Sarah looked in the mirror. The reflection staring back at her was that of a stranger. She was wearing a dark dress, simple and professional, but she felt like she was dressing for a battle she didn't understand. She had spent the last hour deciding what to wear. What do you wear to dinner with a man who can turn you to ash if you say the wrong thing? Do you try to look harmless, or do you project a confidence you don't feel? In the end, she opted for anonymity, for something that wouldn't draw attention. She wanted to be a journalist doing her job, not a target.
Her phone rang on the dresser. It was Dave.
"Just calling to make sure you're not dead yet," he said, without any preamble. His voice was thick with genuine concern.
"Not yet. The dinner is in an hour," Sarah replied, trying to make her voice sound lighter than she felt.
"Sarah, please. Don't go. Call Henderson, tell him you have the worst flu of your life. Say you got hit by a bus. Anything. This isn't a story, it's a trap."
"I have to go, Dave. It's the only way."
"The only way to what? To win an award? What good will that do you if you end up as a stain on the floor of an expensive restaurant? This guy isn't our friend. He doesn't play by our rules."
"I know. But someone has to tell this story. Someone has to show the world who he really is. If I don't, someone else will—someone who might just want to turn him into a celebrity."
There was a long silence on the other end of the line. Dave sighed, a heavy, resigned sound.
"Alright. Alright, I get it. But promise me something. If things get ugly, if you feel like something's wrong, you get up and you leave. Don't stay for the story. No story is worth that much."
"I promise," Sarah lied. She knew she wouldn't leave. She couldn't, even if she wanted to. The curiosity and ambition were stronger.
"Keep your phone on. Keep the line open if you can. Leave it on the table."
"I will. Thanks, Dave."
She hung up and looked at herself one last time in the mirror. Her heart was hammering in her chest. She wasn't a soldier or a cop. She was a reporter. To face him, she had only a pen and a voice recorder in her purse. And tonight, she was going to war.
****
In an unmarked delivery van, parked in a dark alley with a perfect view of the Nakatomi Tower entrance, Agent Thorne stared at a series of monitors.
"Is the phone tap active?" Thorne asked, his eyes fixed on the main screen, which showed a thermal image of the building's lobby.
A young agent in headphones, whom Thorne referred to only as Chen, nodded.
"Fully active, sir. Tracking software is linked. The second she enters the building, we'll have access to the blueprints and internal security cameras."
"Good. And the response teams?"
"Two light assault teams on standby three blocks east. One non-lethal containment team two blocks north. Snipers with electromagnetic pulse rounds on the roofs of the Silon and Veridian buildings. They have a clear line of sight to the restaurant."
"Remind them of the protocol," Thorne said, his voice a sharp murmur. "No one moves without my direct order. We do not engage him. We do not provoke him. We just listen, watch, and learn. This man is arrogant, and arrogant people make mistakes. I want to know every mistake he makes."
"Sir," Chen said, hesitating. "Are we sure tapping her phone is enough? What if he realizes?"
"She's a nervous reporter going to the interview of her life," Thorne answered with ironclad confidence. "The last thing she'll be thinking about is surveillance countermeasures. She'll be too busy trying not to say something that gets her served as the main course. Now, silence. I want total concentration."
****
Captain Frank Miller hated feeling useless. And right now, sitting in his unmarked sedan four blocks from Nakatomi Tower, the futility was crushing. On the passenger seat, he had a pair of high-powered binoculars and a thermos of coffee that had already gone cold.
Thorne had given him a direct order: stay back. And here he was, disobeying in the most pathetic way possible: watching from a distance, too far to do anything, but too close to have a clear conscience. The police radio was silent; a no-broadcast order for this sector had been issued from a higher authority. He was on his own.
He focused the binoculars on the entrance to the rooftop restaurant, a bright point of light at the skyscraper's peak. He saw tiny figures moving—waiters and patrons. He felt like a spectator watching a play in a language he didn't understand, but knowing the third act ended with every character dead.
He lit a cigarette, his first in five years. The smoke burned his throat, but the small act of self-destructive rebellion calmed him slightly. He knew Thorne had his people everywhere. People with tech and weapons he couldn't even imagine. And still, he had the awful feeling that they were completely outmatched, facing a threat they didn't understand.
