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Chapter 3 - Chapter One: Prima del Sangue (Before the Blood)

Sienna Capaldi was born to the scent of old wood and fresh meat, growing up above her father's butcher shop in the heart of Napoli. The sound of knives slicing through flesh and her mother's gentle hums were the lullabies of her childhood. Lucia Capaldi had lived a hard life — sewing dresses by day, surviving by night. She often said, "La vita è difficile per le donne come noi." (Life is hard for women like us.)

Her father, Dio lo abbia in gloria, had been a quiet man, a figure who disappeared like smoke into the shadows, leaving behind only his name and debts. Sienna had never known him, but his absence shaped her world in ways she didn't understand until much later. By the time she was ten, she had already learned that nothing in their world came without a price.

She often watched the men in black suits walk past her mother's sewing room, their eyes cold, their hands rough. They spoke in whispers, with names that carried weight and threats that held power. Sienna, even at that young age, could see how much they feared her mother's quiet strength. Lucia had secrets of her own — secrets she would never share. Secrets that whispered of old money, hidden allegiances, and Mafia connections.

At fifteen, Sienna had already learned to walk in silence, her eyes sharp, her mind sharper. She was no stranger to the dark corners of Napoli, where deals were struck and lives were sold for a whisper. She could read the eyes of men like a book, understanding what they wanted before they said a word. "Se non sai cosa fare, impara a leggere le persone." (If you don't know what to do, learn to read people.) Her mother's words echoed in her mind, a lesson she had mastered.

It was at a gathering, a quiet dinner party that changed everything, where Sienna first met Alessandro Black. A tall, imposing figure with eyes like the sea after a storm. He wasn't like the others—his power was restrained, yet undeniable. He spoke little, but when he did, every word carried weight. He didn't approach her with the usual gaze of entitlement; instead, he watched her like a puzzle. A challenge.

"Sei bella come il tramonto sul mare," he said to her one night, his voice smooth as silk. (You're as beautiful as the sunset over the sea.)

It was a simple compliment, but to Sienna, it felt like a contract. He saw her—really saw her—for the first time. And in his gaze, she saw something she had never seen before: a partner, not a pawn.

Alessandro Black wasn't just another uomo d'onore (man of honor). He was a king in his own right, and for reasons Sienna didn't fully understand, he wanted her by his side. Not just in the bed he would later share with her, but in the power he would soon carve through the streets of Napoli. Together, they would make a force no one could break.

They married when she was twenty-five, and her name, Sienna Capaldi, became Sienna Black. The ceremony was a quiet affair—just a few trusted family and amici (friends). In the eyes of the Mafia, a woman like Sienna wasn't just a bride—she was an asset. Her beauty, intelligence, and quick thinking made her a dangerous ally. She was no stranger to the game, but Alessandro made her more than just a player. He made her a queen.

But as their power grew, so did the threats. As their empire expanded, their enemies circled. "Tutto ha un prezzo, Sienna," Alessandro often told her. (Everything has a price, Sienna.)

What he didn't tell her was that the price of loyalty, love, and power would be paid in blood.

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The days after their marriage were filled with power and possibility. Sienna stood beside Alessandro as he expanded their territory—first through Napoli, then across Sicily, and eventually, to New York. Their name became synonymous with wealth, respect, and fear. They were untouchable, the Black family and the Capaldi bloodline intertwined in ways that few could understand or defy.

But power has a way of making people enemies, and enemies have a way of making themselves known.

By the time Sienna was twenty-eight, she had already learned to recognize the quiet whispers of betrayal—the tightening of lips, the coldness in once-loyal eyes. She saw it in the men who bent their heads to Alessandro's power but never quite met his gaze. She saw it in the way people suddenly had too much to say, as if the stakes were no longer clear. It wasn't just rivalità (rivalry); it was tradimento (betrayal).

She had learned early on that loyalty in the Mafia world wasn't a virtue. It was a currency—one you either held tightly or spent recklessly.

Her instincts sharpened with every passing day. She kept a careful eye on her enemies, but she also watched her allies. Nothing in her world was ever truly what it seemed.

One night, just months before their wedding, Alessandro had pulled her into the study, his eyes clouded with something that wasn't fear, but something close to it.

"Sienna," he said, taking her hands in his, his voice uncharacteristically low. "Non fidarti di nessuno, nemmeno di me." (Don't trust anyone, not even me.)

She had smiled then, brushing a lock of hair from his forehead, thinking it was just the weight of his responsibilities speaking. "Ti fidi di me, Alessandro?" (Do you trust me, Alessandro?) she asked, her voice playful but serious.

His gaze darkened. "Mi fido di te più di chiunque altro," he whispered, the words heavy with meaning. (I trust you more than anyone else.)

And yet, despite his words, the doubt lingered in his eyes—a storm that Sienna didn't fully understand, but one she would come to know all too well.

The night of their wedding, she had felt it. The shift. The tightening of the air around them as they danced their first waltz. And then, the gunshot.

The world she had built with Alessandro, a kingdom of blood and power, was shattered in an instant.

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They weren't just feared. They were respected. Revered.

Sienna and Alessandro Black didn't rise to power — they seized it with elegance and iron. In the world of shadows, where betrayal was currency and trust was suicide, they became a force no one dared to challenge.

Alessandro ruled with calculation, precision. He never raised his voice, never needed to. A single glance, a quiet command, a half-smile — that was enough. His enemies feared his mind more than his bullets.

Sienna ruled with silence and silk. She was the whisper in the room before the deal, the smile that disarmed, the eyes that read lies before they were spoken. Her beauty was a weapon, but her intelligence was a blade.

Together, they brought structure to chaos.

They cleaned the streets of sloppiness — sloppy dealers, sloppy soldiers, sloppy money. With Sienna's touch, their operations ran like an empire, not a gang. Every territory was mapped, every bribe strategic, every alliance bought with care or blackmail. She created order. He enforced it.

"Nessuna pietà per chi rompe le regole," Alessandro often said. (No mercy for those who break the rules.)

And Sienna would reply, "E nessuna regola per chi governa." (And no rules for those who rule.)

In Palermo, they took over the port routes without firing a shot — Sienna seduced the mayor's son into a scandal that left him obedient for life. In New York, Alessandro orchestrated a silent coup of a rival family using only contracts, threats, and three very convincing deaths.

They were unstoppable.

But with power came enemies. Many wore masks. Some smiled in their presence, toasted their health, and offered gifts at parties in their villa. "La famiglia prima di tutto," they would say. (Family above all.)

Sienna knew better. Family, in their world, was a lie men told before pulling a trigger.

Still, the underworld whispered their names with a mixture of awe and terror.

Il Re e la Regina Nera. The Black King and Queen.

But in their private world — behind closed doors, behind the empire and the blood — they were simply Alessandro and Sienna. Lovers. Partners. Equals.

And when they marked their one-year anniversary, it wasn't just a celebration of love.

It was a warning.

They had built an empire together.

And someone wanted to burn it to the ground.

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