggs dragged him back inside by the ankle.

The wounded one with the throat puncture was already dying. The one with crushed toes had crawled into a corner, whimpering and promising anything, everything, nothing coherent.

Briggs sat there in the dark with blood pouring down his face and shoulder, ribs grinding with every breath.

Then he laughed.

It was soft at first.

Then harsher.

Not because it was funny.

Because the lesson was so pure.

Three gutter rats had almost killed him.

Three.

If the spoon had been an inch lower, if the brick had landed a little cleaner, if he had slept one second more deeply, he would already be a cooling body stripped for scraps.

That was the truth of his strength.

That was the truth of the world.

He was not powerful.

He was merely harder to kill than expected.

The boy in the corner kept babbling, "Please, please, please—"

Briggs crawled over, seized him by the jaw, and whispered through his broken breathing, "Why?"

The boy sobbed. "You had food."

Correct answer.

Briggs stabbed him through the eye with the spoon.

It took more effort than he thought.

When he was done, he stripped the corpses, searched them, and found almost nothing—three coppers, string, a stale crust, and one little bone charm meant to ward off ghosts. Briggs kept the charm.

Then, because he was crazy in the way starving people became crazy, he sat beside the dead boys until dawn and planned.

Not revenge.

Not justice.

Leverage.

Because in the slums, murder was common.

But patterned murder drew attention.

By noon the whispers had started.

A new rat had survived a night-killing.

Three boys entered.

None came back.

Briggs made sure the whisper spread farther.

He staggered, pale and shivering, into a soup line near the tannery and collapsed at just the right moment. When a woman cursed and kicked him aside, Briggs let the cloth slip enough for someone to glimpse the white eye beneath.

That was all.

He did not confirm it.

Did not deny it.

The slums did the rest.

By evening, two versions of the story existed:

A cursed orphan with a demon eye had eaten three thieves.

A half-dead noble bastard had butchered them in his sleep.

Briggs liked both.

Fear was useful, but only in small doses. Too much and people united to crush the threat. Too little and they tested you. He needed something in between—enough unease to buy a little room, not enough to bring a whole district down on his head.

So he spent the next four days doing something harder than killing.

He watched.

He watched who collected protection silver in which alleys.

Who sold children to caravans.

Which beggars were real and which were lookouts.

Who gang members beat for pleasure versus profit.

Where the guard patrols slowed.

Where rooflines connected.

Where dogs barked at strangers and where they stayed silent because the strangers fed them.

The White Eye helped, but not perfectly.

It could read intent in the instant before action. It could help him notice weight shifts, focus points, tension in muscle and qi flow. But it did not make him omniscient. Crowds were still crowds. Darkness was still darkness. And when he used it too long while exhausted, a headache built behind the white eye so violently it made him nauseous.

Twice he had to vomit in drainage ditches after forcing the eye too hard.

Once he nearly fainted on a roof edge.

He learned restraint.

That restraint saved him on the fifth night.

He had been tracking an Ash Finger collector named Varo—not because Briggs thought he could kill him cleanly, but because Varo beat widows and took little "extras" from the starving that he did not report upward. Men like that always had enemies. Briggs wanted to know who hated him most.

Varo was not impressive by any grand standard. Late twenties. Scarred cheeks. Cheap cudgel. Some body-hardening, maybe half-trained. But compared to Briggs, he was larger, healthier, fed every day, and used to violence. Worse, he rarely moved alone after dark.

So Briggs did not attack.

He followed.

Across two alleys and a dye-yard wall, he finally found what he wanted: Varo entering a back room behind a wine shack where a narrow-faced prostitute waited with the flat stare of someone long past fear. Briggs watched from the roof cracks above and listened.

Varo laughed.

Boasted.

Threatened.

Complained about old debts and bigger collections due in three days.

Mentioned that Old Hook was coughing blood again.

That last part mattered.

Sick leadership meant instability.

But the rest mattered too. Varo drank heavily. Removed his boots first thing. Kept his coin pouch under the second plank near the bed. And, most importantly, liked to hit before he took what he wanted.

