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THE MERGERS AND MARRIAGE ACT

Reks_Juli
7
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The average realized release rate over the past 30 days is 7 chs / week.
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Synopsis
Power built her. Betrayal destroyed her. A contract gave her a way back. Elena Vance thought she had control of her career and future, until the man she helped rise to power publicly erases her, leaving her with nothing. Her reputation shattered, she is offered salvation by Killian Blackwood, the city’s most feared corporate liquidator, in the form of a one-year marriage contract. No emotions. No expectations. No room for mistakes. What begins as strategy quickly becomes a dangerous game of tension and desire. Every move tests Elena’s strength, every moment with Killian challenges her control, and the risk of vulnerability threatens everything she’s worked for. To reclaim her legacy, she must navigate ambition, betrayal, and the uncharted territory of the heart. In a world ruled by contracts and power, wealth can be negotiated,but love cannot. The Mergers and Marriage Act is a billionaire romance about ambition, risk, and the perilous choice to trust again.
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Chapter 1 - CHAPTER ONE

THE LUXURY OF BETRAYAL

Manhattan rain never apologizes.

It doesn't soften the city. It doesn't rinse anything clean. It just sharpens edges until every surface reflects your worst moment back at you in high definition,no blur, no mercy.

I stand beneath the narrow awning outside Thorne Financial with a cardboard box cutting into my forearms. The bottom is already going soft, water climbing the seams like it has a destination. Inside is the edited version of my life: two framed degrees tilted at ugly angles, a stack of notebooks swollen at the corners, and a company-branded mug that suddenly looks like a joke I helped write.

Behind the glass doors, the lobby glows warm and gold. Marble. Orchids. A security desk that smells faintly of lemon polish and money. The air inside looks expensive,like it never has to tolerate weather.

A digital banner scrolls across the marble wall.

CONGRATULATIONS TO OUR NEW CEO, MARCUS THORNE.

It loops again.

And again.

I stare at it like I can find the bug in the code. Like if I hold my focus long enough, reality will correct itself and revert to the version where loyalty is currency and contribution has ownership.

Five years.

Five years of late nights when the cleaning crew learns my name before the managing directors do. Five years of building valuation models no one reads closely until they need someone to blame. Five years of smoothing chaos into clarity until Marcus can sell confidence to a board addicted to certainty.

The algorithm,my algorithm,is the reason Thorne Financial looks like it has foresight instead of luck. It turns messy market data into clean predictions and gives Marcus the kind of performance curve that makes investors forget to ask unpleasant questions.

I don't think of it as mine while I'm building it. Back then, I still believed in mentorship. Partnership. Shared wins. I still believe contribution functions like equity,that if I put enough of myself in, it pays out eventually.

But this industry doesn't pay out automatically.

It pays out to the people who negotiate.

And I don't negotiate. I trust.

My phone buzzes in my coat pocket. I didn't check it. I don't need to. It's another recruiter who sounded interested last week and cautious today. Another message dressed in polite language that translates cleanly into one blunt line:

You're radioactive.

I'm radioactive because Marcus moves first.

He moves the way I build models: with contingencies. With plausible deniability. With the kind of calm that makes people believe him before they even know the facts.

The termination meeting lasts eleven minutes.

Eleven minutes to erase my professional identity.

HR sits to my left with hands folded like prayer. General Counsel sits to my right and speaks softly, like hard consonants might make me crack. Marcus sits at the head of the table with the expression of a man watching a necessary demolition.

He slides a severance agreement toward me.

On paper, it's generous. That's what makes it violent.

It comes with an NDA. A non-disparagement clause. A paragraph about "potential misappropriation of proprietary materials" that never fully accuses me of theft but plants the idea where it will grow best,inside the board, inside the press, inside every future employer's risk assessment.

I read it twice, then looked up.

"I built that algorithm," I say.

Marcus doesn't flinch. He keeps his tone reasonable, controlled,the voice that convinces people he's the adult in the room before the conversation even starts.

"You built it here," he replies. "On firm time. Using firm resources. Under firm agreements."

He says it like he's reminding me oxygen isn't mine either.

He doesn't say thank you.

He doesn't say I'm sorry.

He says, "We need to protect the firm."

Protect the firm from me.

I push the folder back across the table. My hands are steady, which surprises even me.

"I'm not signing," I say.

Marcus leans back, folds his hands, and delivers the sentence that finishes me.

"Then we'll have to protect the firm from you."

From you.

That's how you destroy someone in a room full of witnesses without raising your voice. You reframe them as risk. You make their competence look like danger. You let legal do the rest.

Outside now, rain slides off the awning in a steady sheet. People rush past me on the sidewalk, umbrellas angled like shields, faces turned away with the practiced indifference of New Yorkers who learned empathy is an expensive habit.

The glass doors slide open.

