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Chapter 5 - The frame of reference

The first problem in Rina's binder was no longer a challenge; it was a monument to Eric's own ignorance. For three days, he'd spent every spare moment staring at it. The page was now smudged with eraser marks and the sweat from his frustrated hands. Lagrangian mechanics. He'd looked it up online, only to be buried under a mountain of concepts like generalized coordinates and the principle of least action, each one more incomprehensible than the last. The problem wasn't a wall he could climb; it was a different dimension he couldn't enter.

He felt the familiar thrill of curiosity curdle into the sour taste of demotivation. He wasn't a genius in disguise. He was just a high school kid who'd gotten lucky on a test.

That evening, his father, Johan, found him slumped over his desk, staring blankly at the page.

"Still wrestling with that one?" Johan asked, placing a gentle hand on his son's shoulder.

Eric just grunted in response.

"Son, sometimes the best way to solve a problem is to walk away from it. Your brain keeps working in the background," his father advised. "We're all going to the mall tomorrow. No books. Just a break. That's an order."

The next day, Eric found himself drifting through the bright, noisy expanse of Pondok Indah Mall. He was a ghost at his family's outing, his body moving alongside them while his mind remained trapped at his desk, wrestling with rotating hoops and elusive beads. He barely registered his mother's comments on a sale or his sister Anna's pleas for ice cream. The bustling crowds, the cheerful music, the endless storefronts—it was all just background noise to the silent, screaming frustration in his head.

"Come on, slowpoke!" Anna yelled, already at the bottom of the escalator leading to the cinema on the upper floor.

The family stepped onto the moving stairs. The smooth, upward glide was automatic, mindless. But Anna, in a fit of playful energy, turned around and started running down the "up" escalator. She giggled, her small legs pumping as the rising steps worked against her, keeping her in almost the exact same spot relative to Eric and their parents.

"Anna, be careful!" Linda chided, but she was smiling.

Eric watched his sister's futile, joyful dance. And then, it happened.

It was as if a switch had been flipped in his brain. The noisy mall fell away. In his mind's eye, he saw the vectors. A strong, constant vector V_e (velocity of the escalator) pointed upwards. A smaller, fluctuating vector V_a (Anna's velocity) pointed downwards. From his perspective—his frame of reference—standing on the same escalator, Anna's velocity was simply V_a. But from his father's frame of reference, standing still on the step below, Anna was effectively stationary, her net velocity V_e - V_a hovering around zero. From the perspective of someone on the ground floor, she was still moving upwards, just very slowly.

Frame of reference.

The words echoed in his mind, suddenly imbued with profound meaning. He had been trying to solve the problem from a single, fixed, inertial frame of reference—the "ground floor." But what if he changed his perspective? What if he viewed the problem from a non-inertial frame of reference? What if he was sitting on the rotating hoop, moving with it?

From that rotating perspective, the bead wouldn't be flying in a circle. It would just be moving up or down the hoop. But to make the physics work, he'd have to introduce new, "fictitious" forces—the centrifugal force pushing the bead outwards, and the Coriolis force that would affect it if it moved. These forces weren't real, but they made the math work from that accelerated viewpoint. The escalator wasn't accelerating, but it showed him how a change in perspective could simplify a complex motion into something manageable.

Suddenly, the entire mall transformed. It was no longer a shopping center; it was a living physics laboratory. He looked at the glass elevator descending and saw not just a box, but a system in which the tension in the cables was fighting a battle against mass and acceleration. He saw the grand fountain in the central atrium and visualized Bernoulli's principle in the dance of water, pressure decreasing as velocity increased. The light streaming through the massive glass dome wasn't just sunlight; it was a shower of photons refracting, their paths bending as they passed from air to glass and back again.

The answer wasn't just in Rina's binder or his textbooks. The principles were coded into the fabric of everything, happening all around him, all the time. He just had to learn how to see them.

"Ma, Pa, I have to go home," he said, his voice urgent, alive.

"What? But we haven't seen the movie yet," Linda said, confused by his sudden shift from zombie to live wire.

"It's okay. I'll take a taxi. I just… I figured it out."

He didn't wait for a response, turning and sprinting towards the exit, his mind buzzing with an electric energy. Back at his desk, the impossible problem no longer looked intimidating. It looked like a puzzle waiting for the right key. He grabbed a fresh sheet of paper and attacked it, not from the perspective of a stationary observer, but from the frame of reference of the rotating hoop itself.

He defined his new coordinate system. He introduced the centrifugal force. The terrifyingly complex equations, when viewed through this new lens, began to simplify. Terms cancelled each other out. The problem's hidden symmetry was revealed. The solution, elegant and clear, unfolded before him not as a brute-force calculation, but as a logical consequence of choosing the right way to look.

He finished, his heart racing with the pure, unadulterated thrill of discovery. It was the hardest thing he had ever done, and the most beautiful.

The next day at school, he found Rina in the library. He handed her the sheet of paper, his hands trembling slightly. She took it, a skeptical look on her face. She began to read, her eyes scanning his diagrams and derivations. Her casual posture slowly stiffened. Her eyes widened, tracing the flow of his logic from the initial change of reference frame to the final, correct answer for the bead's stable positions.

She looked up from the paper, the shock on her face slowly melting into a broad, genuine smile. She looked at him, really looked at him, as if seeing him for the first time.

"Okay," she said, her voice low and impressed. "Now you're ready to begin."

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