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Chapter 54 - A Tour of the Premises

At the second turning the stone on his finger warmed.

Lain didn't slow.

By the fourth he felt the pull. Thin, cold, starting at the knuckle and running up the inside of his arm like a thread being drawn tight. He kept his hand at his side and his elbow tucked. The books shifted against his ribs, and he adjusted his stride until they were still.

Books first.

His knees felt wrong.

Not painful. Soft. He let one hand trail along the wall, lightly, the way a girl might who admired the paper, and let it take a little of his weight.

The corridor was longer than yesterday.

He was nearly certain.

"Miss?"

Tess had come up at his shoulder. Her round face had creased.

"You've gone quite pale."

"I'm not used to such a large house," Lain said. Mira's voice, thin and a little breathless, which was convenient, because it was true.

"Shall I fetch water?"

"No. Thank you. I'm very well."

His left hand had gone numb to the wrist. The edges of the passage had softened, the white walls gone the white of something seen through milk. The stone lay against his bone like a coal. And under the heat, cold and patient, something was going out of him that he hadn't given leave to go.

Don't look at it.

He didn't.

Archive. Then the study. Then the room. Then you can fall over.

The ring pulled harder.

Not toward the archive. Past it. Toward the next door along, the study with its drawn curtains, where the third bookcase stood a finger's width from the wall.

It was a thread now, not a tug. Humming faintly, like a note held a very long time.

Not yet, Lain thought, and turned his shoulder to it, and walked on as though into wind.

A hand closed on his elbow.

Light. Lord Erran steadying his granddaughter. But the fingers were firm, and when the old man's eyes slid to Lain's face they weren't warm at all.

What is it?

Nothing. I'm fine.

Kaedrin didn't believe him.

He said nothing.

Behind them came the steward's footsteps, and behind the steward, Tess's lighter ones. Three paces back. Never closer. Never farther.

At the end of the passage, the archive door stood ajar. A thumb's width of dark.

Kaedrin stopped.

"Mira, my dear. Perhaps we should see the gardens first."

"Of course, Grandfather."

"The gardens are lovely this time of year," said the steward behind them. "I would be glad to accompany you."

"Don't trouble yourself."

"It is no trouble, my lord."

Kaedrin's eyes met Lain's.

Two of them, three paces back. One door.

We need a plan, said the eyes.

I know, said Lain's.

He hadn't one. What he had was a pair of knees quietly disagreeing with him, four books pressing against his ribs, and a ring pulling at his finger like a hand at a sleeve.

Think.

"Gardens," said Kaedrin.

He turned. Slowly. All the way around, with the face of a man who had just tasted something he suspected the cook of watering down.

"Gardens. No. What I want to see is the hall."

The steward blinked. "My lord?"

"The great hall. Where my granddaughter is to be married." Kaedrin took a step toward him, and for a moment Lord Erran Mourne was an enormous, creaking, indignant thing, a man who had crossed three seas and found a great many of them badly organized. "I saw it last night by candlelight. Candlelight! Anyone can look well by candlelight. I'll see it with the sun on it, thank you, and I'll see how the chairs are set."

"The chairs have been arranged by the household—"

"By someone who knows nothing of the eastern trade, I should imagine."

"My lord, I assure you—"

"Seating is everything, man. Put an exporter next to a notary and you've a quarrel by the second course. Put the guild master across from a magistrate and you've a treaty." Kaedrin lifted one hand and drew a long, measuring line through the air, the way a man might who had once been very good at this. "I shall want to see the sightlines. The doors. How a body gets from the dais to the head table. Come. Lead the way."

"I was told that Miss Mira—"

"Miss Mira will be quite safe." Kaedrin glanced at Lain, and his whole face changed.

Softened. Sharpened. Went the way an old man's face goes when he looks at a grandchild and sees what he has been too busy to see.

"Mira. Child."

"Grandfather?"

"You're white as paper."

Lain didn't have to act it. He let his shoulders sag a half inch and his eyelids droop, and Mira's lip, in the most modest way imaginable, began to shake.

