The Don falls to his knees.
Head bowed, trembling.
Alia laughs. Slowly… then louder.
Her laughter shakes the hotel.
Final shot:
CAMERA ZOOMS OUT — light shines above her head like a crown.
Around her: captured mafias, convoys of Russian police.
Alia (in chilling calm, )
"This isn't the end.
It's the beginning —
The reign of the God Mother."
Soundtrack: heavy bassline, Alia's laughter echoing.Close shot:
Mafia boss Ivanov — an ancient name in the Russian underworld —
Stands in a corner, trembling as the world collapses around him.
Suddenly…
Alia steps toward him.
Her heels echo on the marble floor.
Her lips smile, but her eyes hunt.Alia:
"Shhh… Don't be afraid. I'm here, darling."
Ivanov shakes, words stuck in his throat.
Alia leans to his ear, whispering:
> Alia:
"Do you know… what fear sounds like?"
Then she straightens, eyes flashing.
Alia (in Russian, roaring):
ВЫ ВСЕ СЛУШАЙТЕ МЕНЯ!"
(Vy vse slushayte menya! — "All of you, listen to me now!")
"Я была вашей тенью, а теперь я — ваш страх!"
(Ya byla vashey ten'yu, a teper' ya — vash strak! — "I was your shadow, now I am your fear!")
"Ваша империя закончилась, потому что я захотела!"
(Vasha imperiya zakonchilas', potomu chto ya zakhotela! — "Your empire ended… because I willed it!")
The hall falls into total silence.
Awe, fear, respect fill the eyes.
The mafias surrender.
Alia signals her team.
One by one, mafias are cuffed.
Close-up: Ivanov, sweat dripping, whispers:
> Ivanov (trembling, in Russian):
"Ты – демон?" (Ty – demon? — "Are you a demon?")
Alia leans close, whispers back:
> Alia:
"Нет. Я просто женщина, которая устала подчиняться."
(Net. Ya prosto zhenshchina, kotoraya ustala podchinyat'sya.)
"No. I am just a woman… who's tired of bowing."
CAMERA ZOOMS OUT —
Snow falls outside the glass windows.
Soft cello and electric beats play.
Alia (inner voice, subtitle):
"I live, I reign, I dance —
But now, I've built my own stage.
And this game… is mine alone."
Scene 13.1 – "Two Nations, One Blood"
Location: Outskirts of Moscow, Alia's private villa
Time: Midnight
Mood: Family ties, identity struggle, self-reflection in warm light
Exterior shot:
A grand villa — white stone walls, snow-covered roof.
Alia's black car enters through the gate.
Interior:
A fireplace burns, silk curtains sway, crystal chandeliers glow.
Alia sinks onto a leather sofa, removing her heels.
The phone rings.
On screen: "МАМА" (Mama).
Alia closes her eyes, then answers.
Phone Conversation
Mother (excited):
"Alia! I couldn't reach you! So much work, and you never call me?"
Alia (soft voice):
"Mom, I was a bit busy. Now I'm free. Tell me?"
Mother:
"Your sister Sofia has a marriage proposal. The boy is good. The family is respectable."
Alia (surprised):
"Sofia? So soon?"
[pause]
"What does he do, mom? And… Russian or Bangladeshi?"
Mother (proud):
"He's a banker, works in Moscow. Father Russian, mother Bangladeshi.
Just like us — a blend of two bloods."
Alia walks to the window.
Soft piano music plays behind.
Alia:
"Mom… you're from an old KGB family of Russia.
And my father was from Bangladesh,
from an old political family in Dhaka."
Mother (serious):
"You're right.
Two worlds flow in your veins — fire and river.
But today… I want you with the family.
Not as God Mother, but as elder sister."
Alia (quiet, then):
"I agree, mom.
But on one condition —
The wedding will be here, in my villa.
Because this house…
This villa…
Is the only place where I am simply a daughter, a sister, and a child."
Mother (emotional):
"You're still that little Alia inside…"
Alia (smiles):
"No, mom…
Now I am the daughter of two nations —
And the queen of two worlds."
The call ends.
Alia looks out the window. A snowflake falls on her cheek.
Peace on her lips, memories in her eyes.
Alia (inner voice, subtitle):
"Once, I didn't know who I was.
Russia's cold or Bangladesh's warmth?
Now I know —
I am the fire between."
Scene 13.2 – "Victor Arrives"
Location: Alia's villa, Moscow — Living room
Time: Next afternoon
Mood: Family, mystery, power beneath laughter
The villa is being decorated for Sofia's wedding.
Workers arrange flowers, chandeliers are polished.
Someone rehearses on the piano.
Alia sits in the lounge — draped in a white saree, glittering jewelry.
The door opens — a tall, stern man in a dark suit enters.
His eyes gray, his face noble yet dangerous.
His name: Victor.
Alia rises slowly, steps forward.
Alia (to everyone, solemn):
"Everyone, meet Victor — my husband.
And… a Russian mafia lord."
The room freezes.
Someone drops a coffee cup mid-sip.
A glass shatters.
Close-up: Sofia, wearing a red kurti, hair loose, laughs brightly.
> Sofia (laughing):
"I knew it, sister!
I always said — your man could never be soft!"
Alia looks at her sister with pride and tenderness.
Victor steps toward Sofia, nodding.
> Victor (softly, Russian accent):
"Ты выглядишь как принцесса."
("You look like a princess.")
Sofia (teasing):
"And you look like a bodyguard who turned into a prince!"
Laughter spreads — but beneath, tension hums.
Alia turns to Victor, low voice:
> Alia:
"Everyone knows you're my husband…
But no one knows why you've really come."
Victor lowers his eyes, smiles faintly:
> Victor:
"I came for the wedding, darling.
