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Chapter 2 - runaway train

The gravel was a bed of a thousand tiny knives.

Each step was a negotiation with pain. The sharp, irregular stones dug into the soft soles of my feet, a raw, grinding punishment. It was a brutally real sensation, a feeling so immediate and consuming it left no room for the ghosts that usually haunted my mind. There was no Ryouko, no roaring crowd, no hollow echo of my own voice. There was only the sharp, insistent reality of the path.

I kept my eyes fixed on the ground, watching my pale, bare feet move one in front of the other. Left, crunch. Right, crunch. The sound was a stark, lonely rhythm in the vast silence.

A slow bleed of orange and pink began to stain the bruised purple sky behind the mountains. The sun was rising. It wasn't the dramatic, theatrical sunrise I'd seen in carefully scouted music video locations. This was quiet, slow, and indifferent. It just… happened. The light crept down the slopes of the mountains, chasing the mist from the valleys and revealing a world I'd only ever seen through a window.

Endless fields of green, still wet with dew, stretched out on either side of the path. The air was so clean it hurt to breathe, filled with the scent of damp earth, wet leaves, and something vaguely sweet I couldn't name. A bird called out, a sharp, clear note that was answered by another. The world was waking up, and I was a trespasser in its sacred, quiet morning.

The initial shock that had propelled me forward began to wear off, replaced by a deep, shivering cold. My thin tank top and shorts were no match for the morning chill that clung to the air. A tremor started in my hands and spread through my entire body. I wrapped my arms around myself, but it did little to stop the shaking.

How long had I been walking? An hour? Two? The sun was higher now, a sliver of gold above the ridgeline. My feet were no longer just hurting; they were numb and screaming all at once. I glanced down and saw they were crisscrossed with angry red scratches. A few of the deeper cuts were welling with blood, leaving tiny, dark blossoms on the pale gravel behind me.

The sheer, idiotic reality of my situation finally crashed down on me. I had run. But to where? I had no money, no phone, no shoes. I was a ghost, barefoot and bleeding in the middle of nowhere. The void I had tried to outrun was still inside me, just as vast and empty as before. The only difference was now I was cold and in pain. The absurdity of it, the pathetic tragedy, was almost enough to make me laugh. Or cry. I couldn't tell which.

I stumbled, my ankle twisting, and fell hard onto the path, my hands and knees scraping against the merciless stones. I didn't get up. I just stayed there, on all fours, my head hanging low. The dirt was cool against my skin. It was over. I couldn't walk any further. I would just stay here until… until what? I didn't know. I closed my eyes, a sense of weary resignation washing over me.

That's when I smelled it.

Faint, but unmistakable. The smell of woodsmoke.

My head snapped up. I scanned the horizon, my eyes desperate. And there it was. Barely visible over a small rise in the land, a thin, grey curl of smoke climbing lazily into the morning sky.

A house. A person.

It wasn't hope. I was too far gone for that. It was just… a direction. A reason to stand up. Gritting my teeth against the pain, I pushed myself back to my feet. Every muscle screamed. I ignored it. I fixed my eyes on that fragile ribbon of smoke and began to walk again, limping now, my body a clumsy machine on the verge of breakdown.

It felt like an eternity, but slowly, the source of the smoke came into view. It was a traditional farmhouse, old but well-kept, with a dark, tiled roof and wooden walls weathered to a soft grey. It sat nestled against a thick stand of trees, overlooking the fields. It looked quiet. It looked peaceful.

As I drew closer, the world began to tilt. The edges of my vision turned fuzzy and dark. My legs felt like they were made of water. I reached the simple wooden gate at the edge of the property's neat vegetable garden and my strength finally gave out. The world dissolved into a dizzying, black spiral. My last conscious thought was of the unyielding hardness of the ground rushing up to meet me.

Consciousness returned not all at once, but in gentle waves. The first thing I registered was warmth. A soft, heavy weight was draped over me. The second was the smell. Woodsmoke, yes, but also miso soup and old tatami mats. The third was the absence of pain. My feet were tingling, a dull, distant ache, but the sharp, stabbing agony was gone.

I forced my heavy eyelids to open.

I was inside, lying on a soft futon. The room was simple and spare, with woven tatami floors and paper screens on the windows that filtered the morning light into a gentle, golden glow. I was covered by a thick, patterned quilt.

"Ah, you're awake."

