Edward Foster dared to play hard to get because he was fully confident.
To be honest, when he started, he was quite nervous.
Because the script, actors, and director of this film were excellent, but the cinematography was rather average.
Miraculously, however, Kenneth Osborne's company's post-production special effects were able to modify the cinematography to some extent, as if a master photographer had relit it and a million-dollar editor had re-edited it.
A minute more feels redundant, a minute less makes the plot insufficiently complete.
There are no unnecessary scenes.
Under Edward Foster's "creative sales pitch," the onlooking buyers enthusiastically "signed up."
He finally chose the two most renowned domestic television networks, one being, of course, the National Television Station, and the other the most popular provincial satellite TV channel.
Edward Foster accepted their earnest money and then invited them to another room to watch the first episode.