Briggs almost left with just that.

Then Varo struck the woman hard enough to knock out two teeth.

Briggs' fingers tightened on the roof beam.

It was not pity.

He barely felt pity anymore.

It was opportunity.

He waited until Varo was deep in drink and lust, then dropped soundlessly behind the hanging curtain. He had planned to slit the collector's hamstring and run.

That was the plan.

The plan failed immediately.

The woman saw him first and gasped.

Varo half-turned faster than Briggs expected.

The White Eye caught the motion, but Briggs' body was too slow to capitalize fully.

His dagger opened Varo's forearm instead of the leg.

Varo roared and swung the cudgel blindly. It smashed into Briggs' already injured ribs. Agony detonated through his side. Briggs hit the wall hard enough to lose grip on the dagger.

For one terrible second he understood that he had misjudged everything.

Varo was drunk, yes.

Distracted, yes.

Still stronger.

Still faster in raw motion.

Still dangerous enough to kill him in a room this small.

The prostitute scrambled away screaming.

Varo came forward with murder in his face.

Briggs ducked a cudgel swing by instinct more than skill. The wind of it brushed his hair. The White Eye burned. He saw Varo plant too much weight on the front foot after each committed strike. Saw the shoulder hitch from the wounded arm. Saw where momentum dragged the body an instant too far.

Not enough to win cleanly.

Enough to survive badly.

Briggs kicked the lantern over.

The room erupted into wavering dark and firelight.

Varo cursed.

Briggs threw the stool.

Varo batted it away.

Briggs lunged low, grabbed the coin plank instead of his dagger, ripped it free, and smashed the wood edge into Varo's wounded forearm.

The collector bellowed and dropped the cudgel.

Briggs dove for the weapon, but Varo caught his hair and slammed his face into the bedframe. Teeth cracked in Briggs' mouth. He tasted blood again.

Varo started choking him with one hand.

The White Eye found the intent before the finishing blow—the elbow drawing back, the torso bracing.

Briggs snatched a fistful of spilled lamp oil and ash from the floor and shoved it into Varo's eyes.

The man screamed.

Briggs tore loose, seized the fallen cudgel with both hands, and beat Varo's knee until it bent wrong. Once. Twice. Three times. On the fourth strike the bone gave.

Varo collapsed.

Briggs did not hesitate after that.

He climbed onto the man's back and brought the cudgel down into the base of the skull until Varo stopped moving.

Then he kept hitting.

Because he was furious at almost dying.

Because he hated weakness.

Because crazy was no longer something in him—it was something steering him whenever blood filled the air.

By the time he stopped, the back room was smoking from the overturned lantern and Briggs' hands were shaking so badly he could barely stand.

The prostitute was pressed in the far corner, staring.

Briggs turned to her.

She flinched like he was worse than Varo.

She was right.

He limped toward her, face swollen, one eye black with blood, the white eye partly exposed beneath the slipping cloth.

"Who hates the Ash Fingers most?" he asked.

She said nothing.

Briggs raised the cudgel.

She broke immediately.

There were names. Small gangs. Dock thieves. A widow who paid twice after her son lost two fingers to collection. A former runner beaten half-dead for skimming. A wine seller extorted beyond reason. Three boys missing after refusing recruitment.

Briggs listened.

Then he robbed Varo's body.

Took the coin pouch.

Took a ring.

Took the cudgel's iron cap.

Took the prostitute's hidden emergency silver too.

She stared at him in disbelief. "You—"

"You watched," Briggs rasped. "That makes you dangerous."

He did not kill her.

Not from mercy.

From utility.

Fearful survivors spread stories better than corpses.

He left her alive with the body and the fire licking up the wall.

By morning, the tale had changed again.

Varo was dead.

Maybe rivals did it.

Maybe one of his victims did.

Maybe the white-eyed slum devil had crawled from a sewer and crushed his bones.

Briggs spent the next two days feverish.

The spoon wound in his shoulder had reddened.

His ribs ground when he breathed.

