Chapter 23: The Artist's Return
The warehouse reeked of death and something far worse - the sweet stench of rotting hope.
Victor Zsasz walked through his private gallery like a proud curator, his scarred fingers trailing along rusted metal tables where dried blood had formed abstract patterns.
"Perfect symmetry," he whispered to the darkness, his voice echoing off concrete walls that had absorbed too many screams. Seven corpses hung from industrial chains in a perfect circle, each one positioned to represent the lies humans told themselves to make life bearable.
The businessman still clutched his briefcase in a death grip - "Ambition," Zsasz had labeled him with a handwritten placard. The elderly woman's rosary beads were wound tight around her throat - "Faith." The young mother's wedding ring caught what little light filtered through boarded windows - "Love."
But his masterpiece hung in the center of it all. Jenny White, twenty-three years old, kindergarten teacher, arms spread wide like she was embracing death itself.
Children's drawings formed a sick halo around her head - stick figures holding hands, crayon hearts, smiling suns with yellow rays. The innocent artwork created a contrast so obscene it would haunt whoever found her for the rest of their lives.
"The children drew you wings," Zsasz had told her on day two, holding up a picture of an angel with purple crayon wings. "How prophetic. Though I suppose you'll be flying somewhere different than they imagined."
She'd been conscious then, tears streaming down her face as she begged him to let her go back to her students. That's when he knew she was perfect - her love for those children made her suffering so much more meaningful.
He'd kept her alive for four days, not for torture, but for completion. Each day had a purpose. Day one was positioning - finding the exact center point, calculating the precise angles. Day two was adding the children's artwork, each drawing carefully selected from her bag to tell the story he wanted. Day three was arranging personal items from each victim - wedding rings, crosses, business cards, all the little totems people clung to. Day four was the final arrangement, where individual deaths became part of a greater truth about human delusion.
His phone buzzed against his thigh. A breaking news alert: *MANHUNT CONTINUES - Serial killer Victor Zsasz remains at large. Police urge extreme caution. Do not approach if spotted. Call 911 immediately.*
Zsasz laughed, his hoarse voice echoing in the empty warehouse. He swiped away the notification and shook his head. Poor Dr. Hartwell, probably cowering in his office right about now, realizing his prized patient had been feeding him lies for months. All those sessions about "finding peace through meditation" and "channeling violent urges into art therapy" - what a joke. The good doctor had actually believed someone like him could be tamed with breathing exercises and finger painting.
He'd given them exactly what they wanted to hear: guilt, remorse, a broken man struggling to rebuild his life. They ate it up because they needed to believe in redemption. It validated their pathetic profession. And when the death penalty came knocking? A few tears about childhood trauma, some manufactured breakthrough about "seeing the light" - this works every time to escape the death sentence. The bleeding hearts couldn't help themselves.
Now here he was, free as a bird while they scrambled to explain how Victor Zsasz had slipped through their fingers. Again.
Something groaned from the corner, pulling Zsasz from his thoughts. On the floor beside his workbench, fresh tools lay arranged in perfect rows - scalpels still in sterile packaging, bone saws with sharp teeth, needles that gleamed like silver stars.
The homeless veteran named Marcus was finally waking up from the tranquilizer, his body jerking against the zip ties that held him to a support beam.
"Morning, sunshine," Zsasz said, crouching down beside the man.
Marcus's eyes focused slowly, then went wide with pure animal terror when he saw the scarred face leaning over him. His whole body went rigid, every muscle screaming to run while his mind processed the nightmare he'd stumbled into. A muffled scream died behind the duct tape covering his mouth, and Zsasz could smell the sharp scent of urine as the man lost control of his bladder.
"No screaming yet," Zsasz whispered, pressing a finger to his lips like he was shushing a crying child. "We haven't even started the introduction. I want you to appreciate the full experience." He gestured around the warehouse like a tour guide showing off a museum exhibit. "Welcome to my studio, Marcus. This is where I create truth. Each piece tells a story about the beautiful lies humans tell themselves, and the even more beautiful honesty of death."
Marcus tried desperately to speak through the gag, spittle running down his chin as his eyes darted between the hanging corpses and Zsasz's calm, dead expression. The killer tilted his head, studying his newest subject like a scientist examining a fascinating specimen.
"You want to know why you're here?" Zsasz asked, his voice soft and conversational.
"You're here because you're absolutely perfect. Society already threw you away - homeless veteran, probably PTSD, definitely an alcoholic. When you disappear, maybe one overworked social worker will file a missing person report. Maybe. But probably not. No one cares about discarded meat, Marcus. Except me. I see you for what you really are."
He picked up a scalpel, removing it from its sterile packaging with the reverence of a priest handling communion wine.
"I see the real you - the death pretending to be life, the ending pretending to be a story. And I'm going to help you stop pretending."
The first cut was always ceremonial - a small incision across the cheek, just deep enough to draw blood but shallow enough to keep the subject conscious. Marcus screamed into his gag, the sound muffled but still music to Zsasz's ears. The killer closed his eyes and listened to that perfect note of anguish, then calmly carved another mark into his own forearm. One more tally for his collection, one more truth revealed.
