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Chapter 6 - What Real Feels Like

Sarah Mitchell POV

 

She should have said no.

That was the part of her brain still working correctly, the small sensible voice that had kept her out of trouble for most of her adult life. It was saying no quite clearly, actually. It was saying you are emotionally unraveling, you have had wine on an empty stomach, you do not know this man's name, and going upstairs with a stranger is exactly the kind of decision that looks very different in the morning.

She went anyway.

Not because the sensible voice stopped talking. It talked the entire way across the bar, all the way through the lobby, all the way to the elevator. She heard every word of it.

She just decided, for one night, to let the other part of her win. The part that was exhausted from being careful. The part that had been holding everything together so tightly for so long that her hands had forgotten what it felt like to let go of something.

The elevator doors closed.

They stood side by side and neither of them spoke and the silence wasn't awkward, it was charged, the kind of quiet that happens when two people have already made a decision and are just waiting for the right moment to stop pretending they haven't.

He looked at her reflection in the elevator doors. She looked back at his.

Neither of them looked away.

His room was on the top floor. The city came through the windows like something out of a movie, all of Chicago spread out below them, lights running in every direction as far as she could see. On any other night Sarah might have stood there and felt small. Tonight she just felt like someone who had finally stepped out of a very cramped space into open air.

He came to stand beside her at the window.

"Still want to pretend?" he asked quietly.

Sarah turned to face him. Up close, his eyes were darker than she had realized in the bar. There was something in them she hadn't expected to find in a man who wore a suit like armor and held himself like someone who had never once been uncertain about anything. Something that looked a lot like the same desperate need she had been carrying around for months.

"No," she said. "I think I want to be exactly who I am tonight. I'm just not sure who that is anymore."

He reached up and pushed a piece of hair back from her face with a gentleness that was so at odds with everything about his outward appearance that it stopped her breath.

"I know who you are," he said softly. "You're someone who's been strong for too long."

She kissed him first.

She hadn't planned it. She didn't think about it. One second she was standing there looking at him and the next her hands were on his face and she was kissing him like she meant it, like she had been holding that breath he mentioned for years and her lungs had finally given out.

He kissed her back like someone who had been waiting to stop performing.

What happened between them in that room was not the kind of thing Sarah had words for afterward and didn't try to find them. It was desperate in the way that honest things are desperate. It was raw in the way that real things are raw. She had been touched by people who wanted something from her before. This was different. He touched her like she mattered. Like every part of her that she had been hiding and managing and holding carefully away from the world was exactly what he wanted to find.

She forgot about the folder on her desk. She forgot about James and the four-month deadline. She forgot about ten pages of notes leading nowhere and a source who had walked out of a coffee shop and left her with nothing but a name she couldn't prove.

For a little while, she just existed.

Afterward they lay in the dark with the city glowing through the windows and neither of them moved to put distance between themselves, which Sarah noticed, and which felt significant in a way she didn't examine too closely.

His hand was warm against her back. Her head was against his chest and she could feel his heartbeat, slower now, steadying.

"Tell me something true," she said into the quiet.

He was silent for a moment. "I don't know who I am when I'm not working. I realized that tonight. You asked me how I keep going and I answered about the work and that's the problem. I don't have an answer that isn't about the work."

Sarah thought about that. "I used to know exactly who I was. I was a journalist. That was it. That was the whole answer. And then the work fell apart and I realized I had nothing else underneath it. No backup version of myself."

"What happened?"

She told him. Not every detail. But the shape of it. The source who lied. The story that cost her everything. The two years of climbing back toward something that kept moving further away.

He listened without interrupting, which was rarer than it should have been. Most people started preparing their response while you were still talking. He just listened like the whole point was to understand.

"Do you think you were wrong?" he asked when she finished.

"About the story?"

"About trusting someone."

She thought about it honestly. "No. I think I was thorough and I was careful and he was just a better liar than I was prepared for. I think I'd make the same judgment call again with the same information I had. The mistake wasn't the trust. The mistake was not having a second source to catch the lie."

"Then it wasn't a character failure," he said. "It was a gap in the process."

Something in her chest shifted. She had told that story to a few people over the past two years and every one of them had responded with reassurance. You did your best. It could have happened to anyone. You'll bounce back. All kind things. None of them had done what he just did, which was actually think about it and tell her something useful.

"What about you," she said. "What would you change?"

He took a while with that one.

"I'd ask more questions earlier," he said finally. "I built something big by deciding that certain things were not my problem to investigate. Someone I trusted told me everything was fine and I chose to believe it because digging meant potentially finding something I'd have to deal with." He paused. "That's not strength. That's a man who's afraid of what he might find."

Sarah lifted her head and looked at him. "You're more honest than you seem."

He looked back at her. "You're stronger than you think you are."

She put her head back down. His hand moved slowly against her back and the city outside kept doing what it did and for a stretch of time that felt both long and impossibly short, Sarah Mitchell felt genuinely okay. Not fixed. Not solved. Just okay in the way that was actually real rather than performed.

She told him about being the middle child of five. About her mother working two jobs and never once complaining. About how she learned to take up as little space as possible when she was little and had never quite unlearned it.

He told her about being handed a dying company at twenty-five and being too proud and too scared to admit he didn't know what he was doing. About learning to perform confidence so well that eventually he forgot he was performing and now he wasn't sure where the performance ended.

They talked like people who had been introduced to each other's real selves rather than their public versions.

At some point his breathing deepened and she realized he had fallen asleep mid-sentence. Just gone. Like a man whose body had been waiting for permission to rest for a very long time.

Sarah lay still.

She watched him sleep and listened to the city outside and let herself sit with the particular strangeness of the moment. She did not know his name. He did not know hers. In the morning they would both go back to their real lives and this would be a night that existed separately from everything, like a small island with no bridge to the mainland.

That was fine. That was what she had come here for.

Except her chest was doing something it had no business doing over a man she had met four hours ago. Something warm and inconvenient and very difficult to argue with.

This doesn't happen, she told herself. This isn't real. People don't meet strangers and feel this. That's not how it works. That's a story you tell yourself because you're lonely and tired and he happened to say the right things at the right moment.

She almost believed it.

She looked at his face, relaxed in sleep in a way it hadn't been at the bar, the careful controlled expression gone completely, and she thought about what he had said. Afraid of what he might find.

She understood that down to the bone.

She pulled the sheet up slightly and closed her eyes.

But God, she thought, before sleep finally took her.

God, she wanted this to be real.

She was still half asleep two hours later when she heard him moving quietly in the room. Getting dressed in the dark, slow and careful, trying not to wake her. She kept her eyes closed. She didn't know why. Something told her to stay still, to let him go, to not make this harder than it needed to be.

She heard him pause beside the bed.

She felt him look at her.

Then she heard the soft click of something being set on the nightstand.

Then the door.

Then silence.

Sarah lay still for a long time before she opened her eyes and looked at the nightstand.

A business card. Small and white and plain except for a name printed across the front in clean black letters.

She picked it up.

Read the name.

Read it again.

The card slipped from her fingers.

Kade Harrison. CEO of Harrison Industries.

The man she had just spent the night with was the man she had been investigating for two months.

 

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