****
The Spire restaurant was an exercise in quiet opulence. Soft piano music, the discreet clinking of silverware, and the murmur of conversations from Metroville's elite. But the real draw was the view. The glass walls offered a 360-degree panorama of the city, an expanse of lights stretching to the horizon.
Jack was already there.
He stood with his back to the entrance, looking out the window, his hands in his pockets. He wore a dark suit that looked tailored to his frame. As Sarah approached, he turned, and a smile crossed his face. He looked like a successful businessman, a stockbroker celebrating a good day. He didn't look like a mass murderer.
"Miss Vance. So punctual," he said, his voice a smooth baritone that cut through the background noise. "I'm glad you could make it."
He pulled out her chair. The gesture was so polite, so normal, it completely disarmed Sarah.
"Thank you, Mr. Jack."
"Just Jack, please. 'Mr. Jack' sounds like the owner of some seedy bar."
He sat across from her, his eyes never leaving her for a second. They weren't the eyes of a maniac. They were intelligent, analytical, and strangely amused, like a scientist observing an interesting specimen.
A waiter approached.
"Would you care for something to drink?"
"A bottle of the '82 Château Margaux," Jack said without looking at the menu. "And bring it already decanted. Miss Vance and I have much to discuss."
The waiter nodded and left.
"An expensive choice," Sarah commented, pulling a small voice recorder from her purse.
"Life's too short for cheap wine," Jack replied. His gaze fell on Sarah's purse, where the edge of her cell phone was barely visible. "I'm glad you came alone. Well... almost alone."
Sarah's heart skipped a beat. She froze, her hand halfway to her bag.
"Excuse me?"
"Your phone," Jack said with the same calm smile. "It's on, isn't it? And the line is open. A little life insurance, I suppose. Or perhaps you're just following orders. Tell Agent Thorne his choice of surveillance software is rather mediocre. There's a newer version with less latency."
****
In the van, Chen ripped off her headphones as if they'd burned her.
"Shit! He knows!"
Thorne leaned toward the main microphone.
"How is that possible? The device has no detectable feedback."
"I don't know, sir. But he knows. He called you by name."
The other agents in the van looked at each other, their professional confidence evaporating and being replaced by a palpable tension. Thorne was silent for a moment, his knuckles white on the console.
"Keep listening," he finally said, his voice a threatening whisper. "He hasn't cut the connection. This isn't a security breach. It's an invitation. He wants us to listen."
****
Sarah felt the floor disappear from under her. She looked at Jack, trying to maintain a facade of calm she didn't feel.
"I don't know what you're talking about."
Jack laughed, a genuine, amused sound.
"Please, Miss Vance. Don't insult my intelligence, and I won't insult yours. We both know this dinner is a performance for an audience much larger than the two of us. Relax. In fact, it's better this way. It saves time. Now I can speak to you and your bosses at the same time. It's efficient."
The waiter arrived with the wine, poured a glass for each of them, and retreated with a bow. Jack raised his glass.
"To transparency," he said.
Sarah didn't raise hers. She switched on the voice recorder.
"People want to know who you are. Where you come from."
"I come from a place where people settle for too little," Jack answered, taking a sip of wine. "A place where excellence is punished and mediocrity is celebrated. I come from the same world as everyone else. The only difference is I decided to stop pretending I liked it."
"The incident at the foundry five years ago. A man died. Your supervisor, Murdoch."
Jack set his glass on the table; the sound of crystal on linen was sharp in the silence. His smile didn't waver, but his eyes turned cold.
"Is that what your friends in the headsets told you? An 'incident'? It was a lesson. Murdoch was a bully who enjoyed the power he had over others. I simply showed him what real power was. He was my first... draft. I've refined my technique since then."
"The men at the bank. They were criminals, yes, but you executed them."
"I excised them," he corrected. "They were a tumor, Miss Vance. When a surgeon removes a tumor, they don't call him an executioner; they celebrate him as a savior. The city was sick. I began the treatment."
"And who gave you the right to decide who lives and who dies?"
"Who gave them the right to terrorize twenty innocent people? Who gives your government the right to send young men to die in wars for oil? Rights aren't given. They're taken. By those with the strength and the will to wield them."