But… some may leave forever."
CAMERA PANS to a distant corner —
A shadowy figure watches.
An unknown character has breached the villa's security.
Scene – "The Wedding Day"
Location: Alia's villa, Moscow — Garden & Hallroom
Time: Morning to afternoon
Mood: Joy, family harmony, tradition with a hidden thread of suspense
The garden blooms with flowers and colorful canopies.
Sunlight dances on leaves.
Sofia wears a yellow saree, petal garlands in her hands.
Her smile radiant, eyes glowing with joy.
Alia, draped in a dazzling saree, adorned with jewelry, sparkles.
Her five children circle around her —
Three daughters dressing in sarees,
Two sons in elegant suits.
Victor stands aside, black suit, gray eyes.
But today, a hint of softness lingers on his face.
Scene 14.2 – "Sofia's Wedding"
Location: Alia's villa, grand garden
Time: Late afternoon, fading into evening
Mood: Bright, classical elegance, regal yet emotional
Alia looks at her children like a guardian and says:
> Alia: "Today a new life begins for you.
Build this home with love and strength."
Sofia gently waves her hand and replies:
> Sofia: "Apu, today I'm not just a bride…
I'm the heir to your strength.
I will fight like you, and love like you."
Victor steps forward and promises:
> Victor: "And I vow…
I will protect this family.
Through every obstacle."
The camera pans —
In Alia's eyes, an unshakable resolve.
In Sofia's eyes, a dream.
In Victor's eyes, an invisible shadow.
Subtitle (Alia's inner voice):
> "My fight is not over.
This is only the beginning."
In the background, a live orchestra blends Russian and Bengali folk melodies.
White roses and yellow tulips hang everywhere.
The venue glimmers in gold, with silver flashes in between.
The camera dollies forward — Sofia walks slowly, in a white A-line gown with a floral crown. Nervous, excited.
Alia walks beside her, in a white saree with golden borders, silver embroidery shimmering like light and shadow woven together. She carries a small bouquet of jasmine.
Suddenly — a long black limousine halts at the gate.
🎥 Slow motion: The groom steps out — tall, handsome, confident yet gentle. He wears an ivory sherwani with caramel shoes. Security men shadow him — he is no ordinary man.
> Sofia (whispering): "Uff… feels like a movie, Apu."
Alia (smiling): "That's what I wanted —
A princess's wedding…
And I, her queen."
Victor appears beside Alia, in a black velvet sherwani with golden buttons.
> Victor (softly): "Your sister looks like a queen today."
Alia (turning, smiling faintly):
"Today she's not just my sister…
She's stepping into the future kingdom of our family."
🎥 Drone shot — the villa glows under the lights, Moscow's skyline behind, and before them, a new chapter of life begins.
---
Scene 14.3 – "The Farewell"
Location: Villa entrance
Time: Evening
Mood: Emotional, quiet, heavy with love
Guests leave slowly. Lights shimmer in the courtyard.
The Imam conducts the Nikah.
> Imam: "Do you both accept each other in the name of Allah?"
Sofia: "Kobul."
Groom: "Kobul."
Three times, their voices echo — as if the sky itself welcomes a new beginning.
Now the farewell.
Sofia's eyes well up.
She steps toward her parents with trembling hands.
> Mother (weeping):
"You are our light…
Now you'll illuminate another home."
Father (shaking voice):
"Sofia… your empty room will never be filled again."
Alia's elder brother, usually cold, hides tears as he kisses her forehead.
> Brother: "You weren't just a sister…
You were our shelter."
Victor stands nearby, eyes misty, though he lowers his face to hide it.
Camera finds Alia.
She stands silent. No tears. Only a slow breath. Something tries to leave her lips — but does not.
Close-up — her eyes glimmer. Not water, but emptiness.
Sofia approaches Alia. Their eyes lock — words unspoken, but everything said.
> Sofia (softly):
"You're my everything.
I'll walk your path, Apu…
But I won't be as hard as you.
I'll love, the way you fought."
Alia nods faintly, a small smile breaking through.
She pulls her sister into a long embrace.
Zooming out — the two sisters locked together, lights glowing behind, time itself paused.
Subtitle (Alia's inner voice):
> "I've bid farewell to many…
But this goodbye…
feels like watching a piece of my heart leave."
Scene 14.4 – "Alia in the Cloud of Memories"
Location: Villa rooftop
Time: 1 AM
Mood: Silent, nostalgic, emotional storm
Alia stands alone under the moonlight.
In her hand, an old photograph —
Little Sofia and Alia, laughing by the railway tracks.
Flashbacks unfold like fragments of memory:
Childhood in Bangladesh, eating muri and bananas.
Sitting by a pond, feet dipped in water.
Alia promises never to leave her.
First school day in snowy Moscow, holding Sofia's hand tightly.
The flashback fades.
Back to the rooftop — Alia's eyes finally brim over.
After so many years — tonight, she cries.
Scene 15 – "Alia Sleeps, Victor Beside Her"
Location: Alia's bedroom
Time: 3 AM
Mood: Stillness, intimacy, silent shadow of love
The room is half-dark, lit softly by a bedside lamp.
Alia sleeps peacefully.
Victor lies beside her, one hand resting protectively on her waist.
Close-up — his face calm, as if after a lifetime of storms, he has found a moment of moonlight.
On the table, the old childhood photo of Alia and Sofia. Beside it, a small rose Sofia gave Alia at the farewell.
Background: soft blend of sitar and piano — tender, melancholic.
The window curtains sway with the cold night breeze. Only two breaths fill the silence.
Subtitle (Alia's half-asleep inner voice):
> "Tonight, there was no battle…
Tonight I was just human.
Someone's sister, someone's wife…
And to myself — a little peace