"I'm quite well—"

"You are not. You haven't a drop of color. Girl." That was to Tess. "Water. A cool cloth. Quickly."

Tess curtsied. "At once, my lord."

"And Mira will sit." He turned. His eyes passed over the passage, found the first door beside the archive, and stopped. A small door, plain, half-open on the glimpse of a settee and a window. "In there. Ten paces. In plain sight of the corridor, so no one can say she was left unattended."

The steward hesitated.

It was a small, miserable pause. The pause of a man weighing a standing instruction against a very old, very rich, very loud lord who intended to be obeyed.

"It's only that the master prefers—"

"The master," said Kaedrin, "will prefer that his bride doesn't faint on his floor."

"Of course," the steward said, after a moment. "Of course, my lord."

Kaedrin took his arm.

It was less a gesture of friendship than a capture. He turned the steward, who was a good deal taller than he, with one firm, genial, relentless pull, and set off down the passage at the head of the household like a man leading a very small army.

"Now. The hall. I'll want to see the head table first. And the orchestra. Is there an orchestra? There ought to be an orchestra. A man cannot be married in silence, it's bad luck. I knew a fellow in Aldenmere who was married in silence and the next spring his warehouse burned. Now, as to the guest list—"

The voice receded.

Tess had already vanished the other way, her soft quick footsteps gone down a side passage.

The corridor was suddenly very quiet.

Lain stood alone in front of the little sitting room.

Four books at his ribs. A ring at his knuckle, humming. A door a thumb's width open, six paces away.

He counted his breaths.

One.

Two.

Five minutes, he thought. If I'm lucky.

I'm not often lucky.

He went in.

The little sitting room was all pale silk and cold light, with a settee nobody had ever sat on. He left the door open. He stood very still and listened to Kaedrin's voice booming off down the passage about orchestras, dwindling, dwindling, until it was only a pressure in the air and then not even that.

Now.

He stepped out, took six paces, and slipped through the archive door.

The smell met him at once. Cedar. Dry paper. Something sweet and burned underneath. The long room lay as he'd left it, green spines in dim amber light, the reading table clean under its single lamp.

Something tugged, low behind his breastbone.

Not now.

He crossed to the shelf.

Five green volumes had stood here yesterday. One lay at the far end, newest, spine barely cracked. Four gaps waited beside it, narrow and exact, like missing teeth.

He slid the first book out of his left cuff.

It came easily. Warm from his skin, soft at the corners. He laid it into its place and pressed it flush.

The second came from his right sleeve.

The third, from under the bodice, was harder. It had worked itself a little askew against his ribs, and he had to turn his back on the door and draw it out in a slow, undignified motion, like a man reaching into a wall.

A girl in a dress would not do this, he thought. A girl would die first.

The fourth came out last, from the folds at his thigh. It had begun to slide. He caught it against his knee, breathed once, and fed it into the last gap.

He stepped back.

The shelf looked exactly as he'd found it.

He checked. Left to right. Five spines, the gold lettering catching the lamp in the same small places. The gaps closed. The tops level. Dust, none. He had the sudden, silly urge to run a finger along the wood and see if it came away clean.

It would.

Good. It's done. Go.

He didn't go.

Something was wrong.

Not wrong the way a crooked frame was wrong. He turned it over, looked at it from the side, and couldn't find it. The books stood in their order. The air didn't smell different. Nothing had been moved.

It was in the way the shelf sat.

Like a sentence with a word missing. A face he'd seen yesterday and could no longer picture. As though the books had been put back, and the place they'd been put back into had kept a shape of its own, and the shape had no hole in it.

That's not it, he thought. Wrong way round.

The shape has a hole in it. Where it shouldn't.

He stood with his hand half raised.

The cedar breathed against his skin.

For a moment he thought he knew what he was reaching for. It was just there, on the tip of the tongue, the small cold edge of a name, and he leaned toward it the way you lean toward a door left a crack open.

Then it was gone, and the dry papery silence closed back over the room.

Think about it later.

Somewhere in the house wind blew past a curtain.

Four minutes. Perhaps three.

He stepped away from the shelf.