One tooth had split to the root.

He hid in an old brick kiln and shook through chills with stolen cloth jammed in his mouth to muffle sound.

Hardcore mode was not glorious.

It was infection.

Weakness.

The possibility that a successful murder could still kill you three days later.

Briggs survived because he was lucky and cruel.

He stole moldy medicinal paste from a street healer by pretending to faint nearby, then slitting the healer's helper's purse when the old fraud came out to "assist." He traded Varo's ring for bitter herbs and a needle. He stitched the shoulder himself by firelight, nearly passing out halfway through.

During that time, the slums moved without him.

And when Briggs finally crawled back into the world, he discovered something useful:

Varo's death had not frightened the Ash Fingers into retreat.

It had made them brutal.

Collectors came in pairs now.

Shakedowns were harsher.

Two children had been beaten in public for carrying messages no one could prove they carried.

Good.

Pressure revealed fault lines.

Briggs stopped thinking like a survivor and started thinking like disease.

He could not fight the gang.

Could not challenge even a small crew directly.

Could not withstand a real hunt.

So he chose rot.

He started with lies so small they were almost invisible.

A muttered comment near a cookfire that one collector was hiding coin from Old Hook.

A whispered warning to a beaten debtor that another collector planned to seize his daughter next.

A planted gambling token in the sleeping place of a gang runner.

A message relayed through a child that the dock thieves were offering silver for schedules and route times.

Nothing dramatic.

Nothing immediate.

Little frictions.

He used real observations whenever possible. That made the lies stronger. The White Eye had shown him enough habits, alliances, and grudges to know where suspicion would cling naturally.

Then he added blood.

Not gang blood at first.

Civilian blood.

A butcher in debt who informed on neighbors to the Ash Fingers.

A beggar who sold children's hiding spots.

A woman who lured starving boys into rooms for collectors to "teach lessons."

Briggs killed them all over six days.

Not because they were evil.

Because they were useful examples.

Each corpse was left where it would be found.

Each death looked personal.

Each rumor pointed blame sideways.

The slums started snapping at themselves.

A debtor knifed an informer.

A collector broke a runner's arm over missing coin.

A prostitute vanished after naming the wrong protector while drunk.

One of Old Hook's lieutenants accused another of arranging Varo's death to expand territory.

Briggs watched from gutters and roofs, thinner than ever, shoulder still healing badly, ribs never quite right. He was not above the chaos.

He was inside it.

One shove away from being swallowed.

That danger made him careful.

When two Ash Finger enforcers nearly cornered him during a sweep, Briggs escaped only by diving into a drainage channel full of black runoff and dead rats. He lay submerged to the nose while they probed the muck with poles overhead. One thrust missed his thigh by inches.

Afterward he vomited twice and shivered until dawn.

That was the margin.

In stories, monsters rose cleanly.

In reality, they crawled up through sewage and almost died from bad luck.

Still, the plan worked.

Not perfectly.

Not quickly.

But enough.

By the end of the week, one lieutenant named Pei was convinced someone inside the Ash Fingers was feeding information to dock thieves. Another believed Old Hook was deliberately favoring certain crews while preparing to abandon the district. Old Hook himself, already sick, started punishing people harder just to prove strength.

That was the break Briggs wanted.

A gang held together by fear became unstable when fear lost direction.

He was still too weak to touch Old Hook.

Too vulnerable to face even one disciplined cultivator.

Too poor to buy real medicine or allies.

But now he had something better than strength.

He had movement.

Cracks.

A slum full of hungry idiots leaning toward betrayal.

Briggs sat on the broken edge of a roof one night, chewing stolen gristle, and stared over the district lights. One eye black. One eye white beneath stained cloth. His face still yellowed with old bruises. His shoulder half-healed. His ribs forever reminding him what even a drunk collector could do.

He smiled anyway.

Because this was better.

Harder.

Realer.

More dangerous.

He was not a demon descending from above.

He was a rat chewing through the beams of a house full of sleeping men.

And one day, when the beams gave way, they would all call it calamity.

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