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Chapter 11 - The Final Two

Dawn was slow to break.

The retreat grounds, once filled with murmurs and movement, now held a kind of reverent stillness. As if the house itself was waiting. As if the trees knew decisions had been made.

By 7:00 a.m., Adunni began calling the candidates, one by one, to the common room. She held no clipboard. She wore a soft grey shawl. Her voice was kind, but final.

When the group gathered, they noticed something first two empty chairs placed slightly apart from the others.

Whispers stopped.

Mama Iroko entered quietly, not in her disguise this time. No headscarf, no hidden face. Just the matriarch, in a flowing blue wrapper, her silver hair wrapped into a soft bun. She looked at them not with distance, but with full presence.

She stood in the center, cane in hand.

"I want to begin with gratitude," she said. "You were not simply applicants. You became mirrors. Each of you held a part of me that I had forgotten patience, protection, memory, fierceness."

She walked slowly across the room, stopping briefly by each person.

To Joy, she said:

"You taught me that even the wounded can still sing."

To Farouk:

"You reminded me what silence sounds like when it becomes sanctuary."

To Cynthia:

"You showed me that anger is sometimes grief in armor."

To Remi:

"You proved that structure can become a shield but also a prison."

To Chika:

"You broke through a role you were forced to play, and became someone real."

To Idowu:

"You showed me that pain can soften, if it's spoken to."

To Baba Kareem:

She held his hand. "You were never a candidate. You were our compass."

Then she returned to the front and said:

"I was asked to choose one. I have chosen two.

Because love… love is too heavy to carry alone."

A pause.

She looked across the room.

And then gently said:

"Titi. Joy. Please come forward."

The Room Reacts

Titi sat frozen. Joy blinked three times before standing, her knees visibly shaking.

Baba Kareem clapped first. A soft, solemn rhythm.

Then Farouk stood and bowed toward them both.

Cynthia forced a smile and gave a single nod.

Chika exhaled. Not relief. Not regret. Something quieter. Something freeing.

Remi looked at Titi and simply mouthed, "Well done."

Idowu walked out silently but not in protest.

Mama turned back to the group.

"The rest of you are not being dismissed," she said. "You are being released with honor."

Adunni stepped forward, handing each person a sealed envelope. Inside each:

A personal letter from Mama

A one-time $3,000 grant to pursue care-centered initiatives

And an invitation to return any time, as friends of the Iroko Trust

Later That Day – The Garden House

Titi and Joy were brought to a smaller, private guest wing converted for long-term care rotation.

Inside: bookshelves, healing herbs, prayer rugs, hand-painted walls, and a shared journal titled "Moments with Mama."

Adunni explained softly:

"You will rotate. Two weeks each. But when one is on duty, the other must be reachable. This is not a job. It is a shared life."

Mama Iroko entered, slower than usual.

She held a ribbon in each hand one indigo, one cream.

She tied the indigo ribbon gently around Titi's wrist.

"You understand grief," she said. "But you've not let it drown you. Stay with me when the fog rises."

Then, the cream ribbon on Joy's wrist.

"You carry quiet joy. When my soul forgets how to hum, remind me."

They both wept softly.

Mama wiped her own tears. "This house has heard the sound of many prayers. But today, I think it hears a promise."

That Evening – Letters Opened

In his hotel room, Remi opened his letter. Mama had written:

"Perfection will not protect you from loneliness, Remi. Let others in, even when they enter messily."

In a taxi, Chika read hers:

"You are enough without a stage. You don't need applause to be real."

Cynthia's letter read:

"The strongest women are often the ones who dare to cry alone first."

Farouk's simply said:

"You already are the caretaker you seek. Let yourself believe it."

Idowu's:

"Stillness is not the absence of action. It is the beginning of it."

And Baba Kareem's letter had no words.

Just a pressed hibiscus flower from Mama's garden, wrapped in silk.

The Final Image

Night fell again over the Iroko estate.

In the garden, Mama sat between Joy and Titi, her head resting lightly on Joy's shoulder, her hand in Titi's lap.

No camera recorded it.

No applause echoed.

But it was, perhaps, the truest moment of care the house had ever witnessed.

And far above them, the hibiscus tree bloomed again, quietly.

As if it, too, had chosen to stay.

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