The guiding red ribbons, which had led the way before, suddenly retreated like a receding tide.
Does that mean... it's time to return? Su Ziceng understood the message of the red ribbons. She hesitated whether to take the design sketches with her or leave them there. As the ribbons sped up in their retreat, it seemed to symbolize that she needed to hurry back.
In haste, Su Ziceng pulled out the portrait of Su Qingzhang, and placed the seven design sketches of "Mussen's Blessing" back in the distance. Before leaving, she took another look at Ye Taina's wax figure. Su Ziceng always felt that Ye Taina wasn't as bad as Pello and Chang Chi had described. She bowed deeply, picked up her shoes, and ran out of the room with wooden flooring.