The voice was low and gentle, like rustling leaves. I turned my head slowly. An old woman was kneeling beside the futon. Her face was a beautiful map of wrinkles, her grey hair was tied back in a simple bun, and her eyes were kind. She held a steaming ceramic bowl in her hands.

I tried to sit up, but a wave of dizziness pushed me back down.

"Easy now, child," she said, her voice calm and soothing. "You've had quite a time of it."

I looked past her and saw a young man standing in the doorway of the room. He was tall and lean, maybe a few years older than me, with messy black hair and serious eyes. He wore simple work clothes—jeans and a plain grey t-shirt—and his arms were crossed as he watched me, his expression unreadable, a mixture of curiosity and caution.

The old woman followed my gaze. "This is my grandson, Akira. He's the one who found you by the gate."

I looked back at her, then down at my feet, which were peeking out from under the quilt. They had been carefully cleaned and bandaged. Someone had tended to my wounds with a gentle hand.

I tried to speak, but my throat was painfully dry. My voice came out as a weak, scratchy whisper. "Where…?"

"You're at our home," the woman said simply, as if it were the most natural thing in the world. She offered the bowl to me. "You must be hungry. Have some soup."

I used my elbows to push myself into a sitting position. She helped me, her touch surprisingly strong. The soup was warm in my hands. I lifted it to my lips and took a sip. It was simple, just miso and tofu and green onions, but it was the most real thing I had tasted in a decade. The warmth spread from my throat down into my chest, chasing away some of the deep, gnawing cold inside me.

I looked at the old woman, at her grandson in the doorway, at this quiet, safe room. I didn't know who they were or where I was. But for the first time in what felt like a lifetime, I wasn't on a stage. I wasn't a product. I was just a girl, in a warm room, drinking a bowl of soup.

The exhaustion was absolute. The bowl became heavy in my hands. The woman gently took it from me. I lay back down, and the world began to fade again, not into a frightening black void, but into a soft, welcoming darkness. As I drifted off, I heard the young man, Akira, speak for the first time, his voice a low rumble.

"Who is she, Baa-chan?"

And the old woman's soft reply, just before I fell completely asleep.

"She's someone who needed to rest."

The second time I woke, it was to the slow, heavy warmth of an afternoon sun. The light filtering through the paper screens was no longer the gentle gold of dawn but a thick, syrupy amber. The house was quiet, save for the lazy drone of a cicada somewhere outside and the distant, rhythmic thud of an axe splitting wood.

I lay still for a long time, just listening. The sounds were simple, real, and unconnected to me in any way. I was an observer, a foreign object in this tranquil space. I pushed myself up, my muscles aching in protest. The dizziness from the morning had passed, leaving behind a profound, bone-deep weariness.

The room was just as I remembered it. Beside the futon, a glass of water and a small plate with a rice ball sat on a wooden tray. My feet, propped up on a pillow, were neatly and expertly bandaged. I wiggled my toes. The pain was a dull, persistent throb now, a manageable ghost of what it had been.

Someone had taken the time to do this. To clean the cuts, apply ointment I could faintly smell, and wrap them in clean gauze. This act of care, so simple and anonymous, felt heavier than any burden I had ever carried. Kindness was a currency I didn't know how to repay. It was a language I had never been taught. In my world, everything had a price, every "gift" a hidden clause in a contract. Ryouko's "love" was a debt I was meant to spend my life repaying with my voice, my image, my soul.

This felt different. This was… quiet. Unconditional. And it terrified me.

The thudding of the axe outside stopped. I heard the sound of footsteps on packed earth, then the sliding of a nearby door. I held my breath.

The news of my disappearance would be everywhere by now. "Idol Sensation Hoshiko Vanishes Mid-Tour." My face, my name, my carefully constructed lie would be plastered across every screen. It was only a matter of time before someone in this quiet, forgotten corner of the world recognized the girl with the unnatural silver hair.

And then what? The media would descend like vultures. Ryouko would arrive, her face a perfect mask of concern, her eyes burning with cold fury. This quiet house, this peaceful life that belonged to these kind strangers, would be shattered. I would be the storm that wrecked their harbor.

I couldn't let that happen. I had already brought them trouble by collapsing on their doorstep. I couldn't drag them into the center of my hurricane.

The decision was instant and absolute. I had to leave.

