Uncle Sakai's suggestion—their paper should present a most eye-catching hypothesis concerning Carol's true identity to enhance the paper's value and fill its pages.
In plain terms, it means making as big a splash as possible.
Camille is the wife of the most renowned artist of Impressionism, Monet, and the subject chosen under the guidance of Professor Yajima for Koizumi Katsuko.
In comparison,
the mistress of an unknown small studio... seems indeed too ordinary.
"Do you have any reason to insist on doing this?"
Koizumi Katsuko slightly furrowed her beautiful brows.
To gather enough seemingly plausible evidence for the paper, she put in considerable effort, finally arranging the timeline of Camille and Monet's time abroad logically.
"The main reason is we haven't found any record of Camille doing anything besides art modeling. With her relationship to Monet, something like that would surely have been documented."