He had not noticed until then that his hand had closed into a fist. Left, ring finger tucked under the others, the stone pressed hard against the heel of his palm.

It was warm.

It was warmer than before.

That's not the books.

He turned. The archive door stood open. Beyond it the passage ran pale and empty. And a few paces to the right, with its curtains drawn, the study waited.

The pull was already there.

He didn't have to ask which way.

The study door was open.

Lain stepped inside and pulled it nearly shut behind him. Not latched. A girl who'd wandered in by accident wouldn't latch it.

The room was as he remembered. Dark paneling. A wide desk. Shelves along three walls, and along the fourth a bay window with the curtains drawn so tight that not a thread of daylight crept through. A single lamp burned low on the blotter, turned down to a coin of gold.

Ink and wax and cold tobacco.

Papers squared. Pen capped. A letter opener lying exactly parallel to the edge of the blotter.

He had noticed that yesterday. He noticed it again now and found it much less funny.

He looked at the shelves.

There was something wrong with the shelves.

It took him a moment to see it. The third bookcase, on the far wall, stood a fraction proud of the paneling beside it. A finger's width. Enough that the shadow along its edge fell the wrong way.

The pull went through him.

Not a tug. A hook, set deep behind the breastbone and drawn sharply toward the far wall. His knees buckled a hand's breadth before he caught himself on the corner of the desk. The lamp rocked. Somewhere in his left hand a bone sang, a single high thin note, a finger run round the rim of a glass.

Easy.

He breathed. In. Out.

Last night it was a tug. Now it's this.

He pushed off the desk and crossed the floor in three careful steps, each one harder than the last, like walking out into a current. The warmth in the stone climbed to the base of his finger and spread, and with it came the cold, the thread of him unwinding from the knuckle, steadily, patiently, faster than before.

He reached the bookcase.

Ran his hand along the carved edge.

Felt, beneath his fingertip, a seam.

Thin as a hair. Hidden in the grain of the oak, in the leaf pattern of the molding. It ran down the side of the bookcase from top to bottom and across the floor in a faint, clean arc.

A door.

His heart began to beat very hard.

A room. Behind the study. Hidden.

That's where the real—

The ring answered.

A pulse went through the stone. Not heat. Not cold. A beat, low and slow, like a great animal turning in its sleep. The seam under his fingertip seemed to hum with it. The wood vibrated. The books on the shelf trembled faintly, very faintly, in a single long tremor from one end of the case to the other, and went still.

Lain stopped breathing.

It heard that.

The black stone lay flat against his bone, warm and patient and entirely without a face. But he knew now. It wasn't the registers. It had never been the registers. Last night, in Soren's back room, it had stirred at one page and one page only, a page with a tiny pencil star, and he had told himself it was the paper.

It wasn't the paper.

It had been this.

It was the room.

Whatever lay behind that seam, the ring knew it, answered it, was drawn to it the way iron was drawn to a lodestone. And the cold, the numbness, the long slow drawing-out of whatever he was, wasn't random.

It was feeding on the way there.

Take it off.

The thought arrived whole, clear, and very quiet.

Take it off now.

His right hand rose toward his left.

His right hand closed round the band.

Thumb and forefinger, a firm grip. He twisted.

It didn't turn.

He tried again, harder, working it toward the knuckle the way he had last night, with soap and a thread of linen and a quantity of language Mira would not have known.

It didn't move.

Not stiffly. Not tightly. It simply wasn't there to move. His finger rolled under his grip as though he were turning the whole hand, the gold held in place by nothing he could find.

He looked down.

The band sat at the base of his finger exactly where it had always sat. Dull gold, black stone, perfectly ordinary. But where metal should have met skin there was no gap. The flesh rose faintly round the edge of it, pale and smooth, closed over the rim the way water closes over a dropped stone.

No swelling. No redness. No seam.

It's in me.

The thought was very clear. Very small.

It's not on my finger. It's in it.

He pressed his thumbnail to the place where the gold ought to end and the skin begin. He couldn't find the line. He dragged the nail along it. It was like drawing a fingertip across a single piece of living wood.

It came off last night.