I swung my legs off the futon, my feet protesting as they touched the cool tatami. Beside the tray of food, a small pile of folded clothes had been left for me. A pair of loose-fitting cotton trousers and a simple, faded t-shirt. They looked soft and worn, lived-in. The thought of putting them on felt like a deeper transgression than just accepting their food and medicine. It felt like pretending I could belong here.

But I had no choice. I changed quickly, the plain fabric a strange comfort against my skin. The clothes were a little big, but they were clean and blessedly anonymous.

My plan was simple: find some shoes, slip out the door, and disappear back into the wilderness. I didn't know where I'd go, but it didn't matter. Anywhere was better than here, where my very presence was a poison.

I stood up, testing my weight. The bandages provided a soft cushion, but the pain was still sharp. I could walk, though. I could limp. It would be enough.

I moved silently out of the room, my heart pounding a frantic rhythm against my ribs. The main room of the house was empty, filled with the sleepy, sun-drenched silence of the afternoon. I crept towards the front of the house, to the genkan, the sunken entryway where shoes were kept.

I saw them immediately. A pair of worn, rubber sandals sitting by the stone step. They would do. I was halfway there, one hand on the wooden door frame, the other reaching for the sandals, when a voice, as soft and unyielding as moss on a stone, stopped me cold.

"And where do you think you're going with those feet?"

I froze, every muscle tensed. I turned my head slowly. The grandmother was standing at the entrance to the kitchen, holding a woven basket of freshly picked vegetables. She wasn't smiling, but her eyes held no anger. Just a deep, weary wisdom. She had known.

"I…" My voice caught in my throat. I swallowed and tried again, the words feeling clumsy and false. "I have to go. I can't… I can't bring you trouble."

She sighed, a sound like the rustling of dry leaves. She walked over and set her basket down on the floor, the vegetables inside smelling of sun and earth.

"The only trouble you'll bring is to yourself, child," she said, her gaze dropping to my bandaged feet. "Running on wounds only makes them fester. Is that what you want?"

"You don't understand," I pleaded, my voice barely a whisper. "People are looking for me. When they find me, they will disrupt your lives. I can't do that to you. You've been too kind."

"Kindness is not a debt that needs to be repaid by fleeing into the woods," she said calmly. She took a step closer. "I do not know your story, and I will not ask for it. But I know the look of a hunted animal. And I know that even a hunted animal needs a safe place to heal its wounds."

Her voice was so gentle, so certain. It chipped away at the wall I had built around myself. A crack formed, and the raw, terrified despair underneath began to leak through.

"Stay," she said simply. "Rest. The world is a loud place. It can wait for you to find your footing again."

That was it. That was the phrase that broke me. Find your footing. The simple, literal truth of it. I looked down at my bandaged feet, then back at her kind, wrinkled face. The fight drained out of me, replaced by an exhaustion so complete it was a physical weight.

A single tear escaped and slid down my cheek. Then another. Soon, I was crying. Not loudly, but with silent, shoulder-shaking sobs that felt like they were being torn from a place deep inside me that I thought had died long ago. It was a grief for a life I never had, for the kindness I never knew, for the simple safety of this quiet, sunlit room.

The old woman didn't rush to comfort me. She just stood there, patient and present, letting the storm break. After a long moment, she picked up a single, perfect tomato from her basket and held it out to me.

"The first of the summer," she said softly. "You should eat. It's important to have something real inside you."

I took it. My hand was trembling. I sank to my knees in the entryway, the rough wood of the doorframe at my back, and I stayed there for a long time, the tomato held tight in my hand, my tears watering the dusty floor of a stranger's home. I had tried to run, but I had been stopped not by a lock or a threat, but by a quiet invitation to heal. And I knew, with a certainty that settled deep in my bones, that I was too weak to refuse.

The tomato sat on the windowsill of the room where I slept, a perfect, blood-red sphere against the pale morning light. I had held onto it all night, a strange, solid anchor in a sea of confused dreams. When the grandmother, whose name I learned was Chiyo, had gently led me back to the futon, I had placed it carefully on the wooden sill. Now, it seemed to be watching me, a silent testament to the moment I had shattered.

I didn't want to leave the room. It felt like the only space in the world that was mine, a temporary burrow. But the smell of cooking rice and toasted seaweed eventually pulled me from the futon. I moved like a ghost, my bandaged feet making no sound on the tatami floors.