"Now we begin the real work," he whispered, reaching for the bone saw.
Two hours later, Zsasz stepped back to admire his latest creation. Marcus hung beside Jessica now, positioned to create perfect visual balance in the composition. His body had been arranged to represent "Hope" - the cruelest lie of all, the one that kept people clinging to life long after it had any meaning.
The warehouse was quiet except for the gentle creaking of chains swaying in the air and the steady drip of blood hitting concrete.
He walked to the far wall where a collage of newspaper clippings covered the rusted metal like wallpaper made of nightmares.
Headlines screaming about the "Architect" killings, opinion pieces about vigilante justice, crime scene photos that showed work so inferior it was almost embarrassing. His so-called competition, though Zsasz barely considered the Architect worthy of the title.
"Amateur," he muttered, studying a grainy photo of Vincent Torrino's mangled corpse. The Architect's methods were brutally efficient but completely lacking in artistic vision.
Where was the philosophy? Where was the deeper meaning? Killing loan sharks and corrupt cops was just another form of self-deception - pretending that some lives mattered more than others, that justice was anything more than a fairy tale adults told themselves. It was crude violence masquerading as righteousness, no different from the lies his own victims had believed.
"You'll learn," Zsasz said to the photo, his reflection ghostlike in the glass frame. "When we finally meet, I'll teach you what real artistry looks like. I'll show you the difference between killing and creating."
He pulled out his phone and carefully documented tonight's work, each photo composed to capture not just the death but the story it told. The images went to an encrypted email account that would forward them to a journalist hungry enough for a story to ignore the ethical implications.
The city needed to remember Victor Zsasz. They needed to understand that rehabilitation was a comfortable lie, that some monsters couldn't be caged or cured or reasoned with. His gallery was a testament to that truth, written in blood and suffering.
Walking past his collection one final time, Zsasz paused beneath Jenny's corpse. Her dead eyes stared at nothing, finally at peace in a way they'd never been during her pathetic little life.
"Thank you for understanding," he whispered to her flesh. "You fought so hard to live, and that made your death so much more meaningful."
Then he turned and walked into the Gotham night, leaving his masterpiece to ripen in the darkness.
Next time he got arrested, he would sit again in some doctors office and play the role of the reformed criminal. He would talk about managing his urges through meditation, about finding purpose in helping others, maybe even shed a carefully calculated tear or two. But tonight, he was exactly what he had always been - death walking among the living, showing them truths they were too cowardly to face.
**Three Days Later - Gotham University**
Alex sat in Advanced Criminal Psychology, half-listening to Dr. Rebecca's talk about rehabilitation theory and the fundamental belief that every human being could be saved given proper treatment and support. The words felt like acid in his ears, each mention of "second chances" and "healing through therapy" making his jaw clench tighter.
His phone buzzed with a news alert that sent white-hot rage coursing through his veins. *BREAKING: Eight Bodies Found in Abandoned Warehouse. Police Confirm Victor Zsasz Suspected in Ritualistic Murders.*
Eight victims arranged in what witnesses described as a "wheel of death." Children's artwork used as decoration. A kindergarten teacher tortured for days while her students' drawings watched. The details were already leaking to social media, spreading horror and outrage across the city like wildfire.
Alex's hands trembled as he gripped his pen, the plastic creaking under the pressure.
The system had failed again. Parole boards and psychiatrists and social workers had all signed off on releasing a monster back into the world, and now eight more people were dead because they believed in rehabilitation over justice. Because they thought they could fix something that was fundamentally, irredeemably broken.
His vision blurred with rage as Dr. Rebecca's continued her lecture about the importance of treating even the worst offenders with dignity and compassion.
The hypocrisy was suffocating - here they sat in their ivory tower, debating theoretical models of human redemption while real people died because of their naive idealism.
Alex forced himself to take notes, his handwriting getting progressively sharper and more violent as the class dragged on. But inside, something fundamental had shifted. The careful patience he'd maintained, the methodical planning, the intellectual approach to justice - all of it burned away in the face of pure, undiluted fury.
When class finally ended, he packed his books mechanically, not trusting himself to speak to anyone.Then he walked across campus toward his apartment, the rage inside him crystallizing into something harder and more focused than mere anger.
Zsasz thought he was untouchable, that the excuse of insanity would protect him while he butchered innocents in the name of his twisted philosophy.
Now that is going to change.
He can run from the law. But he cant run from me.
NB :
1) About Tim & Stephanies suspicions in last chapter? Its a realistic one, not some plot armor. Architect leaves behind psychological patterns in his kills, it makes sense that they would focus on individuals in this field. Atmost they would flag him as a high risk candidate. The MC is actively building his reputation in this field, so it's only natural for the Batfamily to keep an eye on him—especially with Architect causing trouble.
2) All Psychopaths & Villains have their strange quirks; its only fair for mc to have a couple of those too. And for someone with MC's powers, the last thing they would worry about is Identity.
3) For this chapter you could argue, why didn't the MC catch Zsasz when he escaped to prevent the killings in this chapter? It's because finding someone is far more difficult than killing them.
Advanced chapters on patre*n
DC : Architect of Vengeance
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