He tried spit. It was absurd, and he did it anyway, a quick wet pass over the knuckle and a hard pull, enough to tear a nail.

A deep dull tug answered, somewhere under the bone, the feeling of trying to draw a tooth with the root still locked in the jaw. His whole hand flashed cold. The stone throbbed once, warm, indifferent.

It let me, he thought.

Last night. In the back room, under the lamp. I got it off and set it down, and it just lay there.

It let me.

He felt the floor tilt a hair.

Maybe it wanted to be put back on.

Maybe it was waiting.

The pull came again, and this time he was not ready.

It took him by the finger, the knuckle, the wrist, one long cold unwinding of everything he was. His body went with it. He moved half a step before he knew he was moving, his shoulder striking the edge of the bookcase, a dull wooden thud.

The seam hummed under his coat.

The shelves shivered.

No, he thought. No. Not yet.

His right hand shot out, found the corner of the desk, and gripped. The lamp lurched on its base. Gold light swung across the paneling and settled. Lain hung there with his arm locked straight and his heels dragging the carpet, his whole left side leaning toward the wall like a plant toward a window.

He breathed.

In.

Out.

Don't look at it.

He looked at it.

The band glimmered in the lamplight, small and calm and utterly at home. The skin round its edge had gone faintly grey.

It was never something I was wearing, he thought.

It was something I was being worn by.

Something thumped under his feet.

Not the hum. Not the pulse of the stone. A dull, steady rapping, wood on stone, and then a voice came up through the floorboards like a bell heard from the bottom of a well.

"—and I don't care whose cousin supplies it, man. A Harrowmere red does not age that way."

Lain went very still.

Father.

Muffled. Enormous. Enormously indignant. The words arrived in pieces, through the carpet and the boards and the cellar stone beneath them, with the rap of a walking stick keeping time.

"It should be laid on its side. On its side. Do you keep your wine like a pickle?"

A smaller voice, higher, protesting. The steward.

"My lord, the master's cellar is considered among the finest in—"

"Considered by whom? The master?"

Lain nearly laughed.

He didn't. The pull dragged at his wrist and the laugh went out of him in a thin breath. But something had changed. The cold drew back a fraction, like a hand loosening on a sleeve. The voice had weight. A rope across the room.

He's got the steward in the cellar. Not the hall. The cellar.

That's another ten minutes. Perhaps fifteen.

He took the rope.

Hold the voice. Don't hold the seam.

He peeled his shoulder off the case, an inch, then two, the way you pull a coat out of a shut door, and set his heels against the carpet. His knees shook. They held.

Beneath the floor, his father was warming to the theme.

"I once saw a man in Aldenmere lose a whole vintage to a damp wall. A whole vintage. Wept into the barrels. Show me the east wall. I'll lay a hand on it."

"The walls are quite dry, my lord."

"That is what they all say."

He's good at this, Lain thought. Terrifyingly good. Where does a man learn to rave about walls?

Many years of breakfast, and I never once saw this.

The stick rapped on. The voice rose, steadied, and rose again.

"And the barrels. The barrels, man. Show me the barrels. And the, ah, the cooper. Where's the cooper? Who made them? I'll want a name."

A pause beneath the floor.

Longer than the others.

"My lord, I'm not certain the cooper is—"

"Then find him."

A thin, high, wounded noise from the steward.

That's three things he's asked for. Then four.

He's running out.

He hung on the corner of the desk and counted the quiet between the words. Father was good. But he was one man, and a cellar was only so large, and a steward could only be marched through so many arches before he began to wonder why his guest was so interested in the vaulting.

Ten minutes. Maybe less.

He glanced at the door.

Tess had gone for water. A cool cloth. A maid with a jug and a basin and a nervous master.

How long did it take to fetch water?

He didn't know.

The rapping slowed.

"—and that," said Kaedrin, thinner now, farther off, in the tone of a man reaching the end of a very long road, "is why I never trust a cellar with only one door."

Then nothing.

The voice stopped.

Not trailed off. Stopped, between one word and the next, like a clock halted mid-tick.

The study went very quiet.

