---
🎬 BLACK SQUAD — EPISODE 172
SCENE 1 — "THE RING IN THE FISH"
📍 VIJAY — NIGHT
Tone: Desperate, suspenseful, emotionally charged
Visual Style: Rain-slick streets, handheld camera, tight close-ups, ambient chase score
---
🌧️ EXT. VIJAY — INDUSTRIAL LANE — NIGHT
SUNIL, bleeding from a gunshot wound in his shoulder, stumbles through a dark alley.
His breath is ragged.
Behind him — three goons with flashlights and pistols.
🎶 Score: pulsing synth, distant thunder.
Sunil hides behind a parked car.
He clutches his wound, eyes scanning.
He spots a truck — engine humming, loaded with crates of fish.
The number plate reads: MH 01 — Mumbai.
He searches his pocket.
Pulls out a blood-stained envelope.
He writes shakily:
🖊️ "TO ACP SULAIMAN QAZI, MUMBAI BLACK SQUAD"
He removes a ring from his finger — silver, engraved.
Places it inside the envelope.
Seals it.
Crawls toward the truck's cargo box.
He throws the envelope into a crate of fish.
Suddenly — a goon spots him.
🗨️ GOON (shouting):
> "There! Behind the truck!"
Sunil runs — limping, desperate.
🚗 A car screeches into frame — hits Sunil from behind.
He crashes to the ground.
Blood pools.
The goons rush forward.
🎶 Score: sharp strings, cut to silence.
🖤 FADE OUT.
---
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 2 — "THE ENVELOPE"
📍 MUMBAI DOCKS — EARLY MORNING
Tone: Subtle, curious, atmospheric
Visual Style: Misty sunrise, slow pans, ambient dock sounds, natural light
---
🌅 EXT. MUMBAI DOCKS — EARLY MORNING
The sky is pale orange.
Fishers unload crates from the truck.
The air smells of salt and diesel.
One fisherman, mid-30s, rugged, opens a crate.
He pauses — something unusual inside.
A sealed envelope, slightly damp, tucked between fish.
He picks it up, wipes it clean.
Reads the writing:
🖊️ "TO ACP SULAIMAN QAZI, MUMBAI BLACK SQUAD"
He frowns — confused.
Walks over to the truck driver, who's smoking near the cabin.
🗨️ FISHERMAN:
> "Bhai… this was inside the fish crate.
Look at the name."
The driver reads it.
His eyes widen.
🗨️ DRIVER (softly):
> "ACP Sulaiman Qazi…
Head of Mumbai Crime Division."
He pockets the envelope.
Looks toward the city skyline.
🎶 Score: soft strings, rising tension.
🖤 FADE OUT.
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 3 — "THE MESSAGE"
📍 BLACK SQUAD BUREAU — MORNING
Tone: Investigative, emotional, tactical
Visual Style: Natural light through blinds, tight shots on faces and objects, ambient hum
---
🏢 INT. BLACK SQUAD BUREAU — MAIN FLOOR
Inspector Shreya and Inspector Vivek sit at their desks — typing, reviewing case files.
The bureau is calm.
Coffee cups. Wall monitors. Tactical silence.
The door opens.
ACP SULAIMAN QAZI and Senior Inspector Arjun walk in.
🗨️ QAZI (to Arjun):
> "Increase the payout to informers.
I want every whisper in Mumbai.
Every person. Every activity."
Arjun nods.
Before he can respond — a truck driver enters, holding an envelope.
🗨️ DRIVER (nervous):
> "Sir… I found this in my truck.
It was inside a fish crate.
It's addressed to you."
He hands it over.
Qazi takes it.
Reads the front:
🖊️ "TO ACP SULAIMAN QAZI, MUMBAI BLACK SQUAD"
He places it on the table.
Turns to the driver.
🗨️ QAZI:
> "Give your ID.
Then leave."
The driver nods and exits.
Arjun opens the envelope.
Inside — a silver ring.
He hands it to Qazi.
Qazi stares at it.
His face changes.
🗨️ QAZI (softly):
> "This is Sunil's ring.
He's an inspector in Goa.
My friend."
He immediately dials Sunil's number.
No answer.
He dials again — nothing.
He calls Sheetal, Sunil's wife.
🗨️ SHEETAL (on call, crying):
> "He didn't come home for two days.
He was working on a case…
Drug Lord John Carlos."
Qazi's voice tightens.
🗨️ QAZI:
> "Sheetal… I found his ring.
In a truck.
I'm coming to Goa."
Arjun steps forward.
🗨️ ARJUN:
> "We're coming too."
🗨️ QAZI (firm):
> "No.
This is personal.
If I need help… I'll contact you."
🎶 Score: low strings, rising tension.
🖤 FADE OUT.
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 4 — "THE BEACH"
📍 GOA — BEACHFRONT — EVENING
Tone: Emotional, subdued, quietly paranoid
Visual Style: Golden hour light, long lens shots, ambient waves, slow pans, distant surveillance POV
---
🌅 EXT. GOA BEACH — EVENING
The sun dips low.
