During this interview, Nanaya and Katsushira talked for a long time, and they finally had dinner in the cafe.
While we were eating, the interview had already ended.
However, Miss Katsushira still asked many questions in her personal capacity, and Nanaya answered them one by one.
Of course, Nanaya's answers were basically official in nature, and he did not truthfully disclose many of the personal matters.
After all, these contents are personal privacy and cannot be disclosed to the public at all.
For example, Half-Nanaya he has a loose belt and maintains improper relationships with many women.
Can you just say such a big truth?
If it were really made public, Rin's fans would stab him, Nanaya Kiryu, to death in the street the next day.
It was not until 9 o'clock in the evening that female reporter Katsushika Ei said goodbye to Nanaya.
This interview was a great success for both parties. Nanaya got to know a beautiful female fan, while Katsushira got his own exclusive information.
After walking out of the coffee shop, Katsushira did not stop. She took a taxi directly back to the hotel and wrote a report on the interview and sent it to the newspaper overnight so that it could be published in time the next day.
After all, interviews are all about timeliness. What if Kiryu Nanaya repeats these things when she is interviewed by other reporters tomorrow?
Therefore, even though it was almost midnight, Miss Katsushira's fingers were still dancing quickly on the keyboard.
While editing the manuscript, Ms. Katsushira looked at Nanaya's message about CGI's comments, with a slight hesitation on her face.
She knew very well that if she sent this content out, her idol director would definitely offend quite a number of people.
After all, many people in the film industry today regard film and real shooting as their life, because they believe that only such things can be called movies.
As a Japanese, Miss Katsushira can understand their thoughts very well.
After all, her hometown is a country where even questions like "Is paper office work better or electronic office work better" can be debated until the 21st century.
From this point of view, Miss Katsushira feels that director Nanaya Kiryu has such a novel way of thinking that he doesn't seem like a Japanese at all.
"Perhaps this is the reason why he was able to break through the shackles of the Japanese film industry and become the only Japanese director who can succeed in Hollywood."
Miss Katsushira shook her head, and she finally wrote this part into the manuscript.
Since Director Kiryu didn't tell me during the interview that this content couldn't be published, I might as well include it in it.
As a competent media person, it is Miss Katsushira's instinct to dig out as much exclusive content as possible.
As to whether this comment is appropriate or not, I will leave it to the public to judge.
Miss Katsushira spent a lot of energy on this interview.
It was not until midnight that Katsushira sent the electronic version of the finished manuscript to the review editor who was still working overtime at the newspaper.
After receiving it, the other party quickly typeset it and then added it to the layout that had been reserved earlier.
This report was then combined with other articles to form a new issue of "Film Treasures" North American edition, and with the help of the printing house it was turned into newspapers sold at major newsstands across the United States.
However, before readers read this exclusive interview with Nanaya Kiryu, the weekend box office results for March and April in North America had already been released.
FZ unsurprisingly took the top spot in this week's box office rankings, and the second-placed "300" wasn't even a fraction of it.
This is true. You should know that FZ's box office data for the three days of the weekend were 55.16 million US dollars on Friday, 62.7 million US dollars on Saturday, and 41.22 million US dollars on Sunday.
Compared with the previous two days, the box office numbers on the third day, Sunday, declined significantly.
But this is a rule that commercial films cannot escape.
But even so, the total revenue for the three days over the weekend was 159.08 million US dollars!
The box office of "300" this week did not even reach 30 million, which is not even a fraction of FZ.
At the same time, FZ has set a new first weekend box office record. Now everyone is speculating how many North American box office records FZ will eventually break, and some people even opened betting in Las Vegas for this.
But everyone knows one thing very well, that is, no matter how high the box office of FZ is, it can never break the box office record in film history held by "Titanic".
Even Nanaya himself, who had the most confidence in FZ, was no exception to this matter.
After all, he has a pretty good brain, so he certainly knows what a goal is and what a daydream is.
The former can be achieved through hard work, but the latter can only be obtained by asking Zhou Gong himself.
And this film history box office record obviously belongs to the latter.
At least, that's the case for the Fate series right now.
The popularity of FZ naturally boosted the traffic of the crew members.
So when "Film Treasures" containing an exclusive interview with Nanaya was released, this article naturally attracted the most attention.