The lamp. The seam. The ring, warm and unhurried against his bone.

Father?

No answer. There wouldn't be.

And somewhere out in the passage, light and quick and growing nearer, a maid's footsteps.

The footsteps were closer.

Lain tore his hand off the desk.

It wasn't graceful. The pull took him by the finger and held, a long, cold, patient tug toward the seam, and for one stretched second his whole left side leaned toward the wall like a plant toward a window. He set his teeth. He thought of nothing at all. He turned his back on the case, the way you turn your back on a fire, and walked.

One step. Two.

The thread ran out behind him, taut, humming, thinning. At the third it gave. Not snapped. Slackened, like a leash let go, and the blood came back into his hand in a rush of needles.

He hardly noticed.

Door.

He reached it. Eased it open. Slid through into the passage and drew it shut behind him, to exactly the thumb's width he'd found it at.

As found.

The footsteps turned the corner.

Six paces. The sitting room door stood open on its pale silk and its settee. Lain covered the distance in four, which a girl with weak knees should not have been able to do, and he knew it, and did it anyway.

He sat.

The settee had never been sat on. It was stiff, and slippery, and it received him with the reluctance of a thing that preferred the quiet. He arranged his skirts. Folded his right hand over his left in his lap. Let his head tip back against the cushion and his lids droop.

The dress hung loose. No books. His ribs felt strange without them, as though a hand had been taken away.

Out in the passage, the steps slowed.

He had no time to check his hair. No time to check anything. He drew one breath, long and shaky, and let the color go out of his face, which, he found, it had already done without being asked.

Mira, he thought. Faint. Gentle. Slightly embarrassed. Hasn't moved from this spot since you left.

Hasn't been anywhere.

Tess appeared in the doorway.

She had a jug in one hand and a basin under the other arm, and a white cloth over her shoulder, and her round face was pink with hurrying. She stopped.

"Oh, Miss."

"Tess." Mira's voice, very small. "Forgive me. I'm being a nuisance."

"You're not at all. Oh, you do look poorly." She set the basin on the little table and wrung the cloth over it, quick and neat. "Here. Let me."

The cloth was cool on his forehead. It smelled of lavender and soap.

Lain closed his eyes.

Don't flinch. Don't flinch.

Tess's hand came down and found his, the left one, the one under the right, and drew it gently out of his lap. Her fingers closed round his. Warm. Brisk. A maid who had tended a great many fainting girls.

She went still.

"Miss," she said slowly. "Your hand's very cold."

"Mira."

Kaedrin's voice came from the doorway, warm and slightly breathless, the voice of an old trader who had hurried up a flight of cellar stairs on behalf of a granddaughter.

Lain opened his eyes.

Lord Erran stood in the frame with a cobweb on the shoulder of his coat and a smear of grey dust across one knee. His white wig sat a degree off true. Behind him the steward hovered, flushed and rumpled, the face of a man who had been walked through a cellar at a speed he would later describe to his wife in some detail.

Kaedrin took one look at the settee, and his face changed.

It was very quick. A flicker, there and gone. But Lain, who had spent nineteen years learning every expression his father owned, saw it go through him like a knife: what has it done.

"My dear girl."

He crossed the room in three strides and went down on one knee beside the settee, which was not a thing Lord Erran did. His big hand came up, hovered an inch from Lain's cheek, and settled on his shoulder instead.

"She's so cold, my lord," said Tess, still holding Lain's hand. "I fetched the water as fast as I could. She hasn't moved."

Don't hold my wrist. Don't hold my wrist. Don't hold my wrist.

Lain drew his hand out of hers.

Gently. With a small apologetic breath. "I'm sorry," he said, in Mira's thin voice. "My hands are always cold. It's nothing."

Tess let go.

She frowned, but she let go.

"Forgive me, my lord," said the steward from the doorway. He had stopped dabbing at his forehead. "Miss Mira does look unwell. Very pale. If I may, the house physician is in the city this morning. She could be here within the quarter hour. I would be glad to send."

The room went quiet.

No, Lain thought. No. No no no. Not today. She's not meant to come until tomorrow, I haven't a plan, Father hasn't found the woman—

"No."