Chiyo was in the kitchen, her back to me, moving with an economy of motion that spoke of a lifetime of practice. Akira sat at a low wooden table in the main room, reading a book. He glanced up as I entered, his expression as unreadable as ever, before his eyes returned to the page. His silence wasn't hostile, just... neutral. It was a space I didn't know how to fill.

"Good morning," Chiyo said without turning around. "Did you sleep well?"

The question was so normal, so mundane, it caught me off guard. "Yes," I whispered, the lie tasting like ash in my mouth. My sleep had been a battlefield of falling stage lights and Ryouko's disappointed face.

I sat at the opposite end of the table from Akira, folding my legs awkwardly beneath me. I felt like an actress on the wrong set, in the middle of a scene I hadn't rehearsed. Chiyo placed a bowl of rice, a small piece of grilled fish, and a bowl of miso soup in front of me. It was a simple, perfect picture. A breakfast. For ten years, my breakfasts had been protein shakes, vitamin pills, and calorie charts.

I stared at the food, my stomach a tight knot of anxiety. This was their food. I was consuming their resources. Every bite was an added weight to the debt I could never repay. I picked up the chopsticks and forced myself to eat, each grain of rice a small, difficult victory.

After the silent meal, as Akira went outside to resume his work, Chiyo looked at me, her gaze soft but direct. She gestured to the faded t-shirt and trousers I wore.

"Those were just for sleeping in," she said. "The t-shirt is one of Akira's old ones. It's a bit torn at the shoulder."

I instinctively glanced down. She was right. A small, frayed tear was visible near the collar, showing a pale sliver of my skin. It was nothing scandalous, but in her eyes, it was a lack of proper care. A problem to be solved.

"Come," she said, and led me to a large wooden chest in the corner of her own room. The air inside smelled of camphor and dried lavender. She lifted out a small, neat stack of clothes. "These belonged to my daughter... Akira's mother. She was about your size."

She handed them to me. There was a pair of soft, dark blue jeans, a simple cream-colored linen shirt, and a thick, forest-green cardigan. They weren't fashionable. They weren't designed to be seen. They were just… clothes. Real clothes for a real person.

"I..." I started, my voice failing me. The weight of the gift was immense. These were not just clothes; they were memories. A part of a person they had lost. And she was giving them to me, a nameless, broken stranger. "I can't. They're too important."

"Nonsense," Chiyo said, her tone gentle but firm. "Clothes are meant to be worn. They are no good to anyone sitting in a dark chest. They will keep you warm. Go on."

I retreated to my room and changed, my hands trembling. The fabric of the linen shirt was soft, the jeans sturdy and comfortable. The cardigan was a warm, heavy hug. I looked at my reflection in the dark glass of the window. A ghost stared back at me. A girl with wild, silver hair, dressed in the clothes of a dead woman. There was nothing of Hoshiko in that reflection. But there was nothing of me, either. I was an impostor in another person's life, another person's skin.

Later that day, I was sitting on the engawa, the narrow wooden porch, watching Akira chop the last of the firewood, when he finally spoke to me directly. He wiped the sweat from his brow with the back of his arm and leaned the axe against the woodpile.

"Baa-chan says you're staying," he said. It wasn't a question.

I just nodded, unable to meet his eyes.

He was quiet for a moment, his gaze fixed on the distant mountains. "We need a name to call you."

The question hung in the air, heavy and dangerous. A name was an identity, a link to a past I was trying to erase. Hoshiko was a brand, a lie. My real name was a forgotten memory, a ghost from an orphanage file. I couldn't give him either.

I looked past him, towards the deep green of the forest that bordered the property. I thought of the pinpricks of light I'd seen in documentaries about the countryside. Tiny, ephemeral lights that blinked in the summer darkness, asking for nothing, promising nothing, just… being.

"Hotaru," I said, the name a whisper of air. Firefly. It was the first thing I had created for myself. A new lie, but a lie of my own making.

He considered it for a moment. "Hotaru," he repeated, testing the sound of it. He gave a short, single nod, as if accepting a simple fact. "Alright, Hotaru. Just... try not to cause Baa-chan any trouble."

He picked up the axe and went to put it away, leaving me alone on the porch. The name he had spoken hung in the air around me. Hotaru. It felt as foreign and ill-fitting as the clothes I was wearing. I wrapped the green cardigan tighter around myself, a scared child playing dress-up, terrified that at any moment, the owner of the clothes, the owner of this life, would come home and find me.

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