The digital landscape of Seoul was a volatile ocean, and by the following morning, the tide had turned into a storm. On the social media platforms that dictated the pulse of the entertainment industry, the atmosphere was electric, charged with a frenetic energy. The hashtags for The Fox Priestess and the LUNE official pages were no longer just hubs for anticipation; they had become a war zone.
For the casual observer, it looked like standard celebrity discourse. But for those following the industry, the pattern was obvious. A coordinated strike had begun.
On Mirae's fan page, the comments were a chaotic blur. Thousands of devoted followers were debating the merits of the upcoming project, but among them, a sudden surge of "trolls" had appeared. These weren't just random critics; they were calculated attackers. They didn't attack Mirae's acting—which was indisputable—but instead targeted the production's stability.
