Cough, cough, this chapter is not a formal text; it's mainly a response to some frequently appearing comments.
One is the very beginning, where the protagonist dies in a cowardly way. Actually, the protagonist could have died in many ways, such as bravely saving someone, or being hit by a certain 'mud-head god' who says, 'I thought it was a speed bump,' or 'We are all working very hard,' and dying like that.
Or perhaps a meteor falls and hits their head, or they get struck by lightning while holding an umbrella in the rain.
But... aren't these ways of dying too common? That's why many transmigration novels now don't like to write how the protagonist transmigrates, or they just give a vague, general overview.
Writing such a death at the beginning actually has a basis: the CD subway false accusation incident, over 600 days of rights protection, and the male lead losing his job and his girlfriend.
I wonder if everyone knows about the movie 'Caught in the Web,' starring the goddess Gao Yuanyuan; it's also about cyberbullying.
Yes, indeed, it's undeniable that the protagonist's death at the beginning was very frustrating; he didn't even dare to initiate a warrior's duel when he was red-hot, and just died directly.
As a result, he was tied up in a cave with Tony, muttering to himself, all sorts of unreasonableness—some people even escalated it to personal attacks.
Alas, I'm from the War College, not a Zaun god.
But regarding the protagonist's death, I didn't write too much, only about 200 words, yet I was cursed so much with 'coward' and 'trash' and so on.
I'm a bit confused; hmmm, did no one see the phrase 'read with an open mind' that I wrote at the beginning, or did I not write it?
I just wanted to write a different kind of death; if you don't like it, just skip it; there's no need to curse, right?
However, I've revised it now; a simple introduction will suffice, because when I woke up, I was truly stifled with anger. Cursing the author is one thing, but why not even spare the author's mother? Or are these guys who curse without mothers?
Later, I thought about it, the internet is just like that; no matter what you write, someone will spray it. So, I'll just write it simply. What social problems? What do they have to do with me? It's better not to poke the hornet's nest of the T0s.
Originally, that opening scene would have had a purpose later on, but because of this opening, even my family got cursed, which is a bit of a loss. Especially since my family knows I'm writing a book and occasionally takes a look to show support. I really don't want them to be uncomfortable because of me.
Also, regarding the scene where Mephisto was controlled by Six Paths Madara, there were many comments about the power level collapsing. Let me explain here. There's a foreshadowing here: Six Paths Madara is very strong, and his strength should not be underestimated, but he is not as strong as Diablo.
In previous plots, Ancient One told the protagonist that his appearance caused many Dimension Demon Gods to target him, not just the protagonist himself, but also, and not limited to, all his summoned creatures.
Think about it, if a Dimension Demon God controls the protagonist, as long as the protagonist summons an existence similar to Diablo, plus the imprint of the golden finger, the Dimension Demon God would have an infinite energy upgrade device.
So Mephisto appeared. He appeared to prevent Diablo from protecting the protagonist, because the seven-in-one Diablo is truly very strong. Even if the protagonist hasn't fully developed his power, he is not someone Mephisto can deal with.
So why did Mephisto fall for it? Or was he deliberately falling for it? Readers who saw Diablo severely injured already know the answer.
But I couldn't stand the readers who started cursing wildly before they even read the later parts. What's even funnier is that some people sent gifts with their cursing messages. I really don't know whether to thank them or be angry, because... the curses were quite vulgar.
In this book, Tony and the protagonist are like two big kids, teasing each other and finding fun in each other, but when it comes to major issues of right and wrong, they both maintain a righteous heart.
So, their conversations always have a theatrical tone, both exaggerated and playful.
Regarding this point, dear readers, please allow me to indulge once and let the two protagonists in my story maintain this state.
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(End of Chapter)