The other answers were fine, but Nanaya's argument about CGI immediately caused dissatisfaction among quite a lot of people.
Therefore, after seeing this report, many film practitioners immediately expressed their dissatisfaction with Nanaya through various platforms.
"CGI looks fake. I can count which shots used special effects with my eyes closed. He, Nanaya Kiryu, doesn't even look at how fake his special effects are!"
"Looking at something that's completely fake, I might as well look at myself in the mirror for five hours!"
"We can't have any hope for the Japanese. After all, they always think they are the best in the world. They even wanted to buy the United States!"
"This is a Japanese conspiracy. All Hollywood people should resist this fake technology!"
These guys were like a group of cats whose tails were stepped on by Nanaya, and their fur stood on end.
But what's funny is that many of these people actually made comments through the instant sharing function of [See Moon].
This made Nanaya really want to laugh three times at these guys, and then say "Who are you in this hall and why are you suing me?"
So when faced with these endless, sarcastic comments, Nanaya just treated them all as a laugh.
And this time, none of the Hollywood bigwigs spoke out, and it was mostly the middle-level Hollywood people who were just entertaining themselves.
However, due to the large number of people, their comments appeared in many media, making it difficult to ignore them.
But for Nanaya and Washimine Entertainment, which are good at publicity and promotion, these voices are not a bad thing. As long as they are used properly, it is not difficult to create social hot spots.
After Nanaya's education, Washimine Entertainment has already mastered the means of creating hot topics.
They quickly took advantage of this and started hyping up FZ's special effects technology.
In fact, Nanaya can more or less understand the feelings of these people, especially those filmmakers from the golden age of Hollywood. They have a morbid love for film and real shooting.
After all, not all directors can keep up with the times like Spielberg or James Cameron.
Most people are usually able to accept new things before the age of 45. After this age, they will begin to have a certain rejection of new things in their hearts.
Of course, this rejection is not because they really don't like these things, but because people are no longer as energetic as before when they reach a certain age, and they no longer have the desire to actively get in touch with new things, which leads to their lack of understanding of new things.
Fear arises from the unknown, and resistance arises from fear.
In fact, after most people really use new things, as long as these things are really convenient and easy to use, they basically cannot escape the "law of true fragrance".
The so-called "really good" is never really "really good", but rather a bad prejudice that people develop in their hearts in advance because they don't understand it.
This makes people's expectations of it drop to a negative number, but when people actually come into contact with such a thing, the rating of such a thing in their minds is positive.
Even if such things are not perfect, for individuals, things that have far exceeded expectations are worth people shouting "It's so delicious".
Therefore, it is not surprising that Nanaya expressed rebuttals to these old stubborn people in various channels.
Why didn't those big guys say a word? Because they are still working on the front line of the industry. They have been exposed to new technologies and can naturally see the advantages of computer special effects technology over real shooting.
As beneficiaries of the new technology, they naturally would not sit on the sidelines, but they were not willing to stand up and support Nanaya.
After all, Nanaya's FZ is still on the championship list, which is a great irony for them, the native Hollywood people.
But Nanaya's voice is not without benefits.
Shortly after this article was published, two people specifically found Seven Nights in Los Angeles.
They are James Cameron and George Lucas.
Including Nanaya, it can be regarded as a meeting of three of the most influential directors in Hollywood at this stage.
What they said after this meeting, no one knows.
But soon, after Nanaya returned to New York from Los Angeles, Washimine Entertainment announced a very shocking news the next day -
Washimine Entertainment will acquire Erque Studio by exchanging shares.
As the current largest shareholder of [Erque Studio], Kiryu Nanaya will directly obtain 9.2% of the shares of Washigamine Group, becoming the individual shareholder with the largest shareholding outside the Washigamine family.
If it were just this part of the content, people wouldn't be too surprised.
After all, Erque Studio has been flirting with Washimine for the past few years, and it just needs the final touch.
Therefore, no one would be surprised when Washimine acquires Erque Studio.
What is really surprising is that the world's largest video website [See Moon] was separated from Washimine Entertainment and a separate branch was established.
Although Washimine Entertainment still holds a 100% stake in the new company named [Moon World Digital Technology Co., Ltd.], it has publicly stated that it will set aside a portion of its shares for external financing.
As soon as this news came out, all the people or organizations paying attention to Washimine were in an uproar.