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Chapter 6 - The Answer That Takes Its Time

Three days after sending the manuscript, Lia slipped back into the rhythm of her life.

The alarm. 

The bus. 

The classroom. 

Children's laughter. 

Evening exhaustion.

But beneath that routine, something was constantly moving.

Waiting.

She tried not to check her email every ten minutes. 

Tried to look like someone who wasn't hanging her future on a reply. 

But every time her phone buzzed, her heart jumped ahead of her.

Nothing.

Day four. 

Day five. 

Day six.

She still had to be the focused teacher. 

The reliable adult in a room full of small humans.

Her director mentioned it again, gently: 

"You've seemed distracted this week, Lia."

"I haven't been sleeping much," she replied.

That wasn't entirely true.

It wasn't sleep she was missing. 

It was calm.

***

When the second week began, she made a rule: 

Check her email only twice a day. 

Morning and night.

Discipline.

In the meantime, she worked on other things. 

Updated her website. 

Rewrote her bio. 

Prepared short pieces for social media.

She refused to pin everything on one answer.

Life had taught her that much. 

When you gamble everything on a single point, that point becomes fragile.

Still, every night before sleep, the same questions circled her mind:

What if they say yes?

And the more dangerous one:

What if they say no?

***

On the eighth day, while the children were painting, Emma leaned closer and whispered,

"Miss Lia, when you wait for something, does it feel long?"

"Very," Lia smiled.

"My mom says when a cake is in the oven, you shouldn't keep opening the door. It ruins it."

Lia laughed softly.

Don't keep opening the oven door.

Maybe waiting was like that. 

You had to let things cook without poking at them.

***

That night, when she opened her inbox, there it was.

A new email.

From the same address.

She stared at it for a few seconds before touching the screen.

Subject: Manuscript Review

Her pulse quickened.

She opened it.

The first lines were formal. 

Thank you for your submission. 

We appreciate your effort.

Then the sentence that made her hold her breath:

"We see strong potential in your voice."

Strong potential.

Not brilliant. 

Not accepted. 

But not rejected.

She kept reading.

"However, before moving forward, we would need significant revisions in structure and pacing."

Significant revisions.

Not minor tweaks. 

Not cosmetic changes.

Rebuilding.

She sat back in her chair.

This was the moment many people quit.

When you've poured everything in, 

and someone says: again.

She read it one more time.

"If you are willing to revise within three weeks, we can reconsider your manuscript for the next selection round."

Three weeks.

The door wasn't closed.

But it wasn't wide open either.

This wasn't about sending a file anymore. 

This was about commitment.

About admitting you weren't finished.

She closed the laptop and just breathed for a while.

Two versions of herself appeared in her mind.

The first one—tired. 

Saying, "It was enough." 

Returning to safety. 

Letting the dream soften.

The second one—rolling up her sleeves. 

Rewriting for three more weeks. 

No guarantees.

Which version lets me sleep at night?

***

The next morning, she reread the email carefully.

She wrote down the points:

Structure. 

Pacing. 

More depth in the main character.

They weren't cruel. 

They were honest.

Honesty is a gift— 

if you can bear it.

At the kindergarten that day, her focus was sharper.

Emma looked up at her and asked, 

"Did they like it?"

"They said I can make it better," Lia replied.

Emma nodded seriously.

"Then make it better."

Simple. 

No drama. 

No fear.

***

That night, Lia cleared her desk again.

Three weeks.

She opened her calendar.

Week one – restructure. 

Week two – deepen characters. 

Week three – refine and cut excess.

She realized her real problem wasn't writing.

It was energy management.

So she made another decision.

No dramatic leave. 

No burning herself out.

One focused hour every single day. 

No phone. 

No distractions.

Slow construction. 

Consistent.

***

Week one was painful.

She deleted scenes she loved. 

Lines that sounded beautiful but didn't serve the story.

Letting go of good sentences is harder than writing new ones.

Professional growth meant this: 

You are loyal to the result, not to your ego.

***

In week two, the protagonist became more human.

Her contradictions sharper. 

Her fears more visible.

Sometimes Lia would pause mid-sentence and realize she was writing herself more honestly than ever before.

The manuscript wasn't just a project anymore.

It was a mirror.

***

By week three, exhaustion returned.

Work at the kindergarten was heavier. 

Money was tight. 

Her bank sent another warning notification.

But this time, she didn't crumble.

Because this time, she had chosen to continue.

Three days before the deadline, the revised version was ready.

Not perfect. 

But stronger.

She saved it. 

Re-read it hours later. 

Made final changes.

On the last night, she opened her email again.

Subject: Revised Manuscript Submission

Her hands were steadier now.

There was no guarantee.

But there was integrity.

She pressed send.

***

This waiting felt different.

She was no longer the anxious girl checking every five minutes.

She had done her part.

On the third day after sending the revision, as she stepped out of the kindergarten, her phone vibrated.

Another email.

From the same address.

She stopped on the sidewalk. 

Cars passed. 

The city moved around her.

She didn't open it immediately.

Not from fear.

From respect.

This was one of those moments when a path can change.

Or not.

She took a slow breath.

And before opening the message, she told herself:

Whatever it says, I will keep going.

Then she touched the screen.

And the email opened.

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