Waves crash gently.
Tourists laugh in the distance.
But here — silence.
A taxi pulls up near the sand.
ACP SULAIMAN QAZI steps out — eyes scanning.
He spots Sheetal, standing alone near a palm tree.
She's pale, trembling.
They walk toward each other.
No words — just a long, silent hug.
She breaks down.
He holds her.
🗨️ QAZI (softly):
> "Don't stop walking.
Someone could be watching."
They walk slowly along the shore.
Behind them — a long lens camera clicks from a rooftop.
🗨️ SHEETAL (through tears):
> "Sunil was working on a case…
A drug mafia.
The name is John Carlos."
Qazi listens — eyes scanning the horizon.
🗨️ SHEETAL (continuing):
> "He was supposed to meet someone tonight.
A man named David.
At a boat party.
The boat's name is Xavier."
Qazi nods.
🗨️ QAZI (quietly):
> "Then I'll meet David tonight."
🎶 Score: ambient strings, distant waves, camera shutter echo.
🖤 FADE OUT.
---
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 5 — "THE BOAT PARTY"
📍 GOA — BOAT NAMED XAVIER — NIGHT
Tone: Suspicious, elegant, quietly dangerous
Visual Style: Neon reflections on water, slow pans, ambient music, tight close-ups on faces
---
🚤 EXT. BOAT — NIGHT
The boat XAVIER rocks gently on the water.
Decorated for a party — music, drinks, laughter.
But beneath the surface — tension.
ACP SULAIMAN QAZI boards, dressed casually.
He blends in, scanning faces.
He moves through the crowd — calm, calculating.
He starts conversations — casual, probing.
🗨️ QAZI (to guests):
> "Heard Goa's getting flooded with new stuff.
Synthetic. Imported.
John Carlos behind it?"
Some guests laugh nervously.
Others deflect.
One man in his 30s, standing near the bar, stiffens.
He glances at Qazi — then turns away.
Qazi watches.
The man begins to walk toward the exit.
Qazi follows — slow, deliberate.
---
📍 EXT. LOWER DECK — NIGHT
The man tries to slip away.
Qazi intercepts him.
🗨️ QAZI (calm):
> "Leaving already?
We haven't even talked."
🗨️ MAN (nervous):
> "I don't know anything."
🗨️ QAZI:
> "I didn't ask if you did."
The man exhales — defeated.
🗨️ MAN:
> "My name is David.
I was supposed to meet Sunil.
But this boat… it's not safe.
Meet me tomorrow.
Panaji Church. Noon."
Qazi studies him — silent.
🗨️ QAZI (quietly):
> "I'll be there."
🎶 Score: ambient strings, low pulse.
David walks away.
Qazi watches — eyes narrowing.
🖤 FADE OUT.
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 6 — "THE CHURCH MEETING"
📍 PANAJI CHURCH — DAY
Tone: Subdued, tense, revelatory
Visual Style: Sunlight through stained glass, echoing footsteps, ambient silence, slow camera push-ins
---
⛪ EXT. PANAJI CHURCH — DAY
The church stands tall — whitewashed walls, quiet bells ringing in the distance.
Tourists pass by. Locals pray.
But ACP SULAIMAN QAZI waits alone on the side steps — eyes scanning, posture still.
🎶 Score: ambient strings, distant choir hum.
DAVID arrives — sunglasses on, cautious.
He sits beside Qazi — not facing him directly.
🗨️ DAVID (low voice):
> "Sunil is alive.
But he's been captured.
I don't know where.
They move him constantly."
Qazi doesn't react — just listens.
🗨️ DAVID (continuing):
> "Tonight… there's a deal.
Panaji Resort.
Big money. Big shipment.
If you want to find John Carlos…
That's where you start."
Qazi turns to him — eyes sharp.
🗨️ QAZI:
> "I'm not here to start.
I'm here to finish."
David nods — almost impressed.
🗨️ DAVID:
> "Then come prepared.
They won't go down easy."
Qazi stands.
🗨️ QAZI (quietly):
> "Neither will I."
🎶 Score rises — strings and low percussion.
🖤 FADE OUT.
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 7 — "THE RESORT RAID"
📍 PANAJI RESORT — NIGHT
Tone: High-stakes, action-packed, focused
Visual Style: Neon reflections, tight handheld shots, choreographed combat, ambient tension
---
🌃 EXT. PANAJI RESORT — NIGHT
The resort glows under moonlight — luxurious, quiet, deceptive.
ACP SULAIMAN QAZI and David wait near the pool bar — dressed like guests, eyes scanning.
🎶 Score: low pulse, ambient tension.
Three dealers arrive — carrying briefcases.
They sit at a cabana.
Two more men join — armed, watching.
David whispers:
🗨️ DAVID:
> "That's them.
Shipment money.
No John Carlos."
Qazi nods.
He walks toward the cabana — calm, deliberate.