Kaedrin said it before the steward had finished.

Too fast.

He seemed to feel it, because he drew a breath and smoothed it over at once, patting Lain's shoulder with an old man's fussy tenderness. "No, no. You're very kind, but there's no need. It's the house. A strange place, a long morning, a good deal of excitement." He sighed. "Her mother was just the same. Let her stand in a room she doesn't know for an hour and she goes the colour of milk. She'll be right as rain in her own bed."

"As you wish, my lord. Though if the physician could see her today, it might—"

"She's due tomorrow in any case, my lord," Tess said.

Everyone looked at her.

She blinked, then curtsied, a little flustered. "It's the custom, my lord. Before a wedding. The house physician examines the bride the second day after the pledge. She'll be here at ten, if that suits."

"Tomorrow." said Kaedrin.

"Yes, my lord."

Kaedrin nodded.

It was a slow nod. A heavy one. The nod of a man agreeing to something he had known was coming and had hoped, somewhere in the back of his mind, to be wrong about.

"Of course," he said. "That's quite proper."

His hand was still on Lain's shoulder.

He didn't take his eyes off Lain's face.

The carriage door closed with a soft click.

Lain sat in the corner with his left hand pressed under his right, in the fold of his sleeve, and watched the grey wall slide past.

The pull was gone.

He'd noticed it at the gate. A hook, then a thread, then a thin cold hum, and somewhere past the second hedge it had simply let go. The stone sat against his bone like a coal gone to ash. Warm. Easy. As though it had stopped wanting anything.

Fed.

Across from him, Kaedrin hadn't spoken since the steps. He wasn't looking at the window. He was looking at the corner where Lain's hand was.

"Father."

"Mm."

"It won't come off."

Kaedrin's face didn't change.

"It came off at Soren's with soap. Now it won't." Lain drew his hand out and held it between them, palm down, in the grey light. "Look."

The ring finger was pale from knuckle to tip, the nail faintly grey. The band sat at its base, dull gold and flat black, and where it met the skin there was no gap. The flesh had closed over it like water over a stone.

Kaedrin took the hand in both of his. His thumb pressed, once, at the edge. Nothing gave.

"Does it hurt?"

"No. That's the worst of it."

"How long?"

"Since last night. The page with the star. It went warm, and something pulled." Lain swallowed. "I told Soren it was the mark."

"And me?"

"I told you I was fine."

"You did."

"I'm sorry."

"Don't." Kaedrin's hands didn't loosen. "Go on."

"In the study it was worse. It pulled me at the wall. Whatever's behind that seam, it knows it." He drew a breath. "And it takes something. From me. The cold, the numb hand, my knees. I can feel it going."

"And now?"

"Now it's quiet. Because I left."

Kaedrin was silent a long moment.

Then he laid the hand back in Lain's lap, with great care, and sat back against the cushions. For the first time Lain saw what had been under the old trader's face the whole way down the drive.

He was afraid.

"You should have told me."

"I know."

"Yesterday."

"I know."

"I wouldn't have known what to do either." A short breath. "But you should have told me."

"I'm telling you now."

"Yes." Kaedrin leaned forward and put one hand on his son's knee. "Tomorrow the physician comes. Tonight I find the woman. And you will tell me the moment this thing moves. Say it."

"I'll tell you the moment it moves."

"Good."

Lain nodded.

The wheels rumbled over the cobbles. A cart went by with a load of turnips. The ordinary capital, going on as if nothing under it had changed.

"Father."

"Mm."

"It's very quiet."

"Yes."

"No. I mean—" He looked at the ring. The black stone looked back, flat and calm, and the carriage seemed to drift a hand's breadth to the left. "It's very quiet. Isn't it?"

Kaedrin's hand tightened.

"Lain?"

The light went thin at the edges, like cloth held to a lamp.

He heard his name once more, from very far off, and felt the seat tilt, and saw his own pale hand lying open in his lap with the ring on it, perfectly at home.

Oh, he thought. It's finished eating.

Then the dark came up all at once, and his father's arms were around him before he reached the floor.

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