"The third measure... can it be changed a bit?"
Three nights ago, deep in the night,
Gan Yanyu placed a coffee cup on the piano score stand, leaving a wet mark on the sheet music Lin Tian had composed.
Hearing this, Lin Tian was surprised and looked up at the girl.
It was the first time, after all this time,
that Gan Yanyu had ever thought to propose "modifications" to a piece he wrote.
"Why?"
Lin Tian rested his chin on his hand, supported by the table, displaying an intrigued expression.
You know,
this is the renowned "Blue Danube," created by the King of Waltz, Strauss, and over hundreds of years, it has become an emblem of Austrian culture.
A piece like this—
you want to change it?
It's not a matter of whether it can be changed, but whether it should be changed.
Even Lin Tian's adaptations were merely rearrangements of the instrumentation; he always held the original score in great respect.