🗨️ QAZI (to dealers):
> "Nice night for business.
Shame it's illegal."
The dealers reach for weapons — Qazi strikes first.
---
📍 ACTION CHOREOGRAPHY — RESORT FIGHT
Qazi disarms one dealer with a wrist lock.
David tackles another — punches flying.
A third goon pulls a knife — Qazi kicks him into a table.
Chairs crash. Guests scream.
Qazi uses a bottle to block a punch — counters with elbow to jaw.
David flips a goon over the railing — splash into the pool.
Qazi grabs the lead dealer — slams him against the wall.
🗨️ QAZI (furious):
> "Where's Sunil?
Where's John Carlos?"
🗨️ DEALER (gasping):
> "I don't know!
I was told to deliver cash…
To a boat. Tomorrow."
Qazi tightens his grip.
🗨️ QAZI:
> "Then we'll see who comes to collect."
🎶 Score: rising strings, tactical drums.
Police sirens approach.
Qazi cuffs the dealer.
David breathes heavy — watching Qazi.
🖤 FADE OUT.
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 8 — "THE TRAP"
📍 GOA — BOAT DOCKS — NIGHT
Tone: Suspenseful, claustrophobic, emotionally shocking
Visual Style: Low light, tight frames, shifting shadows, ambient water sounds, rising score
---
🌊 EXT. BOAT DOCKS — NIGHT
The docks are quiet.
Moonlight reflects off the water.
ACP SULAIMAN QAZI and David hide behind stacked crates, watching.
A dealer walks toward a boat — carrying a briefcase of cash.
He vanishes between the boats.
David follows — then disappears.
Qazi moves quickly, scanning the area.
🗨️ QAZI (to himself):
> "Where did they go…"
He steps onto the boat — cautious, alert.
Suddenly — three goons emerge from the shadows, guns drawn.
Qazi freezes.
From behind — David steps out, calm, armed.
🗨️ QAZI (shocked):
> "David…"
🗨️ DAVID (cold):
> "You were never supposed to make it this far."
🗨️ QAZI:
> "You're with John Carlos."
🗨️ DAVID:
> "I am John Carlos's man.
And this… was all a trap."
Qazi's hand slips into his pocket — he dials Arjun silently.
🎧 Phone connects.
🗨️ QAZI (to goons):
> "You're all under arrest."
FADE OUT.
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 9 — "THE CALL"
📍 BLACK SQUAD BUREAU — NIGHT
Tone: Urgent, emotional, tactical
Visual Style: Dim lighting, tight shots on faces, ambient hum, rising score
---
🏢 INT. BLACK SQUAD BUREAU — NIGHT
The bureau is quiet.
Senior Inspector Arjun, Inspector Sachin, and Inspector Vivek sit at their desks — tension in the air.
🗨️ ARJUN (worried):
> "Sir hasn't called from Goa.
It's been two days."
Sachin checks his phone.
Vivek looks up — concerned.
Suddenly — Arjun's phone rings.
He grabs it — sees ACP Qazi's name.
🗨️ ARJUN (relieved):
> "Sir! Finally!"
🎧 INTERCUT — GOA — BOAT DOCK
ACP QAZI stands surrounded by goons.
He speaks into the phone — calm but firm.
🗨️ QAZI (to goons):
> "You're all under arrest."
A goon swings a metal rod — hits Qazi's head.
He collapses.
🎧 MUMBAI — BUREAU
Arjun hears the chaos.
🗨️ ARJUN (panicked):
> "Sir? Hello? Sir!"
The line goes dead.
Arjun stares at the phone — frozen.
Sachin and Vivek rush over.
🗨️ ARJUN (quietly):
> "He's in trouble."
🎶 Score: low strings, rising tension.
🖤 FADE OUT.
---
---
🎬 BLACK SQUAD — EPISODE 172
SCENE 10 — "THE RESPONSE"
📍 BLACK SQUAD BUREAU — NIGHT
Tone: Urgent, tactical, emotionally driven
Visual Style: Fast cuts, rising score, tight shots on faces, gear loading montage
---
🏢 INT. BLACK SQUAD BUREAU — NIGHT
Senior Inspector Arjun stands frozen — phone still in hand.
Sachin and Vivek stare at him — waiting.
🗨️ ARJUN (quietly):
> "Sir's in trouble."
He turns — voice rising.
🗨️ ARJUN (commanding):
> "Sachin, Vivek — call the rest of the team.
Gear up.
We're leaving for Goa."
Vivek grabs his phone.
Sachin opens the weapons locker.
🎶 Score: rising tactical drums, sharp strings.
Montage:
Bulletproof vests strapped.
Phones ringing.
Tactical files pulled.
Goa map pinned on the board.
Squad members arriving — silent, focused.
🗨️ ARJUN (to team):
> "This isn't a mission.
This is a rescue.
ACP Qazi is alone.
And we don't leave our own."
The team nods — eyes burning.
🖤 FADE OUT.
---
END OF EPISODE 172