Sarah stands just inside, dry and immaculate, as if the building rinses her clean and refuses to do the same for me. Silk clings to her body. Her hair doesn't move. Her lipstick doesn't smear.

"El," she says, soft like she still has access to my life.

My fingers tighten around the box. Cardboard flexes.

"He's waiting for you," she adds.

The words land wrong. Not okay. Not this is insane. Just logistics. The next move in a plan I never agreed to.

"I'm not going in there," I say. "I didn't steal anything."

Sarah's expression shifts,sympathy that doesn't cost her anything. She has always been good at performance. I just never knew which audience she was playing for.

"He has lawyers," she says. "He has the board. He has the narrative." Her gaze flicks toward the security desk, toward the cameras. "You don't. Just sign the NDA, take the severance, and move on. Before he decides to make this uglier."

Move on.

As if I'm a bad quarter.

As if five years can be written off.

I step closer to the threshold until rain soaks through my sleeves. Cold water slides down my wrists into my palms. The box goes slick. My arms ache.

I look past Sarah into the lobby,the orchids, the marble, the new security guard who doesn't recognize me. My badge is deactivated before I even reach the elevator. I know because I try it once, stupidly, like muscle memory might override betrayal.

A red light blinks.

Denied.

Sarah watches my face like she's waiting for me to break quietly enough to be convenient.

I don't.

I lift my eyes to hers.

"Tell him this," I say, quiet enough that she has to lean in. "He didn't just break my heart. He dismantled the only reason I ever protected him."

For half a second, something flickers across her face. Doubt, maybe. Guilt, maybe. Fear,definitely.

Then she says the part she hasn't said yet, the part that makes my stomach drop into something colder than rainwater.

"Elena… this isn't personal."

I laugh once, short and sharp. "Of course it is."

Sarah's eyes flick away. Not to the door. Not to me.

To the banner.

To the man whose name is looping in gold.

"We're trying to keep the firm stable," she says. "Marcus is about to become CEO. The board can't afford uncertainty. And you," She hesitates like she's choosing words that won't stain her. "You're unpredictable right now."

Unpredictable.

Like grief is a market variable.

I tilt my head. "You're aligned with him."

Sarah's throat moves. She swallows. "Strategically."

The word lands like a blade with a polished handle.

Strategically.

Not romance. Not sex. Not love.

Power.

She chooses power.

The doors slide shut.

The sound is soft. Polite. Final.

I stand on the pavement with my breath fogging in the rain while the banner inside continues to congratulate Marcus Thorne, looping his victory like the city needs reminding.

My box sags.

The bottom splits.

My framed degree slides out first and hits the sidewalk face-down. A notebook follows, pages blooming open as water swallows my handwriting. Pens roll into the gutter. A flash drive bounces once and disappears into a puddle with a small, final splash.

For a moment, I watch it happen like it's happening to someone else,like my brain files me under too expensive to process right now.

People step around the mess without slowing. No one stops. No one asks if I need help.

No one recognizes me.

I don't bend to save what falls.

Not because I don't care.

Because if I bend, I'm not sure I can stand again.

And I can't afford to become a woman who can't stand it.

I grip what's left in the box and turn away from the building.

The rain hits my face like a slap, and I let it,because the alternative is crying, and I don't trust myself to stop if I start.

Halfway down the block, my phone rings.

Unknown number.

It rings again.

I answer because I've already lost enough to stop caring about risks that feel small.

"Hello?"

A man's voice comes through the speaker,low, controlled, polished like it's trained not to reveal anything it doesn't intend to.

"Ms. Vance," he says.

My spine goes rigid.

"Yes."

"I'm told you don't sign things under pressure."

I stop walking. Rain collects on my eyelashes.

"Who is this?"

A pause. Not hesitation,calculation.

"Killian Blackwood."

The name lands like weight.

Not just because I've heard it,everyone in finance has,but because it's attached to a specific kind of fear. Corporate liquidator. Predator with a suit. The man firms hire when they want something dismantled cleanly and quietly.

"What do you want?" I ask.

"I want to talk," he replies. "Somewhere you can hear yourself think."

I should hang up.

I should protect what's left of me.

But there's a problem with being erased: you stop believing the usual rules still apply to you.

"I'm not in the mood for games," I say.

"I don't play games," he answers. "I structure outcomes."

My throat tightens.

"Why me?"

Another pause,again, not hesitation.

"Because Marcus Thorne doesn't understand what he stole," he says. "And you do."

My grip tightens around the phone until my knuckles ache.

"Where?" I ask, hating myself for it and needing it anyway.

"A bar in Queens," he says. "Twenty minutes. I'll text you the address."

"And if I don't come?"

"Then Marcus wins," he replies. "Quietly."

The call ends.

I stand in the rain with my ruined box, my ruined name, and the first real choice I've had all week.

The city keeps moving around me, indifferent as ever.

But something inside me,small, dangerous, stubborn,flickers to life.