He leaned back in his chair, looking directly at Sarah, but she knew his words were aimed at the van, at Thorne, at Miller, at anyone who was listening.
"Look at this city. Look at this world. It's run by committees, by frightened bureaucrats and corrupt politicians hiding behind laws they write themselves. They are weak. And their weakness is about to break everything. I am not the monster. I am the cure for a failed system."
*****
"He's stating his intentions," Thorne whispered in the van. "He thinks he's some kind of revolutionary."
"He sounds more like a tyrant," Chen muttered.
Thorne didn't answer. He just listened, his face a mask of intense concentration, trying to piece together the puzzle of Jack's psyche.
****
Miller lowered his binoculars. He couldn't hear anything, but he could see the tension in the reporter's posture and the predatory calm in Jack's. He knew that one way or another, the night would end in blood.
****
"So what's your plan?" Sarah asked, her voice trembling slightly. "To become the world's judge, jury, and executioner?"
"Don't be so dramatic. My plan is much simpler. It's efficiency. It's order. It's a world where people like me don't have to hide and people like the ones in that bank don't get the chance to do harm. A world where power is in the hands of those capable of using it."
"People are afraid of you."
"People are afraid of what they don't understand," Jack replied. "And that's why you're here. To help them understand. You will be my translator. You will tell them my story. You will show them that there's nothing to fear, as long as they're on the right side of history."
He leaned forward, his voice dropping to a confidential whisper.
"And now, a message for Agent Thorne. Tell your bosses their time is up. Their agencies, their rules, their dirty little secrets... they're obsolete. This city, and soon the rest of this pathetic planet, is under new management. Mine. The surveillance is over."
Jack stood up.
"Thank you for the conversation, Miss Vance. It's been... instructive. But I believe I've hogged the spotlight for long enough."
He looked out at the city spread below.
"This city talks too much. Too much noise. Too much useless light. It needs to learn to appreciate silence every once in a while."
He raised a hand. Sarah saw nothing, but she felt a change in the air, a dull vibration that seemed to come from everywhere and nowhere at once.
And then, the lights went out.
Not just in the restaurant. Sarah looked out the window and saw Metroville plunge into darkness. The power grid collapsed in an expanding wave that originated from the tower. Block by block, the city of lights became a black abyss. The blackout was total and absolute. The only sound was the stifled screams of the other patrons and the sudden silence of a disconnected world.
****
In Thorne's van, all the monitors sparked and went dark. The emergency lights flickered and died. They were plunged into total darkness and electronic silence.
"Situation report!" Thorne yelled into the blackness.
"Everything's dead, sir!" came Chen's terrified voice. "That wasn't a normal blackout. It was a pulse. An electromagnetic pulse. The scale... it's impossible."
****
In his car, Miller's radio shot a burst of static and then fell silent. He watched the city at his feet disappear into the dark. It wasn't a technical failure. It was a demonstration of power.
****
In the restaurant, the emergency lights flickered on, casting a ghostly red glow. They illuminated Sarah's table.
It was empty. Jack was gone.
A minute later, as suddenly as they had left, the city's lights came back to life. Power returned. In the van, Thorne's systems rebooted with a cacophony of alarms.
"Find him! Thermal, satellite, anything!" Thorne roared.
Chen typed frantically.
"There's nothing, sir. No heat signature. No signal. He's vanished."
Thorne leaned back in his seat, staring at the now-empty screen that had once shown Jack's smiling face. The feeling in his chest wasn't just anger at his operation's failure. It was something more primitive. It was fear. A cold, professional fear.
"My God..." Chen whispered.
"Don't invoke him," Thorne said, his voice barely audible. "We have fundamentally underestimated the nature of the threat."
In The Spire restaurant, Sarah sat alone at her table, trembling. A waiter—one of Thorne's agents, she realized—approached her, his face pale, his attempt at normalcy a complete failure.
"Ma'am...? Is everything alright?"
Sarah didn't answer. She just looked out the window at the now-illuminated city. She knew, with a certainty that chilled her to the bone, that this hadn't been an interview. It had been a declaration of war. And it had just begun.